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28 ans plus tard

Titre original : 28 Years Later
  • 2025
  • 16
  • 1h 55min
NOTE IMDb
6,7/10
122 k
MA NOTE
POPULARITÉ
35
8
Ralph Fiennes, Aaron Taylor-Johnson, Alfie Williams, and Jodie Comer in 28 ans plus tard (2025)
It's been almost three decades since the rage virus escaped a biological weapons laboratory, and now, still in a ruthlessly enforced quarantine, some have found ways to exist amidst the infected. One such group of survivors lives on a small island connected to the mainland by a single, heavily-defended causeway. When one of the group leaves the island on a mission into the dark heart of the mainland, he discovers secrets, wonders, and horrors that have mutated not only the infected but other survivors as well.
Lire trailer2:03
9 Videos
99+ photos
Horreur zombieHorreurScience-fictionThriller

Des survivants isolés découvrent l'horreur sur le continent : le virus de la rage a évolué, mutant infectés comme survivants. Une mission de routine révèle des secrets dévastateurs.Des survivants isolés découvrent l'horreur sur le continent : le virus de la rage a évolué, mutant infectés comme survivants. Une mission de routine révèle des secrets dévastateurs.Des survivants isolés découvrent l'horreur sur le continent : le virus de la rage a évolué, mutant infectés comme survivants. Une mission de routine révèle des secrets dévastateurs.

  • Réalisation
    • Danny Boyle
  • Scénario
    • Alex Garland
  • Casting principal
    • Jodie Comer
    • Aaron Taylor-Johnson
    • Ralph Fiennes
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,7/10
    122 k
    MA NOTE
    POPULARITÉ
    35
    8
    • Réalisation
      • Danny Boyle
    • Scénario
      • Alex Garland
    • Casting principal
      • Jodie Comer
      • Aaron Taylor-Johnson
      • Ralph Fiennes
    • 1.7Kavis d'utilisateurs
    • 269avis des critiques
    • 77Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 victoires et 14 nominations au total

    Vidéos9

    Buy Tickets
    Trailer 2:03
    Buy Tickets
    Official Trailer
    Trailer 2:06
    Official Trailer
    Official Trailer
    Trailer 2:06
    Official Trailer
    Official Teaser
    Trailer 0:13
    Official Teaser
    28 Years Later
    Trailer 2:06
    28 Years Later
    How '28 Years Later' Reinvents Horror Using iPhones, Drones, and Prosthetics
    Clip 3:31
    How '28 Years Later' Reinvents Horror Using iPhones, Drones, and Prosthetics
    Why We Can't Wait for the '28 Years Later' Trilogy
    Clip 3:48
    Why We Can't Wait for the '28 Years Later' Trilogy

    Photos115

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    + 109
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    Rôles principaux51

    Modifier
    Jodie Comer
    Jodie Comer
    • Isla
    Aaron Taylor-Johnson
    Aaron Taylor-Johnson
    • Jamie
    Ralph Fiennes
    Ralph Fiennes
    • Dr. Kelson
    Rocco Haynes
    Rocco Haynes
    • Young Jimmy
    Haley Flaherty
    • Jimmy's Aunty
    Harriet Taylor
    Harriet Taylor
    • Jimmy's Cousin Delilah
    Hannah Allan-Robertson
    • Jimmy's Sister
    Annabelle Graham
    • Jimmy's Sister
    Olivia Morley
    • Jimmy's Sister
    Theadora Rawlings
    • Jimmy's Sister
    Darcie Smith
    • Jimmy's Sister
    • (as Darcie Summer Smith)
    Isla Vickers
    • Jimmy's Sister
    Kim Allan
    Kim Allan
    • Jimmy's Mother
    Sandy Batchelor
    Sandy Batchelor
    • Jimmy's Father
    Alfie Williams
    Alfie Williams
    • Spike
    Christopher Fulford
    Christopher Fulford
    • Sam
    Sienna Giblin
    • Girl Villager
    Amy Cameron
    Amy Cameron
    • Rosey
    • Réalisation
      • Danny Boyle
    • Scénario
      • Alex Garland
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs1.7K

    6,7122.4K
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    Résumé

    Reviewers say '28 Years Later' is a divisive film with strong opinions on both sides. Positive reviews highlight the film's unique approach, strong performances, and thematic depth, praising Danny Boyle's direction and Alex Garland's writing. Negative reviews criticize the film for its tonal shifts, pacing issues, and perceived lack of coherence, with some finding the ending particularly disappointing. Neutral reviews acknowledge the film's ambition and visual style but note that it may not satisfy all fans of the original films. Overall, the film is seen as a bold but polarizing addition to the franchise.
    Généré par IA à partir de textes des commentaires utilisateurs

    Avis à la une

    7drawlife

    As a fan I have a lot to say...

    When the movie tries to be layered it will either work for you or it won't. I get why Danny Boyle and Alex Garland chose this route.

