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Passchendaele

  • 2008
  • R
  • 1h 54min
NOTE IMDb
6,4/10
9,1 k
MA NOTE
Caroline Dhavernas and Paul Gross in Passchendaele (2008)
The lives of a troubled veteran, his nurse girlfriend and a naive boy intersect first in Alberta and then in Belgium during the bloody World War I battle of Passchendaele.
Lire trailer2:11
1 Video
9 photos
DrameGuerreL'histoireRomanceDrames historiquesÉpopée de guerreÉpopée historiqueRomance tragiqueTragédie

Les vies d'un ancien combattant troublé, de sa petite amie infirmière et d'un garçon naïf se croisent d'abord en Alberta puis en Belgique pendant la sanglante bataille de Passchendaele penda... Tout lireLes vies d'un ancien combattant troublé, de sa petite amie infirmière et d'un garçon naïf se croisent d'abord en Alberta puis en Belgique pendant la sanglante bataille de Passchendaele pendant la Première Guerre mondiale.Les vies d'un ancien combattant troublé, de sa petite amie infirmière et d'un garçon naïf se croisent d'abord en Alberta puis en Belgique pendant la sanglante bataille de Passchendaele pendant la Première Guerre mondiale.

  • Réalisation
    • Paul Gross
  • Scénario
    • Paul Gross
  • Casting principal
    • Paul Gross
    • Michael Greyeyes
    • James Kot
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,4/10
    9,1 k
    MA NOTE
    • Réalisation
      • Paul Gross
    • Scénario
      • Paul Gross
    • Casting principal
      • Paul Gross
      • Michael Greyeyes
      • James Kot
    • 127avis d'utilisateurs
    • 30avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 11 victoires et 5 nominations au total

    Vidéos1

    Trailer
    Trailer 2:11
    Trailer

    Photos8

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    Rôles principaux60

    Modifier
    Paul Gross
    Paul Gross
    • Michael Dunne
    Michael Greyeyes
    Michael Greyeyes
    • Highway
    James Kot
    James Kot
    • Skinner
    Jesse Frechette
    Jesse Frechette
    • Peters
    Rainer Kahl
    • German Gunner
    Landon Liboiron
    Landon Liboiron
    • German Soldier
    Caroline Dhavernas
    Caroline Dhavernas
    • Sarah Mann
    Patricia Benedict
    • Nursing Matron
    Hugh Probyn
    • Carmichael
    Jim Mezon
    • Dobson-Hughes
    Brian Dooley
    Brian Dooley
    • McKinnon
    Joe Dinicol
    Joe Dinicol
    • David Mann
    Meredith Bailey
    • Cassie Walker
    Robert Nogier
    • Harper
    Francis Damberger
    • Mayor Costello
    David Ley
    • Dr. Walker
    Judith Buchan
    Judith Buchan
    • Mrs. Costello
    David Lawrence Brown
    David Lawrence Brown
    • Dr. Bernard
    • (as Dave Brown)
    • Réalisation
      • Paul Gross
    • Scénario
      • Paul Gross
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs127

    6,49K
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    Avis à la une

    9laurasfraser

    Excellent film

    Paul Gross' Passchendaele provides a unique perspective of the Canadian effort during the First World War. Those who are expecting just battle scenes will likely be disappointed.

    For those looking for character development, some romance, an interesting perspective on recruitment pressure, and yes -- AMAZING battle scenes -- then yes, this movie is for you.

    As a Military History student, I had no issues with the historical accuracy of the movie. Paul Gross based the first 5 minutes on his grandfather's story, and the rest is historical fiction. In general, it is an excellent representation of the period, and certainly provides a much more realistic version of the soldiers' perspective on war in 1917 than many other war films out there.

    I highly recommend this film.
    8claudio_carvalho

    A Good Romance in Times of War

    In 1917, in the World War I, the veteran Sergeant Michael Dunne (Paul Gross) is wounded in the front and is nursed by Nurse Sarah Mann (Caroline Dhavernas). He is diagnosed neurasthenic and returns to his hometown Calgary to work in the recruitment. Michael fall in love for Sarah, but is not corresponded. When Sarah's asthmatic brother David (Joe Dinicol) forces his enlistment to be recognized by the father of his girlfriend Cassie Walker (Meredith Bailey), Sarah believes Michael is the responsible and blames him for the engagement of her brother in the army. Michael enlists using his mother last name to protect David and they are sent to the no man's land in the front of the Battle of Passchendaele.

    "Passchendaele" is a good romance in times of war. The marketing is totally wrong since the romance prevails over the war genre. The cinematography is extremely beautiful, highlighting the magnificent landscapes and scenarios. The gorgeous and sweet Caroline Dhavernas recalls Lara Flynn Boyle and has a great performance. The characters could be better developed and there are some parts that do not work well, like the annoying David Mann, who does not deserve the sacrifice of Michael; the last scene with the analogy to Jesus Christ is awful and unnecessary. But in general, "Passchendaele" is an above average movie. My vote is eight.

    Title (Brazil): "A Batalha de Passchendaele" ("The Battle of Passchendaele")
    9doug-697

    Beneath the surface

    Passchendaele is part unabashed romance and part horrific and quite graphic war story.

    In film World War One has been a neglected war compared to the more morally unambiguous Second World War and the more recent Vietnam War. And films that aren't about American participation are just as neglected. Passchendaele fills that void.

