Marcus Luttrell et son équipe ont entrepris fin juin 2005 de capturer ou de tuer le chef mal famé taliban Ahmad Shah. Marcus et son équipe sont livrés à eux-mêmes dans l'un des plus vaillant... Tout lireMarcus Luttrell et son équipe ont entrepris fin juin 2005 de capturer ou de tuer le chef mal famé taliban Ahmad Shah. Marcus et son équipe sont livrés à eux-mêmes dans l'un des plus vaillants efforts de la guerre moderne.Marcus Luttrell et son équipe ont entrepris fin juin 2005 de capturer ou de tuer le chef mal famé taliban Ahmad Shah. Marcus et son équipe sont livrés à eux-mêmes dans l'un des plus vaillants efforts de la guerre moderne.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 2 Oscars
- 6 victoires et 16 nominations au total
Avis à la une
The plot of the film is simple enough, a group of special forces soldiers are sent to Afghanistan to assassinate a militia leader with ties to the Taliban. Due to poor planning, dodgy equipment and a general lack of resources however the mission is doomed to failure.
What follows is visceral, disturbing and above all very sad. Even if like me you are not from the United States you can not help but feel considerable sympathy as you watch a group of young men horrifically slaughtered as they take on an overwhelmingly larger enemy force.
Whats really troubling about Lone Survivor is it stubbornly refuses to shed the jingoistic overtones that could have lifted this film above the raft of other US made war movies. Questions about the waste of human life and potential, the political validity of wars fought on foreign soil,that are inherent in this film are drowned out by the "rah rah and hoopla" about God and country.
I can not as a consequence recommend this film. Indeed I'd go so far as to say it's an irresponsible film that romanticizes war, perpetuating the myth that dying on the field of battle is something other than bloody, gruesome and ultimately pointless.
The title already gave the plot away, and the first scene confirms all suspicion of the title. Hence, viewers are already given a grim outlook for the respectable soldiers portrayed in the film. For the first forty minutes, nothing much happens. I was about to lose interest in it, thinking it was boring and uneventful. When action strikes, it strikes big time. It is brutal and violent that most of the time I had my eyes closed. It's so sad to see the soldiers in such desperate situations, and yet they combat valiantly until the last minute. There is little emotional or dramatic element in the plot, but it will still evoke much emotions because the battles are so brutally realistic. "Lone Survivor" is certainly not a film for entertainment or an easy relaxing evening. Be prepared to see loads of nasty wounds.
What's right with this film is Peter Berg's dynamic direction, tense atmosphere, superb pacing, intense battle sequences, precision use of sound, music & relatively fine performances from its star cast who were actually capable of delivering more than what ended up being in the final print. What's wrong with it, however, is its lack of emotional depth or character development, sometimes going overly dramatic than required and too much reliance on action to push its story forward which ultimately crosses the fine line between exploration & exploitation to revel in the latter.
On an overall scale, Lone Survivor has nothing new to offer compared to what other films of this genre have already given us so far. Yes, it's brutal. Yes, it looks realistic to some extent. Yes, the battle sequences are disturbing, graphic &, in my opinion, explosively entertaining as well. But, there is also no denying that its characters remain hollow throughout its runtime, the story or characters aren't explored enough for us to invest our emotions in & all in all, this war drama is nothing less or more than a mere propaganda film, unfortunately.
For myself, I felt mostly rage against a botched mission in an ineffective war. Raytheon should be annoyed that a movie about a mission failed primarily because of communication issues showed their red flashy brand on the comms equipment.
I wanted the characters to succeed, to survive, but I could not ignore the fact that they were soldiers being there only to kill an enemy commander. Having all Americans die in slow motion while scores of Taliban died instantly and kind of stupidly didn't help with the empathy. Also showing pictures of dead soldiers with their families with a pathetic American remake of Bowie's Heroes singing in the background at the end of the movie just fueled more rage. People in the field try to carry out their mission and survive, while their deaths become political and mediatic material. I didn't enjoy that.
On the other hand, the fights were realistic, the subject based on real events and, outside the pathetism described above, I did not detect a bias towards one side or the other. You will witness two hours of low tech war in all of its horror and stupidity. The actors also play well, although I like Mark Wahlberg in almost everything he does.
The story, while showing the preparation, courage and resilience of four soldiers in enemy territory, also showed other things, like the logistical blunders that lead to stupid deaths, over-reliance on technology that doesn't really work as you expect and how choices have consequences on the ground that are beyond the ability of normal courts to understand, whether looking from the legal or moral angle.
I liked a lot about the movie how it made you think long after it was over. What would have happened if they just killed the herders? What would have happened if they tied them up, went a bit down, risked a sniper shot at the enemy commander, then just ran? What would have happened if the Pashtuni would have ignored the wounded American or would have killed the Taliban scout force when they came to them? How would the mission have gone if the four guys would have known from the get go that they would be completely alone, with no support or hope for extraction?
Overall, a very emotional movie, two hours long, that shows more a general type of heroism than one with a specific purpose. Nicely directed and acted. A bit over dramatic, but then that's to be expected. Worth watching.
Le saviez-vous
- AnecdotesIn real-life, the firefight Marcus Luttrell and his sqaudmates engaged in, with the Taliban, lasted far longer than in the film, and the whole ordeal was five days, compared to the three depicted in the film.
- GaffesWhen all four men are covering at the cliff during the firefight and Marcus is checking the condition of his team, they send a smoke grenade so they can escape. A crew member is visible, filming the scene.
- Citations
Shane Patton: Been around the world twice. Talked to everyone once. Seen two whales fuck, been to three world faires. And I even know a man in Thailand with a wooden cock. I pushed more peeter, more sweeter and more completer than any other peter pusher around. I'm a hard bodied, hairy chested, rootin' tootin' shootin', parachutin' demolition double cap crimpin' frogman. There ain't nothin' I can't do. No sky too high, no sea too rough, no muff too tough. Been a lot of lessons in my life. Never shoot a large caliber man with a small caliber bullet. Drove all kinds of trucks. 2by's, 4by's , 6by's and those big mother fuckers that bend and go 'Shhh Shhh' when you step on the brakes. Anything in life worth doing is worth overdoing. Moderation is for cowards. I'm a lover, I'm a fighter, I'm a UDT Navy SEAL diver. I'll wine, dine, intertwine, and sneak out the back door when the refueling is done. So if you're feeling froggy, then you better jump, because this frogman's been there, done that and is going back for more. Cheers boys.
- Crédits fousThe code of honor referred to as Pashtunwali is explained in the credits.
- ConnexionsFeatured in The Tonight Show with Jay Leno: Épisode #22.56 (2014)
- Bandes originalesCanned Heat
Written by Sola Akingbola, Wallis Buchanan, Simon Katz, Jay Kay, Toby Smith and Derrick McKenzie
Performed by Jamiroquai
Courtesy of Sony Music Entertainment U.K. Limited
By arrangement with Sony Music Licensing
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- El sobreviviente
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 40 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 125 095 601 $US
- Week-end de sortie aux États-Unis et au Canada
- 90 872 $US
- 29 déc. 2013
- Montant brut mondial
- 154 802 912 $US
- Durée
- 2h 1min(121 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1