NOTE IMDb
4,6/10
20 k
MA NOTE
Une jeune femme japonaise qui détient la clé pour arrêter l'esprit maléfique de Kayako, se rend dans l'appartement hanté de Chicago de la suite, pour arrêter la malédiction de Kayako une foi... Tout lireUne jeune femme japonaise qui détient la clé pour arrêter l'esprit maléfique de Kayako, se rend dans l'appartement hanté de Chicago de la suite, pour arrêter la malédiction de Kayako une fois pour toutes.Une jeune femme japonaise qui détient la clé pour arrêter l'esprit maléfique de Kayako, se rend dans l'appartement hanté de Chicago de la suite, pour arrêter la malédiction de Kayako une fois pour toutes.
- Réalisation
- Scénario
- Casting principal
Takatsuna Mukai
- Daisuke
- (as Takatsuma Mukai)
Jadie Rose Hobson
- Rose
- (as Jadie Hobson)
Takako Fuji
- Kayako Saeki
- (images d'archives)
- (non crédité)
Takashi Matsuyama
- Takeo Saeki
- (images d'archives)
- (non crédité)
Kim Miyori
- Kayako's Mother
- (images d'archives)
- (non crédité)
Avis à la une
First of all, I have been a huge fan of Japanese horror movies ever since I saw the original Japanese version of The Ring nearly 8-9 years ago. I have seen a lot of different horror movies but I have to say, my favourites are The Ring and the Ju-On franchise.
After seeing that there was a The Grudge 3, I had some hopes for it. But boy, if only I knew what was coming...Where to start? The acting was utterly horrible and the plot was forgettable. As for the scary parts, we all know whats coming, you see the boy in white, you hear that classic sound of ju-on and you see her approaching her victim, over and over and over again. There is nothing new to this movie and its about time to let the franchise take a rest.
After seeing that there was a The Grudge 3, I had some hopes for it. But boy, if only I knew what was coming...Where to start? The acting was utterly horrible and the plot was forgettable. As for the scary parts, we all know whats coming, you see the boy in white, you hear that classic sound of ju-on and you see her approaching her victim, over and over and over again. There is nothing new to this movie and its about time to let the franchise take a rest.
It seems the majority of the reviews thus far have been written by viewers who, after not enjoying either of the two previous films, decided to weigh in on what is ultimately a complete mockery of a great series.
First I'll tackle the good things about this film, of which there are few, but they deserve mentioning and as much of a reprieve as anyone can give them. Aiko Horiuchi replaces Takako Fuji as Kayako (creepy crackling voice lady) and picks up the role fairly well. Any fault in her appearance lies with the director, Toby Wilkins, who I will get to in a moment. The only other two notable performances come from the female leads, Johanna Braddy and Takatzuna Mukai and might not so much be notable as much as they just sharply contrast their terrible surroundings.
Now, on to the awful stuff. I think the large majority of the critics of the first two films, as I have understood them on here, find that the they were cryptic and difficult to follow. They have gotten their wish for an easy to interpret, spoon-fed, linear-flowing, cheesy horror film in The Grudge 3. Gone are the intelligent and subtle left-to-the-imagination disappearance kills. Artistic and suspenseful cinematography have been replaced by bland, formulaic and frightfully comical scenes. Brad Keene and Toby Wilkins have crafted an hour-and-a-half long slap in the face of director Takashi Shimizu who re-invented the haunted house horror film by making his own rules and breaking all the ones in the book.
Normally I am given pause when criticizing the artistic vision of writers, directors and actors who put their work on the line for what is largely a very unforgiving audience. In this case, however, the writer and director were toying with another man's vision and the hard work and creative energy he expended trying to bring something original into the world. I am dumbstruck by how a duo could miss the theme of a series so entirely. Ultimately, The Grudge 3 adds nothing to the mythology of the films and takes away a substantial amount.
