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Illusions perdues

  • 2021
  • Tous publics
  • 2h 29min
NOTE IMDb
7,4/10
7,2 k
MA NOTE
Benjamin Voisin in Illusions perdues (2021)
Lucien de Rubempré, a young, lower-class poet, is madly in love with the baroness Louise de Bargeton. The risk of scandal forces them to flee to Paris where they hope to live and love freely. Lucien soon finds rejection and loses the baroness's support. He finds himself alone, penniless, hungry, and humiliated until the day he seeks revenge by writing controversial - yet banal - articles. Inside the Paris he so coveted, he finds a cynical world where everything - and everyone - can be bought and sold. Can he find his way and remain faithful to his hopes and dreams...?
Lire trailer2:06
3 Videos
23 photos
DrameRomance

Une adaptation du roman d'Honoré de Balzac "Illusions perdues".Une adaptation du roman d'Honoré de Balzac "Illusions perdues".Une adaptation du roman d'Honoré de Balzac "Illusions perdues".

  • Réalisation
    • Xavier Giannoli
  • Scénario
    • Xavier Giannoli
    • Honoré de Balzac
    • Jacques Fieschi
  • Casting principal
    • Benjamin Voisin
    • Cécile de France
    • Vincent Lacoste
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,4/10
    7,2 k
    MA NOTE
    • Réalisation
      • Xavier Giannoli
    • Scénario
      • Xavier Giannoli
      • Honoré de Balzac
      • Jacques Fieschi
    • Casting principal
      • Benjamin Voisin
      • Cécile de France
      • Vincent Lacoste
    • 20avis d'utilisateurs
    • 82avis des critiques
    • 81Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 8 victoires et 19 nominations au total

    Vidéos3

    Official Trailer
    Trailer 2:06
    Official Trailer
    Lost Illusions
    Trailer 2:21
    Lost Illusions
    Lost Illusions
    Trailer 2:21
    Lost Illusions
    Lost Illusions - Official US Trailer
    Trailer 2:21
    Lost Illusions - Official US Trailer

    Photos22

    Voir l'affiche
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    Voir l'affiche
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    + 19
    Voir l'affiche

    Rôles principaux57

    Modifier
    Benjamin Voisin
    Benjamin Voisin
    • Lucien
    Cécile de France
    Cécile de France
    • Louise
    Vincent Lacoste
    Vincent Lacoste
    • Etienne Lousteau
    Xavier Dolan
    Xavier Dolan
    • Nathan
    Salomé Dewaels
    • Coralie
    Jeanne Balibar
    Jeanne Balibar
    • Marquise d'Espard
    André Marcon
    André Marcon
    • Baron du Châtelet
    Louis-Do de Lencquesaing
    Louis-Do de Lencquesaing
    • Finot
    Gérard Depardieu
    Gérard Depardieu
    • Dauriat
    Jean-François Stévenin
    Jean-François Stévenin
    • Singali
    Candice Bouchet
    Candice Bouchet
    • Florine
    Jean-Marie Frin
    Jean-Marie Frin
    • Camusot
    Saïd Amadis
    • Matifat
    Isabelle de Hertogh
    • Bérénice
    Laurent Ferraro
    • Rédacteur du Corsaire
    Jérémie Bedrune
    • Rédacteur du Corsaire
    Sandrine Molaro
    • La logeuse
    Benoît Tachoires
    Benoît Tachoires
    • Le directeur bas rouge
    • Réalisation
      • Xavier Giannoli
    • Scénario
      • Xavier Giannoli
      • Honoré de Balzac
      • Jacques Fieschi
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs20

    7,47.2K
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    Avis à la une

    7daoldiges

    Lovely Illusions

    I won't repeat the storyline here as that's already been covered by many others. Lost Illusions is a visually sumptuous film throughout. I did notice that all of the camera work is quite tight, with very few if any longshots. As such it can feel slightly claustrophobic, if by design or chance I'm not sure. I'm not suggesting it a positive or negative, just an observation. I generally liked the male performances, especially Voisin does a nice job. Salome Dewaels does a very fine job as well but I feel the two other female performances were both a bit constrained. Several viewers took issue with the volume of narration - to that I feel there might have been a couple of instances of this, ever so slightly, but for the most part I have no major issues with this element. Lost Illusions is a beautiful and interesting film worth checking out.
    7steveinadelaide

    Good but spoiled by heavy-handed narration

    Lost Illusions is a movie adaptation of the classic novel by Honoré de Balzac. The movie follows the young poet Lucien de Rubempré, who naively leaves his hometown in pursuit of becoming an author. I haven't read the novel, but I understand the movie does an excellent job of staying true to the source material. Unfortunately, the constant narration can be quite tedious. It's as if the viewer isn't trusted to understand what's going on without being spoon-fed every detail.

