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Madame Web

  • 2024
  • Tous publics
  • 1h 56min
NOTE IMDb
4,1/10
106 k
MA NOTE
POPULARITÉ
822
16
Dakota Johnson, Tahar Rahim, Sydney Sweeney, Isabela Merced, and Celeste O'Connor in Madame Web (2024)
Spin-off from Spider-Man centering on a clairvoyant mutant named Madame Web.
Lire trailer3:03
14 Videos
99+ photos
Super hérosActionThriller

Madame Web raconte l'histoire de l'une des héroïnes les plus énigmatiques de l'éditeur Marvel.Madame Web raconte l'histoire de l'une des héroïnes les plus énigmatiques de l'éditeur Marvel.Madame Web raconte l'histoire de l'une des héroïnes les plus énigmatiques de l'éditeur Marvel.

  • Réalisation
    • S.J. Clarkson
  • Scénario
    • Matt Sazama
    • Burk Sharpless
    • Claire Parker
  • Casting principal
    • Dakota Johnson
    • Sydney Sweeney
    • Isabela Merced
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    4,1/10
    106 k
    MA NOTE
    POPULARITÉ
    822
    16
    • Réalisation
      • S.J. Clarkson
    • Scénario
      • Matt Sazama
      • Burk Sharpless
      • Claire Parker
    • Casting principal
      • Dakota Johnson
      • Sydney Sweeney
      • Isabela Merced
    • 1.4Kavis d'utilisateurs
    • 225avis des critiques
    • 26Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 6 victoires et 7 nominations au total

    Vidéos14

    Official Trailer
    Trailer 3:03
    Official Trailer
    Madame Web
    Trailer 2:56
    Madame Web
    Madame Web
    Trailer 2:56
    Madame Web
    2024 in 24 Films
    Clip 1:39
    2024 in 24 Films
    How 'Edge of Tomorrow' and Wong Kar-wai Inspired 'Madame Web'
    Clip 2:47
    How 'Edge of Tomorrow' and Wong Kar-wai Inspired 'Madame Web'
    How the Heck Will 'Madame Web' Become a Movie?
    Clip 2:20
    How the Heck Will 'Madame Web' Become a Movie?
    Will a Venom & Spider-Man Crossover Cause Maximum Carnage?
    Clip 3:37
    Will a Venom & Spider-Man Crossover Cause Maximum Carnage?

    Photos287

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    Voir l'affiche
    Voir l'affiche
    + 281
    Voir l'affiche

    Rôles principaux57

    Modifier
    Dakota Johnson
    Dakota Johnson
    • Cassandra Webb
    Sydney Sweeney
    Sydney Sweeney
    • Julia Cornwall
    Isabela Merced
    Isabela Merced
    • Anya Corazón
    Celeste O'Connor
    Celeste O'Connor
    • Mattie Franklin
    Tahar Rahim
    Tahar Rahim
    • Ezekiel Sims
    Mike Epps
    Mike Epps
    • O'Neil
    Emma Roberts
    Emma Roberts
    • Mary Parker
    Adam Scott
    Adam Scott
    • Ben Parker
    Kerry Bishé
    Kerry Bishé
    • Constance
    Zosia Mamet
    Zosia Mamet
    • Amaria
    José María Yazpik
    José María Yazpik
    • Santiago
    Kathy-Ann Hart
    Kathy-Ann Hart
    • Susan
    Josh Drennen
    Josh Drennen
    • Julia's Dad
    Yuma Feldman
    Yuma Feldman
    • Julia's Half-Sibling
    Miranda Adekoje
    • Doctor (Optometry)
    Deirdre McCourt
    Deirdre McCourt
    • Fresh-Faced Nurse
    Naheem Garcia
    Naheem Garcia
    • Landlord
    Jill Hennessy
    Jill Hennessy
    • Beautiful Woman
    • Réalisation
      • S.J. Clarkson
    • Scénario
      • Matt Sazama
      • Burk Sharpless
      • Claire Parker
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs1.4K

    4,1105.7K
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    Avis à la une

    5ItsAustinHarris

    Exceeded my low expectations.

    I went in with very low expectations and I felt like I got better than I was expecting and had a nice time watching the film. Despite having a budget of 80 million dollars, the movie feels low budget. Was not to the level of a modern marvel film but more like a marvel tv show.