First I'll tackle the good things about this film, of which there are few, but they deserve mentioning and as much of a reprieve as anyone can give them. Aiko Horiuchi replaces Takako Fuji as Kayako (creepy crackling voice lady) and picks up the role fairly well. Any fault in her appearance lies with the director, Toby Wilkins, who I will get to in a moment. The only other two notable performances come from the female leads, Johanna Braddy and Takatzuna Mukai and might not so much be notable as much as they just sharply contrast their terrible surroundings.
Now, on to the awful stuff. I think the large majority of the critics of the first two films, as I have understood them on here, find that the they were cryptic and difficult to follow. They have gotten their wish for an easy to interpret, spoon-fed, linear-flowing, cheesy horror film in The Grudge 3. Gone are the intelligent and subtle left-to-the-imagination disappearance kills. Artistic and suspenseful cinematography have been replaced by bland, formulaic and frightfully comical scenes. Brad Keene and Toby Wilkins have crafted an hour-and-a-half long slap in the face of director Takashi Shimizu who re-invented the haunted house horror film by making his own rules and breaking all the ones in the book.
Normally I am given pause when criticizing the artistic vision of writers, directors and actors who put their work on the line for what is largely a very unforgiving audience. In this case, however, the writer and director were toying with another man's vision and the hard work and creative energy he expended trying to bring something original into the world. I am dumbstruck by how a duo could miss the theme of a series so entirely. Ultimately, The Grudge 3 adds nothing to the mythology of the films and takes away a substantial amount.
I had very low expectations for this film. I had read some of the reviews on here (good and bad) and wasn't holding out much hope. If you've fallen in love with the Ju-On and Grudge films in the way I have in the past month your curiosity will probably get the better of you. That's what happened to me, but being prepared for a bad movie I was able to enjoy it for what it was. Yes it changes the storyline, yes it's cashing in, yes parts of it were illogical, but something about it wasn't that bad. I'm not going to even bother going in to all the ways it's wrong because I'm sure people must have done that many times already on here. It wasn't the worst movie I've ever seen or even close. For me the Grudge 2 still had the power to scare but here the fear factor was gone completely which was a great shame. Some die hard fans of the series are saying it's just as scary as the first two, some people are even saying it's one of the scariest films they've seen which makes me question their mental age. If they found this film scary I don't know how they even got to it because by all rights the first two would have scared them so much they'd have probably had a heart attack - literally scared to death... This film wasn't even slightly scary but something about it was still quite enjoyable. Maybe it's just because I love the series so much, maybe it was the characters, the pace, I don't know, and sitting through the whole thing was worth it for the last twenty minutes which I found to be actually pretty exciting. It's no surprise to hear rumours that Grudge 4 is in the works , and after that Grudge 5 is a pretty safe bet, they'll be cashing in on this series 'til the cows come home. W*nkers. Thanks
I really liked the Japanese films (Ju-on and Ju-on 2), while the American remake was decent enough and it's sequel while I wasn't that taken by it still it had its moments. The latter two films received cinema releases where the remake was a big hit, but the second sequel (The Grudge 3) would see it hit the straight to DVD market. Watching you can see why. However that's not a bad thing, as I was actually surprised by it. It could've been worse. In some ways I prefer it over "The Grudge 2", but there's no doubts the story keeps within the same grounds of the first two films --- similar investigations, story progression, imagery and scares. We've seen it before, but there's one or two fresh developments regarding Kayako and another is its supposedly set entirely in America (except for one brief shot in Tokyo).
The third film continues on from the events of the last film where the curse was affecting an American family in a dingy apartment building. The sole survivor of the massacre a young boy is hospitalised, but is tortured by visions of the vengeful spirits Kayako and Toshio. Soon his fate is stamped, and now another family (an older brother and his two sisters) in the apartment find themselves in the path of these vengeful spirits. However there's a mysterious lady that has come Tokyo and moved in to the apartment to hopefully put a stop to this curse.