    The movie moves quickly and switches between home life and battlefield with surprising ease and effect. I was not bored for a moment of this movie. The movie will make you care about these people when they are at home living their lives and then fear for them at war. While the battle scenes are quite brutal, they are not sensational or exploitive, since to have made them sensational or exploitive would defeat the great effort this movie takes in showing how men had to cope with life after the war and the memories of what they lived through.

    Undoubtedly there will be cynics who will decry some moments as contrived or melodramatic, but these are the small-minded who have missed the real emotion of this film. The movie is great entertainment, but there is something going on beneath the surface. This is the first time I can recall a film where the main character is someone who has been both emotionally damaged by the war, but does not succumb to it. I suspect there must be many men coming out of the war who were damaged, but quietly lived with that damage their entire lives. For that depiction alone, this is a great movie.

    The movie is not without humour and it has one of the funniest seduction lines I've ever heard uttered by a woman in a movie.

    The movie is entertaining, but there's a lot going on and much I haven't mentioned as I don't want to click the spoiler warning. There are scenes I'm still thinking about, which doesn't happen with every movie I see.
    10cyberscribe

    Wow. Great flick!

    Wow. Great flick!

    Besides being an admitted movie addict, I'm also a retired professional soldier and a combat veteran who's served in multiple theaters of conflict.

    I usually find myself quietly disappointed with war movies in general, and their vain, highly stylized, cliché-laden attempts to realistically portray infantry warfare, and high-intensity warfare's effects on soldiers. Film-makers invariably seem to fall far short in their attempts to capture the essence of what war can be (or was) like, and what exposure to it can do to the people involved, both mentally and physically.

    To his great credit, I think that in Passchendaele Paul Gross seems to have actually managed to capture a reasonably authentic glimpse into both the nature of such hellish environments and the men caught up in them.

    The acting was superb. The performances were so convincing that the notion that I was just sitting watching a movie didn't even occur to me until the credits began to roll by, I was so totally engrossed.

    This film was easily one of the best that I've seen in quite some time.

    I'll definitely be keeping my eyes open for any future films by Paul Gross. Passchendaele stands as an extremely impressive testimonial to his obvious talents.
    7stephenjmurray

    Decent World War One film should not have flopped.

    Passchendaele is a decent World War One film, one of the best out there and there's not too many it has minor flaws but does the job brilliantly. Paul Gross has done a great job acting in and directing this film. Some may be put off by the love story but for me this just reinforces and shows the losses of many people during this time period and era. Passchendaele shows how many people who once lived to together as neighbors are divided by stupid things like family nationality and false loyalty and bad promises of adventure and glory.

    The love story isn't for everyone but wow many girlfriends and wives lost partners and how many young men never came home to true love or had a chance to live full lives? This film does get you thinking!

    Of course this is no Band Of Brothers in terms of scale (I know that's World War Two) but Paul Gross has done extremely well acting and directly. I find this film to be a good tribute to his Grandfather and to those who lost something because of World War One.

    The film is low budget however this doesn't really show to be honest and this is a fitting tribute and good story! With regards to the low budget the battle scenes could have been bigger and better but this is by no means a bad film.

    The acting and casting is spot on and this film really does show the stupid ill placed passion and faulted logic of young people in this era and, it shows the pressure many had to go through and be forced to fight for freedom not knowing what the loses and costs would be. World War One was a slaughter and waste of millions of lives and the deaths of certain characters and the gruesome way they die shows this war was not the fairy tale adventures many painted it to be at the start.

    Among all the blood and slaughter there is a story and the film does well to reflect and show not everyone fighting was a murderer or cold blooded killer and many just wanted it to end.

    We need more World War One films like this to teach young people the truths and to keep history alive so we don't make the same mistakes again.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Paul Gross wrote and directed this film, and its closing song "After the War." His grandfather, Michael Joseph Dunne, a WWI vet, once confessed to a young Gross about bayoneting a young lad in the forehead. Gross later said on Dunne's deathbed he was muttering for forgiveness and he was the only one who knew what was being talked about.
    • Gaffes
      In the climactic battle sequence (1:33'51'' mark) as a German soldier stabs a fallen body, the bayonet bends as if made of rubber.
    • Citations

      Michael Dunne: Do you think maybe I could accompany you to a dance, or...?

      Sarah Mann: I don't dance with soldiers.

      Michael Dunne: I could lose the uniform.

      Sarah Mann: I don't dance with naked soldiers.

    • Crédits fous
      During the end credits, Black and White footage of the real battle of Passchendaele are shown.
    • Bandes originales
      After the War
      Performed by Sarah Slean

      Written by Paul Gross and David Keeley

      Courtesy of Debmeister Music Publishing

      Produced by Asher Lenz and Jack Lenz

      [Played during the end credits]

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    FAQ

    • How long is Passchendaele?
      Alimenté par Alexa
    • What is Passchendaele?
    • Did Passchendaele really fall to the Germans again shortly afterwards?

    Détails

    Modifier
    • Date de sortie
      • 17 octobre 2008 (Canada)
    • Pays d’origine
      • Canada
    • Langues
      • Anglais
      • Allemand
      • Français
    • Aussi connu sous le nom de
      • La bataille de Passchendaele
    • Lieux de tournage
      • Fort Macleod, Alberta, Canada
    • Sociétés de production
      • Bell Broadcast and New Media Fund
      • Damberger Film & Cattle Co.
      • Rhombus Media
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 20 000 000 $CA (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 54 minutes
    • Couleur
      • Color
      • Black and White
    • Mixage
      • Dolby Digital
      • DTS
    • Rapport de forme
      • 2.35 : 1

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