Fighting
Channing Tatum donne la réplique à Terrence Howard dans ce film truffé de scènes d'action, qui se déroule dans l'univers underground du streetfighting, où il ne s'agit pas de savoir contre q... Tout lireChanning Tatum donne la réplique à Terrence Howard dans ce film truffé de scènes d'action, qui se déroule dans l'univers underground du streetfighting, où il ne s'agit pas de savoir contre qui, mais pour quoi vous vous battez.Channing Tatum donne la réplique à Terrence Howard dans ce film truffé de scènes d'action, qui se déroule dans l'univers underground du streetfighting, où il ne s'agit pas de savoir contre qui, mais pour quoi vous vous battez.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
- Z
- (as Peter Tambakis)
Avis à la une
Shawn MacArthur (Channing Tatum) is your typical working-class boy who is taken under the wing of an ageing con-man named Harvey (Terrence Howard) and given the opportunity to make his American dream come true by participating in various back-room bare-knuckle fights. Oh, and the stereotypical love-interest in the form Zulay (Zulay Henao) is also thrown into the mix. Now, despite this description describing various films from the last few years (never mind the last few decades), it contains three huge, jaw-shattering constraints: 1) Despite being named Fighting, the film ironically contains very little fighting or brawling in regards to its hundred-minute running time. And when we do get to see some face-bruising action, the Director seems to get incredibly giddy with the camera and what we are left with is some Paul Greengrass jerkiness that allows you to observe very little especially when the camera is thrown into the heart of the action.
2) Terrence Howard puts a little effort into his character and drags out a performance worthy of a film better than this, however Channing Tatum does not follow his lead. His stony expression and Brando-style mumbling is just plain annoying and unconvincing, yet he is the lead protagonist at the forefront of the film, and his performance drags the film down considerably.
3) Finally, Munic and Montiel's script has about as much weight as a feather and as punch as a fighter out-cold on the mat. We learn little about the characters until late into the film when there life stories seem to just be thrown around quickly to fill various plot-holes. While, the majority of the dialogue is just clichéd and cringe-worthy, most notably a scene at the end of the film that precedes the final fight sequence, which can only be described as hilariously idiotic.
Fighting is crime against cinema. It is a film which gives the audience absolutely nothing, yet takes from them their hard-earned cash in the form of their admittance fee. The only reason I can think why this film was distributed to theatres instead of being a straight-to-DVD affair, is down to the influence of having a star like Terrence Howard in the picture. Don't waste your time or money on this abomination.
The picture contains drama ,thrills , and lots of violent brawls plenty of punch , kicks, and knockouts. Acceptable performance from Channing Tatum as impulsive young becoming a professional street-fighter and battling a variety of contenders , plus Zulay Enao gives a surprisingly good acting as his gorgeous love interest and special mention to Terrence Howard as the sharpster who arranges his bare-knuckled bouts . The picture belongs to sub-genre about street combats as ¨Lionheart¨ with Jean Claude Van Damme and whose maxim representation turns out to be the classic ¨Hard times¨ by Walter Hill with Charles Bronson and James Coburn . It's a colorful but violent entertainment that results to be the second film of his director Dito Montiel. His first movie was the dramatic ¨Guide to recognizing the saints ¨and in preparation ¨The son of no one¨ also with Channing Tatum and Al Pacino . Rating : passable , only for those who like films in which fist-play are staged ad nauseam .
Yes, its a formulaic fighting movie and I can understand that it might rub you up the wrong way but I really liked the minimal insecure way in which the down on their luck main characters Shawn (Channing Tatum) Harvey (Terrence Howard) held themselves acting wise and I thought they established an excellent rapport by the end. The casting overall felt just right.
Neither of them were likable in the beginning and it was this roughness that gave the film more realism. I don't think you can really compare this to Never Back Down which was, like many beat em up movies, more of a glossy cartoon with human actors. 'Fighting' has more of a grime to it, made immersing by excellent cinematography of NYC and cool locations.
I liked the fact that the fight scenes were not an all singing and all dancing over stylised Tonay Jaa affair. Because of this I felt totally absorbed by the 'in the crowd' camera shots; catching different angles. You really felt the fighting was more realistic, as if you've ever been in a fight you'll know that technique can only take you so far- Its really down to mind, heart and of course luck.
Nothing was overstated in this film and I think that might be the reason it has received such bad rating. I don't care that it felt budget and its nice to have an understated fighting movie for once without too many bells and whistles.
A bit of a poor man's Rocky, with (believe it or not) an even worse story. Delving into the seedy, underground world of bare-knuckle fighting – with no holds barred.
A new kid in town, down on his luck in the big City meets up with and becomes unlikely friends with a less than successful con man / fight promoter and his entourage of misfits and vagabonds. The fights get increasingly intense as each opponent gets bigger and stronger than the last, until the big showdown with a boyhood nemesis.
Meanwhile, as a sub-plot, the up-and-coming fighter tries to woo a club waitress by always turning up whenever she is around alas, I suppose stalking has the same effect as a bunch of roses to some people today.
This was a poorly directed film, and the characters were pretty wooden, the story was very laboured and moved very slowly.
The redeeming features were some of the fight scenes (that were a bit on the brutal side), and the "comedy" performance of the girlfriend's Mother that kept popping into the room on the most inappropriate of moments! Although the fight sequences may be of interest to some – I would say that many others would find these quite off putting.
The film tries to save itself with some plot twists, but, unfortunately – you could see these punches coming from a long way off.
Channing Tatum in the opening introduction before the film started described the plot line of the movie as being loosely based on "Midnight Cowboy" – but it is a very loose connection both in story, acting ability or finished result – and this film definitely wasn't the winner.
I say 4 out of 10. It could have been filmed like clover-field and still received the same rating. If the story would have been more original, then I would have said higher rating.
Oh and the "Antagonist" throughout this storyline made me laugh. My 5 year old nephew could take him down let alone our main character.
Le saviez-vous
- AnecdotesChanning Tatum broke his nose during one of the fight scenes.
- GaffesWhen Shawn arrives at the night club following his first fight, he steps out of the car clearly sporting two bruises on his face. After the scene shifts to the interior, his bruises have all disappeared.
- Citations
Shawn MacArthur: So, what, I'm gonna fight this... this guy, and then what? What happens?
Harvey Boarden: Well, we go in, you win, you get $5,000 dollars. You lose, you get nothin'.
Harvey Boarden: So we get paid tonight?
Harvey Boarden: Yes, we will get paid. You keep askin' me the same question.
- Versions alternativesUSA Blu ray release includes a Unrated version.
- Bandes originalesAin't No Love in the Heart of the City
Written by Michael Price and Daniel Walsh (as Dan Walsh)
Performed by Bobby Bland (as Bobby 'Blue' Bland)
Courtesy of Geffen Records
Under license from Universal Music Enterprises
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Peleador Callejero
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 23 091 010 $US
- Week-end de sortie aux États-Unis et au Canada
- 11 024 370 $US
- 26 avr. 2009
- Montant brut mondial
- 32 482 728 $US
- Durée
- 1h 45min(105 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1