Very standard, but acceptable retread. The budget is considerably lower; as the make-up FX and special effects go on to show it. The ghosts and the jerky movements this time just seemed to lack that menacing and unnerving edge they once held, due to over-used make-up and too well lit scenes where they would creep up in. However the shuddery music score and sound FX is effectively skin-crawling and the air is dripping with a glum atmosphere of dread. Although the chills and tension falls on the uneven side, as some moments work while others fall a long way short. The problem might lie in that at times it was trying to be subtle, but then chooses to be blatant in its acts. Some stages felt bland (just like the second film) and the script is rather shallow, but the pacing seemed better handled. Compared to the other films, it goes against the grain with a linear storyline but remains just as slow-grinding with it growing darker the further along it went. As if there's no real escaping this stinging threat, as fate has a shocking twist or two waiting. The performances are able enough with the likes of Matthew Knight, Emi Ikehata, Johanna Braddy, Jadie Hobson and Shawnee Smith.
The third film continues on from the events of the last film where the curse was affecting an American family in a dingy apartment building. The sole survivor of the massacre a young boy is hospitalised, but is tortured by visions of the vengeful spirits Kayako and Toshio. Soon his fate is stamped, and now another family (an older brother and his two sisters) in the apartment find themselves in the path of these vengeful spirits. However there's a mysterious lady that has come Tokyo and moved in to the apartment to hopefully put a stop to this curse.
Very standard, but acceptable retread. The budget is considerably lower; as the make-up FX and special effects go on to show it. The ghosts and the jerky movements this time just seemed to lack that menacing and unnerving edge they once held, due to over-used make-up and too well lit scenes where they would creep up in. However the shuddery music score and sound FX is effectively skin-crawling and the air is dripping with a glum atmosphere of dread. Although the chills and tension falls on the uneven side, as some moments work while others fall a long way short. The problem might lie in that at times it was trying to be subtle, but then chooses to be blatant in its acts. Some stages felt bland (just like the second film) and the script is rather shallow, but the pacing seemed better handled. Compared to the other films, it goes against the grain with a linear storyline but remains just as slow-grinding with it growing darker the further along it went. As if there's no real escaping this stinging threat, as fate has a shocking twist or two waiting. The performances are able enough with the likes of Matthew Knight, Emi Ikehata, Johanna Braddy, Jadie Hobson and Shawnee Smith.
I had my doubts with this one, as the director of this one and the first two parts is different. This one lacks at many occasions, firstly it does not have any horror in it.. i mean if you have seen the first two parts, they make u jump up from your chair, you need to take frequent breaks in order to get a relief and it might haunt u in the night if you are not into horror movies and if you believe in supernatural thingie.
However, this one, the writer tried sequencing it, but the director couldn't really make this one as perfect as the last two were.. It contained more story than horror, not many horror appearance, not many real killing scenes, director tried ending most of the scenes in suspense, as we'd guess what would have happened or perhaps like a trailer or a teaser that you'd have to wait to see what would have happened...
I felt it as a waste of my time frankly, and I think it will be a waste of time for all the people who have been great fan of the first two parts.
However, this one, the writer tried sequencing it, but the director couldn't really make this one as perfect as the last two were.. It contained more story than horror, not many horror appearance, not many real killing scenes, director tried ending most of the scenes in suspense, as we'd guess what would have happened or perhaps like a trailer or a teaser that you'd have to wait to see what would have happened...
I felt it as a waste of my time frankly, and I think it will be a waste of time for all the people who have been great fan of the first two parts.
Le saviez-vous
- AnecdotesAlthough the film takes place in Chicago and (briefly) Tokyo, it was filmed in Bulgaria, for economic reasons. The location of filming caused issues with the predominantly English speaking cast and crew, who couldn't speak Bulgarian, resulting in the need for several translators on set.
- Gaffes(at around 57 mins) Naoko is incorrectly referred to as Naoko Saeki on her phone message. Although she is Kayako's sister, Kayako's married name is Saeki so Naoko's last name should be Kayako's maiden name of Kawamata.
- Bandes originalesNo Trouble
Performed by Marwood
Written by Benji Rogers
(Ben Rogers Music ASCAP)
Feckless Music Inc. Copyright 2008
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Détails
Box-office
- Budget
- 5 000 000 $US (estimé)
- Montant brut mondial
- 1 869 127 $US
- Durée1 heure 30 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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