Calendrier de sortiesLes 250 meilleurs filmsLes films les plus populairesRechercher des films par genreMeilleur box officeHoraires et billetsActualités du cinémaPleins feux sur le cinéma indien
    Ce qui est diffusé à la télévision et en streamingLes 250 meilleures sériesÉmissions de télévision les plus populairesParcourir les séries TV par genreActualités télévisées
    Que regarderLes dernières bandes-annoncesProgrammes IMDb OriginalChoix d’IMDbCoup de projecteur sur IMDbGuide de divertissement pour la famillePodcasts IMDb
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthSTARmeter AwardsAwards CentralFestivalsTous les événements
    Né aujourd'huiLes célébrités les plus populairesActualités des célébrités
    Centre d'aideZone des contributeursSondages
Pour les professionnels de l'industrie
  • Langue
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Liste de favoris
Se connecter
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Utiliser l'appli
  • Distribution et équipe technique
  • Avis des utilisateurs
  • Anecdotes
  • FAQ
IMDbPro

Nos âmes d'enfants

Titre original : C'mon C'mon
  • 2021
  • Tous publics
  • 1h 49min
NOTE IMDb
7,3/10
42 k
MA NOTE
POPULARITÉ
4 316
3 405
Joaquin Phoenix and Woody Norman in Nos âmes d'enfants (2021)
A radio journalist embarks on a cross-country trip with his young nephew.
Lire trailer1:28
6 Videos
99+ photos
DrameDocudrameLe passage à l'âge adulte

Un journaliste radio se lance dans un voyage à travers le pays avec son jeune neveu.Un journaliste radio se lance dans un voyage à travers le pays avec son jeune neveu.Un journaliste radio se lance dans un voyage à travers le pays avec son jeune neveu.

  • Réalisation
    • Mike Mills
  • Scénario
    • Mike Mills
  • Casting principal
    • Joaquin Phoenix
    • Gaby Hoffmann
    • Woody Norman
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,3/10
    42 k
    MA NOTE
    POPULARITÉ
    4 316
    3 405
    • Réalisation
      • Mike Mills
    • Scénario
      • Mike Mills
    • Casting principal
      • Joaquin Phoenix
      • Gaby Hoffmann
      • Woody Norman
    • 190avis d'utilisateurs
    • 177avis des critiques
    • 82Métascore
  • Voir les informations de production sur IMDbPro
    • Nomination aux 1 BAFTA Award
      • 16 victoires et 51 nominations au total

    Vidéos6

    Official Trailer 2
    Trailer 1:28
    Official Trailer 2
    Official Trailer
    Trailer 1:27
    Official Trailer
    Official Trailer
    Trailer 1:27
    Official Trailer
    C'mon C'mon
    Trailer 1:28
    C'mon C'mon
    C'mon C'mon
    Trailer 1:27
    C'mon C'mon
    C'mon C'mon: What's Normal
    Clip 1:20
    C'mon C'mon: What's Normal
    C'mon C'mon (French Featurette Subtitled)
    Featurette 0:55
    C'mon C'mon (French Featurette Subtitled)

    Photos115

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 109
    Voir l'affiche

    Rôles principaux55

    Modifier
    Joaquin Phoenix
    Joaquin Phoenix
    • Johnny
    Gaby Hoffmann
    Gaby Hoffmann
    • Viv
    Woody Norman
    Woody Norman
    • Jesse
    Scoot McNairy
    Scoot McNairy
    • Paul
    Molly Webster
    • Roxanne
    Jaboukie Young-White
    Jaboukie Young-White
    • Fern
    Deborah Strang
    Deborah Strang
    • Carol
    Sunni Patterson
    • Sunni
    Jenny Eliscu
    Jenny Eliscu
    • Waitress
    Mary Passeri
    Mary Passeri
    • Behavioral Center Nurse
    Brandon Rush
    Brandon Rush
    • ER Nurse
    Brey'on Shaw
    • Brey'on
    Todd d'Amour
    Todd d'Amour
    • Parade Bystander #1
    Beth Bartley
    Beth Bartley
    • Parade Bystander #2
    Artrial Clark
    Artrial Clark
    • Parade Bystander #3
    Eleanor Halm Simmons
    • Parade Bystander #4
    Keisuke Hoashi
    Keisuke Hoashi
    • Dr. Hara
    Maximilla Lukacs
    • Viv's Friend #1
    • Réalisation
      • Mike Mills
    • Scénario
      • Mike Mills
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs190

    7,341.5K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis à la une

    6PedroPires90

    Ok

    I don't want to be too negative about this, as it's cute and tries to bring something good to the world, but I didn't connect all and found it - and I hate to say this about films - boring for the most part. It's ok, I guess, but with 30 minutes you have seen all the film. Underwhelming experience.
    9sweidman-28016

    Intimate and Genuine

    "There will be so much for you to learn, and so much for you to feel. Sadness, joy, disappointment, and wonder."

