Nikyatu Jusu's debut boasts a distinct visual style that works in its favor. While the writing in the final act and the predictable twist leave much to be desired, Nanny never falls short of engaging. It is led by a committed Anna Diop performance, and significantly aided by the sharp commentary on migrant issues, trauma, and African folklore. While Aisha (Diop) is well-written and performed, the other characters are found wanting. I thought Michelle Monaghan's character had a lot more to contribute to the story than just being a burnt-out, rich mommy. Turns out, the plot was simpler than you believed it to be. The truth about Aisha's son is something anyone can anticipate mid-way into the film, and it doesn't startle at all. Neither does the "Mami Wata" aspect acquire a more wholesome shape.
But, in essence, the film also gets some little details right. There's the banter between Aisha and Malik that's always interesting to listen to. We also get quick "life updates" whenever Aisha visits her regular money transfer service. I also liked how the intensity (and duration) of Aisha's nightmarish visions escalated each time. The film also duly acknowledges the struggles of nannies including not being paid on time and also, frequently overworking them. It's just that Jusu presents a lot of promising elements in the film, but they don't all come together as spectacularly as I'd have liked. But whatever shes does next will be exciting to keep an eye on!
