La vie devant soi

I was really excited to watch this as it really seemed like the type of film i love. I was unfortunately a little disappointed.

The movie looks great and it made me want to visit this gorgeous seaside town. Every scene has this warm, golden glow from the sun, it looks so good.

The acting is also great too, both leads did a great job. I think they really help keep this film afloat because it has a mixture of different problems that weigh it down.

I can't exactly put into words what it was missing but it just didn't fully click. It was a little bit surface level and i wanted to really get to know these characters and really feel the happiness and sadness that they feel. I didn't feel much of a connection between the two main characters. I wish they had jus done a little more to show us them bonding.

I also think the score and soundtrack is really here, there and everywhere. It really effected the film for me and took me out of it. Some parts where subtle and melancholy but then it has these really modern songs blasting out and sometimes a different score playing that just seemed really out of place. I guess i wanted more of the sad, moody score.

I think that describes what i wanted from the whole movie to be honest. I just wanted more emotions, more sadness, more happiness. Don't get me wrong the ending is pretty sad but i just think it would have had such a bigger pay off with more emotions before hand.

I would definitely give it a watch as it looks great and the acting is as well. I don't know it just didn't click the way i was hoping it would.

The movie is an emotional tour de force, taking the audience through the trials of age, loss, loneliness, tragedy, respect, religion, friendship, and life.

Sophia Loren is captivating and she's surrounded by a strong, supporting cast.

An Italian drama. It is about a Muslim immigrant boy in the street who is taken to live with a retired prostitute who was a victim of the holocaust, making the meeting a moment of reflection in their lives. Quality. Raw Timeless Slightly parsimonious. Talk about love, empathy, charity, about belonging somewhere. About how hard life is for orphans and also for migrants, prompting them to do anything to survive. It even also shows how human beings sometimes live with fear and fear of being hurt that is why we put a huge barrier to others. The performances at the level. And it shows that, life itself. If you like dramas you will enjoy it. A drama that shows that the only thing a person sometimes needs is attention and love.

Although Sophia Loren has played too many parts to recount in her 86 years, The Life Ahead is probably as close as she will get to depicting an aging, caring senior who is about ready to leave permanently. The good deeds she, Madame Rosa, has done for others, especially youngsters, travel with her as we see how she guides her latest waif, 12-year-old Momo (Ibrahima Guye) from thief and dealer to loving child for an old lady.

While this premise may sound maudlin, it is not. Directed by her son, Eduardo Ponti, this melodrama with thriller touches is all about Momo finding love and connection and Rosa coming to terms with her Holocaust memories while doing her best good deeds at the end of her life. The screen has a few touching minor characters like Dr. Coen, who attends to Rosa also as a friend, and Lola (Abril Zamora), a transgender caregiver who shares affection with her dear old friend.

The Life Ahead is restrained with few high moments. Rather, small interactions lead to our seeing the good in every life, even those of which we don't approve. Rosa is a former hooker, about whom one couldn't harbor criticism or disdain. Like her friends, Lola gives succor when she can, indulges regrets when they come, and searches for love right to the end of the film.

She is "good" just as she tells Momo he is. And that's enough.

It was an indescribable joy to watch the great star who became more and more beautiful like wine over the years. I just revere...