Running on Empty Dreams

I will attempt to list all of the truly awful aspects of this movie: 1. Character development is non-existent. Everybody starts out angry and stays that way except for some scenes, for no apparent reason, somebody is blissfully happy (only to turn angry again in the next scene). No reasons are ever given as to why the started out angry or why everybody has periodic mood swings. 2. No plot at all. Just a series of random disconnected scenes strung together in random fashion 3. Whoever wrote the script had no concept of Catholics or the Catholic religion at all. The star goes to see the priest to confess that she may be having an affair. The priest sends her away saying the the church does no get involved in things like that and that all he can do is give her the name of a marriage counselor. At the end there is a suggestion that she may have committed suicide. Totally against the teachings of the church. And she ends up having her funeral at a church which is non-specific but definitely not Catholic (and which she attended only once) 4. At the end the local police were confused as to whether she died of her cancer or as a result of slashing her wrists. What kind of police can't figure that out in about 2 seconds?

I could go on for hours, but I hope this is enough to keep you from sacrificing 2 hours of your life for this thing.

Film making 101:

Sorry. I have seen a lot of lesbian themed films and I REALLY WANTED TO LIKE THIS. Don't get me wrong its not the worst film ever made ...but the premise was so confusing!?! The DVD jacket says "Forced to Deny their Feelings" WHAT?! when? Their first kiss was so, ew, cold. no heat. I never once got a feeling these women were "hot" for each other. I never once got the sense that they were attracted to each other.

FAULT #1: LOW BUDGET. You can always tell low budget by the long single shots at say, a table, or washing dishes with no cut always. CLOSE UPS could have provided some intimate moments between the 2 women.

FAULT #2: WEIRD SCRIPT? (HUGE RELIGIOUS OVERTONES) WHO was this film made for?

FAULT #3 : When how and why am I supposed to believe these women both turned lezbo and the way it unfolded was sooooo BAD Made-for-TV awkward and not believable. I found myself with my jaw opened several times yelling out loud "oh hell no that did NOT just happen?!"

PLUS: GOOD ACTORS. Rachel Owens, Kathleen Benner and I did like the lead male in particular, Jose Rosete, who was portrayed as a compassionate, loving, hard working guy and not a jerk (as in, say, Thelma and Louise). This I appreciated.

PLUS: The kid actors I hope careers continue cuz' they shined for being in an awkward kind of weird lesbian low budget film.

KUDOS TO the actress who played "Geri" (I think Amber Ryan)? who played the extreeemely "stereotypical dyke" who although her acting was troubled by the direction or decision of grabbing her crotch (gross) I thought would have been more fun if the character was say, a ghost? or the main characters angel or subconscious or something.

Que Sera Sera. In conclusion: A for effort to the director, producer and all involved. BUT DO NOT EXPECT MUCH. THE ARE FAR BETTER Gay films our there. Just hope they keep making 'em.

Its just stupid and wierd. To many uses of the Fucx word. Lesbians and God rarely go to together but who am I to judge.

I'm independently studying script writing,and journalism, and not for some academic credit or academic cause. I have read interviews with Nitara Lee Osbourne, the script writer & eventual film director, and post production interviews with Kathleen Benner. Full credit to Nitara for exploring her own life experiences, and with her creative character writing skills, creating a script worth producing. The cast was great, Nitara went by her instincts in casting both Sydney & Jane, with a fantastic result despite long days filming and a few hurdles in securing the perfect scene locations, taking her time to get the perfect match, the girls even spent some time together pre-production, giving them time to get close and form a bond, producing the necessary chemistry that shines throughout their story. I watched the film twice, as I missed a few subtle things the first time around. The music was fine, there were a few what if's, and I was left at the end, staring into space, blankly reading the credits, grateful for the ones that genuinely love me. It could have done with, "A little light of love", by Eric Serra, over the credits, and I give it 8/10 for it's truth on life & love. Well Done.