    Mike Mills' newest feature film C'mon C'mon follows a radio journalist, Johnny, that embarks on a cross-country trip with his young nephew, Jesse. If you've seen anything by Mike Mills, you know what you're in for. My first of his was 20th Century Women, a film I adore. His district style of making films about ideas and not story either works for you or doesn't. Once he has the idea down, and they're always well thought out ideas, he creates characters from there and they interact with the world around them as is to create a slice of life story. Once again, slice of life either works for you or doesn't. Depends if you want a heightened reality or see the world for how it is everyday. C'mon C'mon takes the idea aspect very literally. Johnny's current project is going around the states and interviewing children and preteens how they see the world and what they want out of it. I do have a Q&A link that I have yet to watch, but I believe Joaquin Phoenix and the crew actually went out and interviewed actual kids. Otherwise the screenplay is that amazing and these kids are masters at acting. The part was talked about in the Q&A so I guess I'll find out. Strewn throughout the film and the entirety of the credits is audio and video recordings of these interviews. It's a really down-to-earth idea that reminds us what we should be looking at when we see our future and the future for the next generation. The screenplay is truly incredible. Yet again, does Mills write in a way that comes off so natural that you don't even know if this is scripted or not. And he directs it so intimately. The use of black and white works well in its favor, capturing the rich tones we usually don't see with the naked eye. We're close to our characters at all times. Everything feels comforting. Even the way he captures each city makes it feel like a wonderful new experience. As usual, he references many texts and songs throughout for us to remember and search for ourselves.

    Joaquin Phoenix finally won his Oscar for Joker almost two years ago. Personally, I think he got even better with this. Maybe it's me being one on subtle performances, but I felt a genuine human being that has found warmth and struggle in this newfound connection with his nephew. Being with him is cozy and calm, even in the most challenging moments. I think the real standout, though, is Woody Norman. When it comes to child performances, I think he just set a new standard. Not only is he British and you couldn't even tell if you tried, but he manages to embody this character to perfection. He's irritating, lovable, and all of those qualities you see within an eccentric child. His relationship with Johnny will make you laugh (he's absolutely hilarious) and cry at the best of times. Gabby Hofmann plays Viv, Jesse's mother, and though her role may be smaller, she's very good. All of the acting hits in a genuine way where you forget they're acting. This film is incredibly pleasing and has this unexplainable feeling that entranced me. Even in the slower moments and parts that felt insignificant to the plot, I enjoyed them. Every moment is meant to be cherished (yes that sounds like a Hallmark card). The very end, we have a grand monologue from Phoenix. I swear to you, it's one of the most beautiful things ever written. My eyes were dripping with tears and I was holding it together. Then, the last line hit and I just about started sobbing right there. A few other people in the audience lost it. But the screen went to black and the credits rolled. I managed to hold it together, but even half an hour after it was done (and even now), when I think about that moment I could just start crying. That's how you end a movie. C'mon C'mon captures emotion and life around us in a way like no other. I felt incredibly connected to the story and didn't want it to end. I'd love for most everybody to see this and hopefully feel as strongly as I do, because it's a visceral experience that everyone should have.
    8evanston_dad

    Sweet and Sad

    A sweet, sad movie about a single man who learns a bit about how tough it is to be a parent when he takes charge of his nephew for a while.

    Joaquin Phoenix is the uncle, and he's good, but it's Gaby Hoffmann, playing his sister, and especially little Woody Norman, as the nephew, who steal the show. It's the rare movie that takes children and their thoughts about the world seriously, and it also taps into the anxiety of raising children into a very uncertain future.

    People are really responding very emotionally to this film if Internet film sites are any indication, and I can understand why, though it didn't personally resonate with me that much. It's the kind of movie that people bring a lot of themselves to and I imagine any one person's response to it will be greatly affected by their own circumstances in the moment. Though I guess that can be said of any movie anytime.

    I did find it weird that, in a movie that's so about the anxiety of the times, there isn't a single mention of Covid. You never see people wearing masks, no one talks about it. This year I've really noticed the disconnect between movies set in present day and the world the way it actually looks right now. It's strange that filmmakers are completely ignoring something that is so dominating every single person's life and has changed the world as much as it has.

    Grade: A-
    7FelixisaJerk

    Well shot, brilliant performances, good writing, but overall I wasn't swept away in this one.

    A really well made movie. Well shot, brilliant performances, good writing, but overall I wasn't swept away in this one.

    For whatever reason, I was never invested in the story, it did start coming together for me a bit in the last act.

    I found myself simply watching the movie and then aware of the acute annoyance of just watching it. Not feeling much, not experiencing much, just watching it.

    Maybe that's a me problem? My girlfriend (who is far more emotionally and intellectually intelligent than myself and also has immeasurably better taste) said she kinda sorta felt the same way a little bit.

    She said "maybe in ten years it'll mean a little more to us."

    And I think she has a good point, this is very much about a man who falls into a parental situation and for my girlfriend and I, those are just about the last kinds of situation we're trying to find ourselves in.

    So wouldn't that be a great hook for getting us on board? A single, career focused individual having to step up and be a role model and look after his nephew?

    The problem is, Joaquin Phoenix as Johnny is just too good of a character, he makes so few mistakes as he just seamlessly becomes a great figure for young Jesse (Woody Norman). And even when he does make a mistake he's so quick to realize it and correct it.

