Joey, le fils de quatre ans d'Hanna, a été enlevé par le tueur en série Simpkins et n'a jamais été retrouvé. Rongée par la culpabilité, Hanna a fini par sombrer dans la drogue et l'alcool.Joey, le fils de quatre ans d'Hanna, a été enlevé par le tueur en série Simpkins et n'a jamais été retrouvé. Rongée par la culpabilité, Hanna a fini par sombrer dans la drogue et l'alcool.Joey, le fils de quatre ans d'Hanna, a été enlevé par le tueur en série Simpkins et n'a jamais été retrouvé. Rongée par la culpabilité, Hanna a fini par sombrer dans la drogue et l'alcool.
- Réalisation
- Scénario
- Casting principal
Avis à la une
A decent-enough film, that you can pass a few hours with.
If you're looking for a non-stop, rollercoaster of a horror movie...this ain't it!
It's a very slow burner, with probably the worst group of child actors you'll see this year. Everything else though, is great!
If you're looking for a non-stop, rollercoaster of a horror movie...this ain't it!
It's a very slow burner, with probably the worst group of child actors you'll see this year. Everything else though, is great!
'Sweet River', like the best ghost stories, is suffused with grief and mystery.
A woman moves to a small Australian riverfront sugarcane town to seek answers about the disappearance of her small son, only to find a community of grieving parents who, having lost their children to a number of tragedies, believe they are still with them. At the same time a mystery haunts the town, echoing across the canefields at night - particularly a field that stands as a memorial for the children lost and has never been harvested.
'Sweet River' is first and foremost a human drama about an outsider probing the secrets of a town - when the townsfolk don't want her to - so that she can find her son and finally allow him, and herself, to rest. The cane towers and shifts as both a backdrop and a character. It is foreboding and visceral - both the town's lifeblood and the keeper of its secrets. A river and a forest full of omens.
Beautifully acted and photographed, this film weaves a tightly knotted plot that it unravels in expertly measured beats as midway, the ghost story hinted in its opening sequence begins to take hold while the frustrations begin to mount upon Hannah as she gets closer to the truth.
Perhaps the resolution is just ever so slightly too neat (this is being very picky) and the emotional wrap-up a touch too swift to be as satisfying as the rest of the story demands. The opening sequence, like the exaggerated trailer, is also a little at odds with the tone of the rest of the film. Nevertheless, this is an accomplished, subtle, slow burn, adult ghost story that should have had the chance to find a bigger audience than it has.
One for viewers looking for something along the lines of 'The Orphanage', 'The Others', 'February (The Balckcoat's Daughter)' and 'The Devil's Backbone' rather than J-Horror and 'Children of the Corn', as the trailer would have you expect.
A woman moves to a small Australian riverfront sugarcane town to seek answers about the disappearance of her small son, only to find a community of grieving parents who, having lost their children to a number of tragedies, believe they are still with them. At the same time a mystery haunts the town, echoing across the canefields at night - particularly a field that stands as a memorial for the children lost and has never been harvested.
'Sweet River' is first and foremost a human drama about an outsider probing the secrets of a town - when the townsfolk don't want her to - so that she can find her son and finally allow him, and herself, to rest. The cane towers and shifts as both a backdrop and a character. It is foreboding and visceral - both the town's lifeblood and the keeper of its secrets. A river and a forest full of omens.
Beautifully acted and photographed, this film weaves a tightly knotted plot that it unravels in expertly measured beats as midway, the ghost story hinted in its opening sequence begins to take hold while the frustrations begin to mount upon Hannah as she gets closer to the truth.
Perhaps the resolution is just ever so slightly too neat (this is being very picky) and the emotional wrap-up a touch too swift to be as satisfying as the rest of the story demands. The opening sequence, like the exaggerated trailer, is also a little at odds with the tone of the rest of the film. Nevertheless, this is an accomplished, subtle, slow burn, adult ghost story that should have had the chance to find a bigger audience than it has.
One for viewers looking for something along the lines of 'The Orphanage', 'The Others', 'February (The Balckcoat's Daughter)' and 'The Devil's Backbone' rather than J-Horror and 'Children of the Corn', as the trailer would have you expect.
This movie went nowhere, massive anticlimax. Was extremely slow and had a lot of unnecessary scenes thrown in. Really disappointed since I had high hopes due to the acting.
Here we have a drama film that includes a supernatural subplot which, unfortunately, doesn't lend as much to the film as it could have. It's a pity because I think it could have had the potential to be a genuinely spooky movie, but the real message within is a story about grief and loss, not things that go bump in the night. I watched till the end hoping for dramatic revelations or a great twist that made it worth the effort, but I was disappointed.
I can't understand the negative reviews for this film. It has a good story, is well produced and has an excellent cast. It is an Australian film, and perhaps overseas American audiences miss the subtlety of Australian culture and story telling. However, the film is far from boring.
What separates the film from the mundane done to death horror, is the subtle showing of ghosts. There are no silly monsters popping out, or OTT special effects.
The lead English actress was very good, and I think that it's very unfair to just compare her to a look alike Rebecca Gibney. Because she certainly brings a strong screen presence with her. The supporting cast are also strong, and each shine in their own way.
The film also sheds light on the small towns near the Tweed River. For anyone who has ever visited there, it certainly does have a spooky feel and an unusual atmosphere about it. The sugar canes, which are largely the livelihood of such towns grow tall and far reaching. It is also has interesting Artistic culture.
My only criticism would have been to show less of the lead characters return to alcoholism. While a significant story to tell there could have been half the amount of scenes of her drinking to paint the picture.
All in all an enjoyable watch and definitely well above your cliched horror film.
What separates the film from the mundane done to death horror, is the subtle showing of ghosts. There are no silly monsters popping out, or OTT special effects.
The lead English actress was very good, and I think that it's very unfair to just compare her to a look alike Rebecca Gibney. Because she certainly brings a strong screen presence with her. The supporting cast are also strong, and each shine in their own way.
The film also sheds light on the small towns near the Tweed River. For anyone who has ever visited there, it certainly does have a spooky feel and an unusual atmosphere about it. The sugar canes, which are largely the livelihood of such towns grow tall and far reaching. It is also has interesting Artistic culture.
My only criticism would have been to show less of the lead characters return to alcoholism. While a significant story to tell there could have been half the amount of scenes of her drinking to paint the picture.
All in all an enjoyable watch and definitely well above your cliched horror film.
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- Bandes originalesSunrise
written by Forever Sun
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- How long is Sweet River?Alimenté par Alexa
Détails
Box-office
- Montant brut mondial
- 3 365 $US
- Durée1 heure 42 minutes
- Couleur
- Rapport de forme
- 1.78 : 1
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By what name was Sweet River (2020) officially released in India in English?
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