Vindication Swim

That the film exists at all is something of a miracle. Originally planned to take a few months, the shoot extended to three years, with the swimming footage alone going from three or four planned sessions to nearer thirty. Made on a miniscule budget, the production pulled through thanks to the dedication and passion of all involved, from writer/directer Elliott Hasler through the two principal cast members Kirsten Callaghan and John Locke, to the many extras, theatre groups, town councils and others who went above and beyond.

And was it worth the effort? Yes. Although the budget restrictions show in the tightness of a few of the shots, what does fill the screen is beautifully realised; major kudos to the production design team. Costumes, vehicles, sets - everything looks marvellously authentic. And if the sea-set stuff looks real, it was - they were out there in The English Channel, in a couple of small boats for hours on end, with no body doubles.

Mercedes Gleitze had a fascinating life, of which this is only a small part, but the narrow focus works, enabling the drama of the channel crossings and attendant disputes to be teased out in just the right amount of detail. Kirsten Callaghan and John Locke make an appealing if oddly-matched pair at the centre of it all, in a story about integrity and self-belief, and the end is unexpected - and unexpectedly moving. The conclusion shouldn't work but it does, partly thanks to Daniel Clive McCallum's excellent score, but also due to restrained acting on the part of the leads, and some excellent staging. I was really quite moved, both times I saw it.

Being a channel swimmer myself (relay only) I found this a fascinating watch. The challenges of the channel are captured perfectly in the film, I almost felt sea sick at one point, it was so realistic. I felt for the rower, never mind Mercedes. The film clearly portrayed how driven Mercedes was to overcome the prejudice's of the time, being a working class female of German heritage, and this was eloquently emphasised by the sound effects. The film tenderly told the story of Mercedes incredible achievements and what drove her to them. The film makers are to be commended in their portrayal of this period piece, which considering it's a low budget film was extremely good. Go and see it!

What a great film this is about an inspirational true story that seems lost to time. I had never heard of Mercedes Gleitze before, but the film does a great job of bringing you on the journey of really understanding all the challenges she faced and the emotional rollercoaster she went on. Not only did she have to deal with the actual task of swimming the channel, but to do that as a woman at that time makes it all the more impressive.

I loved the way it was shot, the very clever use of black and white scenes mixed with colour scenes when she was in the water which gives the impression she was truly free in the open waters, away from her normal life on land.

A really entertaining, cleverly written film about an amazing woman, well worth a watch.

A small girl stands on a lonely beach, staring at the mysterious sea. She feels at home here, the sea beckons her.

In the 1920s, far from where the Jazz Age thrives in parts of America, but Mercedes Gleitze , a young British woman who works as a shorthand-typist; who is bored, and feels she is of no importance.

She remembers the sea, the feeling of freedom Could she swim across the English Channel? She approaches the authorities who are contemptuous of any woman doing such a thing. Her hopes are smothered.

Swimming the Channel is largely about endurance, not being willing to give up, rather like a boxer being knocked down and getting up again. And again. This film captures that feeling, which I remember well from my long distance running days.

Ms Gleitze is determined, especially when she finds a man who swam the Channel many years before, a man who finally agrees to train her. She has to fight both the sea and society.

And just when you think the film is nearing its end, a crisis blows up.

Normally I avoid films about sports but found this one quite compelling.

This film has an intimacy about it that subtly wove its way through the remarkable story of Mercedes Gleitze which is all the more so as it's almost 100 years since her successful crossing of the Channel.

The period nature of the film and atmosphere created with the mix of colour and black and white cinematography was as inspired and original as Mercedes herself.

The lead was uncannily similar in looks to Mercedes and portrayed the complexity of her character with understated simplicity that neither overshadowed the story or her achievements.

Ably matched by the supporting character with whom one can only admire as well as feel great empathy.

It was a film with meaning, tension, grit, sadness and inspiration and a reminder that whist sexism and misogyny is not as prevalent now as 100 years ago females are still fighting for equality in sport and the workplace.