Un ex-détenu est libéré prématurément de prison et se voit contraint d'intégrer une unité d'infiltration composée de six hommes. Il doit maintenant faire face aux hommes qu'il était chargé d... Tout lireUn ex-détenu est libéré prématurément de prison et se voit contraint d'intégrer une unité d'infiltration composée de six hommes. Il doit maintenant faire face aux hommes qu'il était chargé d'espionner.Un ex-détenu est libéré prématurément de prison et se voit contraint d'intégrer une unité d'infiltration composée de six hommes. Il doit maintenant faire face aux hommes qu'il était chargé d'espionner.
- Réalisation
- Scénario
- Casting principal
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This film is an absolute mess from start to finish, filled with lazy writing, unrealistic reactions, and inconsistent character abilities.
For example, there's a scene where a guy is aiming a gun outside a packed café, and somehow, not a single person reacts. It's like the entire crowd is blind or just completely unfazed by the threat of violence. Then there's the main character, who pulls off an impressive long distance headshot with a pistol like a professional sniper, yet just a few scenes later, he's holding a machine gun at point blank range and somehow manages to miss.
The entire film is riddled with contradictions like this, making it frustrating to watch. The pacing is off, the plot is barely coherent, and the action sequences lack any real tension because of how absurdly inconsistent they are. It feels like the filmmakers just threw together a bunch of random action clichés without thinking about how they actually fit together.
Overall, it's all over the place, and not in a good way. If you're looking for a film that actually makes sense, you'd be better off watching something else.
For example, there's a scene where a guy is aiming a gun outside a packed café, and somehow, not a single person reacts. It's like the entire crowd is blind or just completely unfazed by the threat of violence. Then there's the main character, who pulls off an impressive long distance headshot with a pistol like a professional sniper, yet just a few scenes later, he's holding a machine gun at point blank range and somehow manages to miss.
The entire film is riddled with contradictions like this, making it frustrating to watch. The pacing is off, the plot is barely coherent, and the action sequences lack any real tension because of how absurdly inconsistent they are. It feels like the filmmakers just threw together a bunch of random action clichés without thinking about how they actually fit together.
Overall, it's all over the place, and not in a good way. If you're looking for a film that actually makes sense, you'd be better off watching something else.
Mafia Wars (2024) is a thrilling, action-packed film that immerses viewers in a world of crime, power struggles, and betrayal. The film's plot revolves around an intense conflict between rival mafia families, each vying for dominance in a city teeming with danger. The stakes are high, and the tension is palpable throughout, keeping the audience on the edge of their seat from start to finish.
The cast delivers strong performances, with each actor bringing depth and nuance to their role. The lead character, caught in the crossfire of a deadly family feud, navigates a path filled with moral dilemmas, making the story not just about crime but also about personal redemption and loyalty. The cinematography is striking, capturing both the dark, gritty atmosphere of the mafia world and the emotional weight of the characters' struggles.
What makes Mafia Wars stand out is its ability to balance intense action sequences with moments of emotional depth. It's not just a film about mafia wars; it's a story of survival, loyalty, and the cost of power. The pace is well-maintained, allowing the film to build momentum without feeling rushed.
For anyone who enjoys a solid crime thriller with a strong narrative, Mafia Wars is definitely worth watching. If you're looking for more film recommendations, including similar high-stakes thrillers, you can explore curated lists and reviews on popstream.my.
The cast delivers strong performances, with each actor bringing depth and nuance to their role. The lead character, caught in the crossfire of a deadly family feud, navigates a path filled with moral dilemmas, making the story not just about crime but also about personal redemption and loyalty. The cinematography is striking, capturing both the dark, gritty atmosphere of the mafia world and the emotional weight of the characters' struggles.
What makes Mafia Wars stand out is its ability to balance intense action sequences with moments of emotional depth. It's not just a film about mafia wars; it's a story of survival, loyalty, and the cost of power. The pace is well-maintained, allowing the film to build momentum without feeling rushed.
For anyone who enjoys a solid crime thriller with a strong narrative, Mafia Wars is definitely worth watching. If you're looking for more film recommendations, including similar high-stakes thrillers, you can explore curated lists and reviews on popstream.my.
I went into Deep Six (also known as Mafia Wars) hoping for a gritty crime thriller. What I got was a painfully slow, confusing mess that feels like it was written in a single night and filmed the next morning.
Tom Welling is completely wasted here. He looks like he's constantly wondering how he ended up in this project. The plot is all over the place, filled with tired mob clichés, cardboard characters, and dialogue so stiff it might have been AI-generated.
The editing is choppy, the pacing drags, and the action scenes are laughably bad. Every attempt at drama or suspense falls flat. And don't even get me started on the ending-it felt like they just ran out of money and decided to stop filming.
This isn't a deep dive into crime. It's a shallow stumble through bad storytelling. If you value your time (or Tom Welling's career), avoid this movie.
Tom Welling is completely wasted here. He looks like he's constantly wondering how he ended up in this project. The plot is all over the place, filled with tired mob clichés, cardboard characters, and dialogue so stiff it might have been AI-generated.
The editing is choppy, the pacing drags, and the action scenes are laughably bad. Every attempt at drama or suspense falls flat. And don't even get me started on the ending-it felt like they just ran out of money and decided to stop filming.
This isn't a deep dive into crime. It's a shallow stumble through bad storytelling. If you value your time (or Tom Welling's career), avoid this movie.
The reason I gave this movie 3 stars and not zero is for a few reasons: I like Tom Welling (even though his acting in this sucked), I like Cam Giganet (even though his acting in this sucked), and the female lead had nice boobs (but her face was almost as bad as her acting. There's very little action, and when there is, it's very obvious that stunt doubles are being used. Think Spaceballs stunt doubles. Tom is a recently released convict who is roped into an undercover investigation by an American cop in Rome who's accent changes every few scenes. He is forced to go after Cam, who tries to play a crazy bad guy, but the writing doesn't give him much to work with. There's a female lead who I can barely remember aside from her "assets" and her horrible acting. Oh and the CGI is from a 90s TV movie. I had low expectations going in but holy crap this was bad.
Even Tom Welling's acting was so below par and expectation. Most of the other actors acted poorly as well. So disappointing. I feel alot has to do with director choices in the scenes as they were poorly done too. Not a great action movie and everything was so predictable.
Don't waste your money with this one. It was below TV movie acceptance. Everyone seems so mechanical as they did their parts. The only actor that seemed to play his part right and with some enthusiasm was Al Linea.
I can't not understand the high rating unless they were paid by the movie company to rate it! I feel it highly suspicious of it.
Don't waste your money with this one. It was below TV movie acceptance. Everyone seems so mechanical as they did their parts. The only actor that seemed to play his part right and with some enthusiasm was Al Linea.
I can't not understand the high rating unless they were paid by the movie company to rate it! I feel it highly suspicious of it.
Le saviez-vous
- AnecdotesGriff mentions Fortress of Solitude and Superman. Tom Welling played Clark Kent on Smallville (2001).
- Bandes originalesMoving to the Future
Written by End of Code (Nicolas Saad) and (Shawn Pereira)
Produced by End of Code (Nicolas Saad) and (Shawn Pereira)
Meilleurs choix
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- How long is Mafia Wars?Alimenté par Alexa
Détails
Box-office
- Budget
- 6 000 000 $US (estimé)
- Durée
- 1h 38min(98 min)
- Couleur
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