    This is my personal speculation, but I think Danny Boyle and Alex Garland thought that perhaps after the release of 28 DAYS LATER, there have been many zombie films since (some of which are good and innovative), so they just didn't want to be straight forward or play it safe with 28 YEARS LATER. In doing so, I don't think the film completely delivers on what it looked to promise in both incredible trailers.

    In truth I did kind of know that going in because after watching other movies from Boyle and Garland, a seasoned movie buff knows they love to subvert so it really shouldn't be surprising. This is also the first in a new trilogy of films. I had to keep that in mind as I walked out because I don't have the big picture just yet.

    I feel as though Alex Garland had like three ideas, presented them to Danny Boyle and they both decided to mash them up together. A story about coming of age/rite of passage, a bond between a mother and son, and the philosophical idea of death and what it means, almost nihilistic. All in the back drop of survival horror.

    So that basically made my experience all over the place because it can get jarring. It's ambitious for sure and Boyle and Garland swing big, but I can see it being not cohesive for some people.

    I'm in the center, but I do lean a bit towards a more favorable outlook and that's mainly because of the actors. I thought Alfie Williams who plays Spike, shouldered this film very well. He is the emotional anchor in the film and he carried it with striking maturity and nuance. There's a slow erosion of childhood innocence and it was very subtle, but also very powerful. The erosion of childhood innocence is also something I think Boyle and Garland has in play for a particular character in the next sequel - a boy named Jimmy who watched Teletubbies as shown in the trailer.

    Ralph Fiennes is just always good in everything and he's a stand out as Doctor Ian Kelson. I hope we see more of him down the line. Jodie Comer is Isla, Spike's mother who is suffering from an illness seeking out Kelson with Spike. She is also fantastic and anchors all the emotional elements of the film with Alfie Williams. Aaron Taylor-Johnson's Jamie, Spike's father I think will have more to do in the sequel, and his character is used in good effect in the beginning of the film. Edvin Ryding's Erik a Swedish NATO soldier is memorable too. Everyone brought their A-game.

    There are new concepts explored with the infected and the rage virus. While I have a lot of questions about it, they were all fascinating ideas. I'm curious to see those layers get peeled. Good action and some decent scares from the infected too, not to mention also very naked.

    Boyle loves to experiment with editing and the sped up scenes are here just like in the first film, but there are moments of some awkward cuts in-between. I think people will either like or hate that.

    The ending is the epitome of weird and jarring, but again, keep in mind that there will be a sequel and hopefully a concluding threequel where Cillian Murphy can come dominate his role as Jim. Speaking of Jim, I don't know if it was deliberate, but the name Jim seems to be a common thing and I am curious if it will have any kind of connection or none at all.

    So bottom line, yes I enjoyed it. I enjoyed what Boyle and Garland were trying to say and the great performances help alleviate the jarring tonal shifts. However, I understand some of the disappointment, as I am a massive fan of the first, who also really enjoyed the comics in what I think are not canon anymore and mildly enjoyed the sequel 28 WEEKS LATER.

    This film basically skipped straight to being a thesis film with horror elements. This isn't a one-off indie film, but Boyle and Garland sort of treat it like that. It's part of a franchise with a 20+ year fanbase. Fans want to be re-invited into the world they remember. Give some sense of continuity, not just in lore but also in tone. Then gradually show the new direction.

    Boyle and Garland made the exact opposite of a nostalgic legacy sequel. They could have played it safe, but if they had and if it failed they risked creating another STAR WARS: THE FORCE AWAKENS situation, where nostalgia drives the hype, but the film ultimately lacks a real identity of its own and sets up a trilogy with shaky creative footing failing to evolve.

    Instead, they forced a fresh, cerebral narrative at the risk of alienating the fans. That's the paradox. It's that classic art vs. Expectation battle and Boyle and Garland chose art, knowing full well the trade-off.

    28 YEARS LATER is bold and new. I do tip my hat off for Danny Boyle, who thrives in visual and tonal whiplash and Alex Garland who is allergic to clean resolutions or simple narratives. Together they create artful chaos which is this film, but for a film that took over a decade to arrive, a bit of familiar footing first might have allowed the fans and the audience to follow them more willingly into the deeper waters they clearly want to explore.

    7/10.
    6frankpasciuta-548-34544

    Confused, disappointed, and sad.

    I truly don't think this is the story the writers wanted to tell. Something interfered or tampered, perhaps the studio executives forcing it to be a trilogy. I think this was originally intended to be one story but the writer and director were forced to change it. While the first act was strong, the second and third act just felt odd, both rushed and stretched out at the same time. The characters just make weird, fruitless decisions. A plot device happens in the third act that is completely pointless and adds nothing to the depth of the story, and for what the previous installments were there isn't really a climax. At some points I felt like I was watching the Walking Dead where the infected are secondary to the plot. Idk, I just hope Cillian can redeem the series in the next entry.
    6avtar103

    They ruined it!

    Great first half, full of tension, beautiful cinematography, although those zombie kill shots where scene pauses and camera angle rotates was annoying and looked like a video game scene.