    The acting is solid all around, but the standout performance is by Benjamin Voisinas as Lucien. He perfectly captures the naïveté and arrogance of the character. The movie is also visually stunning, with opulent costumes and sets that transport the viewer to 19th century France. The dialogue is fast-paced and witty, but it can be difficult to follow at times. There are some very funny moments, but the movie is a tragedy more than a comedy. It's a long movie, but it's worth watching if you're a fan of period dramas.

    Even though the movie is set in the 1800s, it has a lot of relevance to today. The portrayal of journalism and the literary world is just as relevant now as it was then. Fake news was a problem back then and the movie is a reminder that some things never change.

    Lost Illusions is a well-made movie and worth seeing if you're a fan of the novel or period dramas in general. I'd give Lost Illusions a higher score if the narration weren't so heavy-handed.
    6Oeuvre_Klika

    Excessive narration does a disservice to this movie

    I'm not against the use of a narrator in a movie by principle. Narration can be useful to set context, or, even better, have an interesting dialogue with the action. However, I struggle to understand what the writers of this movie were thinking when they decided that every beat of this story needed narration. I felt like I was reading a picture book. It really diminished my enjoyment of the movie. Too bad, because it's a good story, served by excellent actors (I particularly loved Salomé Dewaels) and beautiful costumes and sets. A lot of the narration could have been cut by being more creative with the script and telling us things in different ways, or by simply leaving a few things unsaid and trusting the audience to cope with some ambiguity.

    I'm frankly baffled by the fact that it won the "best movie" and "best adapted scenario" César awards (admittedly, I haven't seen its competition).

    Also, the little nods to our present time, mostly done by that same narration, were very unsubtle. In a better film, I might have funnier, but there they tended to annoy me.
    10johanrazak

    Delightful adaptation of Balzac

    After a long hiatus since the pandemic, I made a return to the cinema notably to catch up with #lefrenchfilmfestival. Most of the films I would say struggled to justify your time in the cinema indulging in such frivolity but this one particularly stood out.

    I am not familiar with and have never read Balzac but I reckon this film gives you a glimpse of his genius and why he remains a giant in French literary circle, not merely for prose or poetry but for his devastatingly incisive social commentary still relevant today.

    And one couldn't help but feel despite our technological advancements and having totally plundered the planet, from a moral standpoint the world hasn't progressed not even an inch today and remains mercilessly mercenary under a veneer of righteousness as Balzac had so accurately depicted some two centuries ago.

    Dazzlingly executed with a superb ensemble of cast, illuminating performances, a production nothing short of breathtaking and lashings of Baroque including the less often heard Jean-Philippe Rameau, the film remains and stays with you long after you have left the cinema.
    7bob998

    They had to boil it down

    It's a 600 page novel that had to be boiled down to fit the running time of 2 1/2 hours, some minor characters had to be thrown out. The third part of the book is dispensed with--no great loss.

    We are left with a wonderful satire of the popular press in France circa 1830. Graft and bribery are part of the game, and our hero Lucien is never quite sure where the next knife is going to come from that will enter his back. My favourite character is Sarfati, the claque leader, whose mob can be bought for whomever pays top dollar. The acting is superb, as you might imagine: Depardieu, de France, de Lenquesaing all acquit themselves well, and Vincent Lacoste as Lucien's changeable buddy Lousteau is marvellous. Only Benjamin Voisin doesn't quite meet the demands of the role, and he's in almost every scene. Sets and costumes are very good, and Giannoli's direction is assured.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The character of Nathan d'Anastazio, played by Xavier Dolan, is actually a synthesis of three characters from the novel: Raoul Nathan, a scheming journalist, Daniel d'Arthez, a hard-working writer and Melchior de Canalis, a successful poet.
    • Gaffes
      The Dejazet theater is mentioned, but the movie takes place in the early 1800s, during the Restoration, and this theater was inaugurated on September 27th, 1859.
    • Connexions
      Referenced in Radio Dolin: The New "Matrix" - We Have Been Waiting for it for Almost 20 Years! Well, Blue or Red? (2021)
    • Bandes originales
      Concerto in A Minor, BWV 1065: I. Allegro
      Composed by Johann Sebastian Bach

      Performed by Ensemble Bruno Rigutto, Gabriel Tacchino, Jean-Philippe Collard, Jean-Pierre Wallez, Michel Beroff & Paris Orchestral

    Meilleurs choix

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    FAQ

    • How long is Lost Illusions?
      Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 20 octobre 2021 (France)
    • Pays d’origine
      • France
      • Belgique
    • Site officiel
      • Official site
    • Langue
      • Français
    • Aussi connu sous le nom de
      • Comédie humaine
    • Lieux de tournage
      • Jardins du Palais-Royal, Place du Palais Royal, Paris 1, Paris, France(on location)
    • Sociétés de production
      • Curiosa Films
      • Gaumont
      • France 3 Cinéma
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 18 700 000 € (estimé)
    • Montant brut aux États-Unis et au Canada
      • 126 391 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 15 182 $US
      • 12 juin 2022
    • Montant brut mondial
      • 8 635 184 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 29 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 2.41 : 1

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