    I guess most of the turmoil of the film is what's happening with Jesse's mother and father, but we don't spend a ton of time with them.

    For the record, I like Mike Mills other work, 20th Century Women was absolutely brilliant as was Thumbsucker.

    I really enjoyed the black and white photography, and the filming locations are wonderful. We sprawl from Los Angeles, Oakland, New York City, and New Orleans. All great cinematic locations.

    Overall, it's a good movie and I can see how this would mean so much to a specific audience member, I am also happy to see Joaquin put on some weight, after Joker, he was looking really unhealthy. But personally, it just didn't have the euphoric effect I get when I watch something that really speaks to me.

    I'm not sorry.
    7djurrepower

    very good

    Nicely made, with a sweet and mellow story. Very much a slow burning movie, but not uninsteresting at the slightest. Great acting, good kid actor, and good execution. All in all a nice story and film

    7/10: great.

    Vous aimerez aussi

    Frances Ha
    7,4
    Frances Ha
    20th Century Women
    7,3
    20th Century Women
    Aftersun
    7,6
    Aftersun
    A Beautiful Day
    6,7
    A Beautiful Day
    Guardians of Life
    6,3
    Guardians of Life
    Minari
    7,4
    Minari
    Close
    7,8
    Close
    Licorice Pizza
    7,1
    Licorice Pizza
    Don't Worry, He Won't Get Far on Foot
    6,8
    Don't Worry, He Won't Get Far on Foot
    Paterson
    7,3
    Paterson
    Lou
    6,4
    Lou
    Drive My Car
    7,5
    Drive My Car

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Woody Norman (Jesse) is actually British, so he's doing an accent the whole time.
    • Citations

      Johnny: To visit planet earth, you will have to be born as a human child. At first, you'll have to learn to use your new body, to move your arms and legs, to pull yourself upright. You will learn to walk and run, to use your hands to make sounds and form words. Slowly, you will learn to take care of yourself. Here, it is still peaceful but there the colors, sensations and sounds will wash over you constantly. You will see so many living things, plants and animals, beyond imagining. Here, it is always the same, but there everything is in motion, everything is always changing. You will be plunged into earth's river of time. There will be so much for you to learn and so much for you to feel, pleasure and fear, joy and disappointment, sadness and wonder. In your confusion and delight, you will forget where you came from. You will grow up, travel, and work. Perhaps, you'll have children, even grandchildren of your own. Over the years, you will try to make sense of that happy, sad, full, empty, always-shifting life you're in. And when the time comes to return to your star, it may be hard to say goodbye to that strangely beautiful world.

    • Crédits fous
      Over the credits we hear John and his documentary crew interviewing the various kids from Detroit, New York and New Orleans.
    • Connexions
      Featured in OWV Updates: OWV Cinema Poster Update (16/01/2024) (2024)
    • Bandes originales
      Evening Breeze
      Written by Emahoy Tsegué-Maryam Guèbrou (as Emahoy Tsegue Maryam Guebrou)

      Performed by Emahoy Tsegué-Maryam Guèbrou (as Emahoy Tsegue Maryam Guebrou)

      Courtesy of the Emahoy Tsegue Mariam Music Foundation

    Meilleurs choix

    Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
    Se connecter

    FAQ

    • How long is C'mon C'mon?
      Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 26 janvier 2022 (France)
    • Pays d’origine
      • États-Unis
    • Sites officiels
      • Happinet Phantom
      • Official site
    • Langues
      • Anglais
      • Persan
    • Aussi connu sous le nom de
      • C'mon C'mon
    • Lieux de tournage
      • Santa Monica Pier, Santa Monica, Californie, États-Unis
    • Sociétés de production
      • A24
      • Be Funny When You Can
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 8 300 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 1 863 674 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 134 447 $US
      • 21 nov. 2021
    • Montant brut mondial
      • 4 499 395 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 49 minutes
    • Couleur
      • Black and White
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.66 : 1

    Contribuer à cette page

    Suggérer une modification ou ajouter du contenu manquant
    Joaquin Phoenix and Woody Norman in Nos âmes d'enfants (2021)
    Lacune principale
    What is the streaming release date of Nos âmes d'enfants (2021) in Spain?
    Répondre
    • Voir plus de lacunes
    • En savoir plus sur la contribution
    Modifier la page

    Découvrir

    Récemment consultés

    Activez les cookies du navigateur pour utiliser cette fonctionnalité. En savoir plus
    Obtenir l'application IMDb
    Identifiez-vous pour accéder à davantage de ressourcesIdentifiez-vous pour accéder à davantage de ressources
    Suivez IMDb sur les réseaux sociaux
    Obtenir l'application IMDb
    Pour Android et iOS
    Obtenir l'application IMDb
    • Aide
    • Index du site
    • IMDbPro
    • Box Office Mojo
    • Licence de données IMDb
    • Salle de presse
    • Annonces
    • Emplois
    • Conditions d'utilisation
    • Politique de confidentialité
    • Your Ads Privacy Choices
    IMDb, une société Amazon

    © 1990-2025 by IMDb.com, Inc.