    Super boring second half where movie switches tone to comedy drama and predictable scenes were dragged too much.

    Completely stupid ending, nothing like what you would expect from this movie series.

    28 days later was such an amazing movie with constant tension throughout, great ending and awesome camera work showing aggressiveness of zombies that you felt through screen. This movie however is disappointing. Alphas just look like Jason Mamoa with makeup. Would have been nice if they kept rest of the movie similar to the first half with focus on horror and intense tension to keep viewers edge of their seat instead of making viewers fall asleep.
    6leestoych

    Technically strong but weak story

    The film is truly a tale of two halves. The first act was definitely entertaining. The world design looked amazing. Sprawling scenery and some genuinely scary moments involving the infected. This part of the film was by far the closest to the previous instalments. The direction here stands out - with grainy close-ups, fast jump cuts, and jarring transitions reminiscent of the original film, it pulls you right into the chaos.

    Unfortunately, the momentum doesn't last. As the film transitions into its second half, it shifts gears into a more melodramatic human drama. The focus moves away from the infected threat and toward a lackluster subplot involving a mother and a doctor. The characters at this point make some questionable decisions which really doesn't help the film's validity.

    The final act unfortunately teetered on lacklustre and borderline comedic, completely changing the tone of the first act.

    I stand by saying the directing, camera work, editing and cinematography were the highlight. The landscapes and post apocalyptic setting was beautiful to look at. These elements made the film worth watching. There were some plot elements that were interesting enough but were never explored to the full potential.

    However a weak plot, even weaker characters and a lacklustre ending prevent this instalment from being memorable.
    6zacharylamothe

    Disappointing Sequel

    I was excited to see this long awaited anticipated sequel I was hyped. And the movie was I finished I thought that I would not ever say this but it was a disappointment how is this even apart of this world?. The movie felt really weird it didn't have the same feel as the other two films the editing was off I was not a fan of that. And a lot of the characters were through away characters you don't really care about them. If there is anybody I like Spike was that person and Dr. Kelson was cool. There are some cool things in here but really I think it's forgettable unfortunately. I will give this another rewatch to see if my thoughts have changed if I'am recommending any of the 3 watch the first two.

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    Centres d’intérêt connexes

    Pedro Pascal in Long, Long Time (2023)
    Horreur zombie
    Mia Farrow in Rosemary's Baby (1968)
    Horreur
    James Earl Jones and David Prowse in L'Empire contre-attaque (1980)
    Science-fiction
    Cho Yeo-jeong in Parasite (2019)
    Thriller

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The trailer features a distinctive recording of the poem "Boots" by Rudyard Kipling, read by the actor Taylor Holmes in 1915. The poem's repetitive rhythm imagines the march of British soldiers during the Boer War, and this recording of the poem is used by the U.S. military to simulate the psychological distress of being held captive.
    • Gaffes
      Spike and Isla are inside a gas station which is filled with explosive gas, a soldier tells them to get down and shoots into the gas to make it explode, and after that Isla and Spike are totally fine not even their hair was burnt. That's not how physics work, not only their hair would burn away, but they would also have had burnt skin.
    • Citations

      Dr. Kelson: Spike, momento mori, what did it mean?

      Spike: Remember we must die.

      Dr. Kelson: And it's true. There are many kinds of death. Some are better than others. The best are peaceful where we leave each other in love. You love your mother?

      Spike: I love her.

      Dr. Kelson: And Isla you love Spike?

      Isla: So much.

      Dr. Kelson: Memento amorous. Remember you must love.

    • Crédits fous
      Haunting snippets of the movie, mostly consisting of the infected, are shown throughout the end credits.
    • Connexions
      Featured in Midnight Screenings: 28 Years Later (2025)
    • Bandes originales
      Abide with Me
      Written by Henry F. Lyte (as Henry Francis Lyte)

    Meilleurs choix

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    FAQ23

    • How long is 28 Years Later?Alimenté par Alexa
    • Is it necessary to watch "28 Days Later" and "28 Weeks Later" before watching this movie?
    • Is there a post credits scene?
    • How are there still infected after 28 years? Shouldn't they have starved to death?

    Détails

    Modifier
    • Date de sortie
      • 18 juin 2025 (France)
    • Pays d’origine
      • Royaume-Uni
      • États-Unis
      • Canada
    • Sites officiels
      • Official Amazon Link
      • Official Website
    • Langues
      • Anglais
      • Suédois
    • Aussi connu sous le nom de
      • 28 Years Later
    • Lieux de tournage
      • Holy Island of Lindisfarne, Berwick-upon-Tweed, Northumberland, Angleterre, Royaume-Uni
    • Sociétés de production
      • Columbia Pictures
      • TSG Entertainment
      • British Film Institute (BFI)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 60 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 70 446 897 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 30 002 966 $US
      • 22 juin 2025
    • Montant brut mondial
      • 150 446 897 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 55min(115 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Atmos
    • Rapport de forme
      • 2.76 : 1

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