Homewrecker

Could have been a good movie with better writing and better direction.

Oh, and way better music than that annoying poorly played slide guitar garbage interspliced through out the film. It sucks.

I get it. It's low budget. But the direction really sucks. It comes across as a stage play that someone put on film and because of that the lines fall flat. Almost as if the lines are being read, not acted.

BTW, it's really not a horror movie. More of a comedy psycho-thriller.

The plot has been done before and better.

It's kind of hard to watch because of how insufferable and realistic the main character is. Apart from that, not the most interesting developments occur but it's original enough to enjoy overall. Like a quirky take on Misery.

Not the best movie but the twist is there right in your face ! If you get high enough its even pretty funny at times i didnt like the ending tho i think it could have been a lot better .

Fast forwarded it was so bad. Two women in a house. Stupid dialog, Bad acting and terrible direction. I regret wasting a half hour or so of my life.

Well, this is certainly an indie film. It's the feature length debut of director Zach Gayne and it shows. This will divide people into two camps, those who can't get past the inherent flaws, and those who are willing accept them and see the film on it's level.

The lack of budget makes itself known in a handful of ways. It's incredibly minimal in both story and production. The sound and visual are understated, delivering the essentials but never dazzling. The majority of the film takes place in a suburban home and mainly features two actresses who also happened to moonlight as the film's screenwriters. The performances occasionally have that stiff, "made for TV movie" vibe, but as things heat up, the two leads do put their all into their roles and make it work. Stoner heiress Precious Chong really brings her character to life, impressively portraying insanity through subtle facial quirks. There are some moments that are as funny as they are sad, almost allowing you to sympathize with the psychopath, before the inevitable violent payoff. The resolution felt a bit half-hazard, but not maddeningly open ended.

If you were to compare this film to like, a Christopher Nolan movie, then they're barely even the same art form. But compared to the student films that are more rightfully it's peers, it's coherent and doesn't overstay it's welcome, so you could do a lot worse.