Carmen s'est occupée toute sa vie de son frère, le prêtre local. Lorsque l'Église abandonne Carmen, elle est prise pour le nouveau prêtre. Carmen commence à voir le monde, et elle-même, sous... Tout lireCarmen s'est occupée toute sa vie de son frère, le prêtre local. Lorsque l'Église abandonne Carmen, elle est prise pour le nouveau prêtre. Carmen commence à voir le monde, et elle-même, sous un jour nouveau.Carmen s'est occupée toute sa vie de son frère, le prêtre local. Lorsque l'Église abandonne Carmen, elle est prise pour le nouveau prêtre. Carmen commence à voir le monde, et elle-même, sous un jour nouveau.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires au total
Chakid Zidi
- Ahmad
- (as Chakib Zidi)
Avis à la une
It's a comedy-drama set in the 1980s in the Republic of Malta. It follows the life of a late-40s woman after the sudden death of her older brother. She had served as a housekeeper for her Catholic priest brother for 30 years. It's loosely based on the life experience of the director's aunt.
Carmen (Natascha McElhone)'s family forced her to look after her brother, Father Francis (Henry Zammit Cordina), from age 16. He is austere and disliked by his small-town parish. After his death, another priest plans to come. The new priest's sister, Rita (Michaela Farrugia), will look after him.
Carmen has nowhere to go, but God keeps supplying signs to guide her. Some of the options she chooses are engaging and very funny. At one point, Carmen has a relationship with a young pawnbroker, Paulo (Steven Love), which includes more drama. Throughout, we have flashbacks to a relationship she had as a young girl with an Arab boy, Ahmad (Chakid Zidi).
There is a resolution of sorts by the end, though some story threads are incomplete.
This engaging movie is about blossoming in middle age after three decades of repressed living. Natascha McElhone is excellent, as is Steven Love as Paulo. Many of the fringe players are also very good. The cinematography makes full use of Malta's beauty. Highly recommended.
The director grew up in Toronto but had a Maltese heritage. The film is a joint Canadian-Malta project.
Carmen (Natascha McElhone)'s family forced her to look after her brother, Father Francis (Henry Zammit Cordina), from age 16. He is austere and disliked by his small-town parish. After his death, another priest plans to come. The new priest's sister, Rita (Michaela Farrugia), will look after him.
Carmen has nowhere to go, but God keeps supplying signs to guide her. Some of the options she chooses are engaging and very funny. At one point, Carmen has a relationship with a young pawnbroker, Paulo (Steven Love), which includes more drama. Throughout, we have flashbacks to a relationship she had as a young girl with an Arab boy, Ahmad (Chakid Zidi).
There is a resolution of sorts by the end, though some story threads are incomplete.
This engaging movie is about blossoming in middle age after three decades of repressed living. Natascha McElhone is excellent, as is Steven Love as Paulo. Many of the fringe players are also very good. The cinematography makes full use of Malta's beauty. Highly recommended.
The director grew up in Toronto but had a Maltese heritage. The film is a joint Canadian-Malta project.
A feel-good little film detailing how little sprinklings of humaneness and liberalism can overcome systemic failures in society and the church.
The film is the journey of the titular character traversing from being stifled for many decades to discovering how to be happy once again.
The ending is seemingly deliberately unrealistically over-optimistic, and that's the point. It is a film designed to lift one's spirits and see the good in the world again.
While certainly not for everyone - for example, it won't be for those who like only realistic dramas and those who strongly adhere to the stringent side of Catholicism - personally, I feel in love with it.
It doesn't overstay its welcome and has a few laugh-out-loud moments too, especially in the opening third. Recommended.
The film is the journey of the titular character traversing from being stifled for many decades to discovering how to be happy once again.
The ending is seemingly deliberately unrealistically over-optimistic, and that's the point. It is a film designed to lift one's spirits and see the good in the world again.
While certainly not for everyone - for example, it won't be for those who like only realistic dramas and those who strongly adhere to the stringent side of Catholicism - personally, I feel in love with it.
It doesn't overstay its welcome and has a few laugh-out-loud moments too, especially in the opening third. Recommended.
Carmen is a film about faith and kindness, lonliness and love.
It's a quirky and charming comedy drama about a lady named Carmen who hasn't been dealt the best cards in life. But with the passing of her brother , the priest, she finds new possibility in her lonely adventure.
Certainly this film makes some light hearted pokes at Catholicism, but it's all very much in good spirit. Essentially suggesting that religion is also about fun and that surely, the Lord wants us to happy, even if he has mysterious ways of showing it.
The music is lovely, the scenery is pleasantly mediteranean, and the soul is very much that of a 1960's quaint romance, with a touch of tradgedy.
Carmen is a warm and endearing film that will leave you with a smile on your face and a chuckle in your tummy.
Check it out, it's nice. :-)
It's a quirky and charming comedy drama about a lady named Carmen who hasn't been dealt the best cards in life. But with the passing of her brother , the priest, she finds new possibility in her lonely adventure.
Certainly this film makes some light hearted pokes at Catholicism, but it's all very much in good spirit. Essentially suggesting that religion is also about fun and that surely, the Lord wants us to happy, even if he has mysterious ways of showing it.
The music is lovely, the scenery is pleasantly mediteranean, and the soul is very much that of a 1960's quaint romance, with a touch of tradgedy.
Carmen is a warm and endearing film that will leave you with a smile on your face and a chuckle in your tummy.
Check it out, it's nice. :-)
I'm a big fan of Natascha Mcelhone and I'm so glad I have seen her performances in other films, before watching this. I can't remember having dragged myself through a worse movie in many, many, many years. It's awful. The story is thin at best and the acting is amateurish beyond belief and the songs from this will keep me up at night for weeks to come. Scenery is nice though, that's it. I'm sorry, but there's absolutely nothing to like about this movie, except for how gorgeous Natasha McElhone looks, while she does her lines with a bad accent. I've seen school plays more convincing than this garbage. Please do not trust high star reviews of this, you will not be rewarded for your time, nor patience.
Thoroughly enjoyed this tale of a 50 year old Catholic woman relegated to serving her much older priest brother. When he dies and she is left alone with no money, she gets creative. Most of the film is about her innovative and sometimes surprising choices as she survives and transforms.
Set in Malta, the scenery and architecture are beautiful. Most of the plot is situational, so there is little character development, aside from Carmen herself.
If you are looking for realism, this not your movie. If you enjoy imagining alternate realities, ridiculous events, and happy, though implausible endings, this is it! You won't be sorry.
Set in Malta, the scenery and architecture are beautiful. Most of the plot is situational, so there is little character development, aside from Carmen herself.
If you are looking for realism, this not your movie. If you enjoy imagining alternate realities, ridiculous events, and happy, though implausible endings, this is it! You won't be sorry.
Le saviez-vous
- AnecdotesValerie Buhagiar: as Tonio's Mother.
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- How long is Carmen?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 3 927 $US
- Montant brut mondial
- 3 927 $US
- Durée
- 1h 27min(87 min)
- Couleur
- Rapport de forme
- 2.35 : 1
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