    The characters were not as well established or as likable as they could of been. It was cluttered and cliche and suffers form a lack of originality. The cast deserved better, wasted talents of Dakota Johnson and Sydney Sweeney. The villain was generic and uninspiring. Constantly complaining about "everything he as built' being destroyed, while not showing anything that he has built.

    Im not fully up on the real origin story but after looking into it more it seems Sony fully molested the comic book version for their own that barely resembles anything of the original. I see why that would make many purist upset. That would help explain a current rating of 3.7, which is crazy considering all the far worse films with higher ratings. I was entertained watching this film but that is with the caveat that this was not a good or very well made movie. The film fell flat on the execution of creating a compelling narrative.

    The pepsi product placement rivaled the pepsi placement in the "I will not bow to any sponsor" scene in Wayne's World. "Its like people only do things because they get paid, and its really sad" -Garth.
    6johnnychicago-75285

    Not as bad as most people claim...

    I don't understand what the big problem is. Yes, the movie may not be the best superhero movie, but the low ratings aren't justified either. Overall, the story is sometimes told in a rushed manner and the script doesn't deserve an Oscar, but overall the movie was entertaining. To be honest, I was expecting the worst and I was biased because of the negative ratings. After watching the movie, I couldn't understand all the hate for the movie at all. I'm already reasonably discerning when it comes to movies, but guys, let's be honest, this isn't an art house movie, this is popcorn cinema. The movie is supposed to entertain and it did. Even if it was a bit bumpy in places. Overall, I can recommend the movie to people who just want to be entertained. Not more and not less.
    3sinscopefilms

    I regret watching this film

    First Impression:

    The opening of the Madame Web was immersed in a mystique and ambition, enhanced by great musical score; yet, as the movie progresses, it becomes a mixed bag and a rollercoaster of emotions.

    The Positive:

    Musical Score and Sound Design: The standout feature of "Madame Web" is its musical score. The soundtrack not only enhances the emotional depth of the film but also succeeds in creating in some moments genuine goosebumps. The sound design really enhances this impact by carefully using sound pans, bass, and reverse effects. It creates a sense of tension and immersion which is one of the film's strongest features.

    The Mixed:

    Visual Effects and Costume Design: Some of the visual effects in "Madame Web" were visually appealing. The costume design, like Casey's red jacket and the three spider girl villain outfits standing out as particularly stunning contributions to the film's aesthetic, but it was not often shown in the film since the films direction and focus was different. I was disappointed.

    Acting and Direction: Although I thought Casey's character development - her ability to see the world from a different perspective - was great, I didn't like how it was visually presented. The way it was edited was poorly done. The editor could use 2 distinct color grading features where one sees the future and two, she sees the present moment.

    However, The performances throughout the film feel lackluster, with the actors appearing confused and disengaged. This, combined with direction that fails to maintain interest or coherence in many scenes, significantly undermines the film's potential.

    Negatives:

    Cinematography: Cinematography is bad since some pictures don't show a clear image. The camera moves so fast that I cannot comprehend the picture. I kind of recognized that it tries to initiate the rapidness of the events from the spider's eye point of view but it was a tasteless decision. The Cinematography is not something like wow. The reason why Cinematography was lacking is because it was heavily based on medium closeups and dutch tilts which on one hand was a unique choice but on the other hand very hard to watch. I found the 180 degree round camera rotations super cool, but again, I expected varied distance shots, not just medium shots. The train scene Cinematography was the best in the film.

    Editing and Pace: The editing is arguably the weakest element of "Madame Web," with its rapid cuts and disjointed flow detracting significantly from the storytelling. This lack of coherence makes it challenging for the audience to fully engage with the narrative.

    Plot and Overall Execution: The storyline of "Madame Web" is cluttered and clichéd, suffering from a lack of originality and clear direction. The film's ambition is evident, but the execution falls short of creating a compelling narrative.

    The Conclusion:

    "Madame Web" presents a paradoxical experience, with exceptional music and sound design standing that sharply contrasts with its various flaws in editing, cinematography, and direction.

    Although there are some visually and emotionally stunning moments, they are frequently overshadowed by a lack of coherence and clarity.

    Also, I think this film would be reasonable and great to be incorporated in a TV series which would have allowed for a more in-depth exploration of characters and plot.

    Nevertheless, Madame Web is a bit of a mixed bag, with moments of potential that ultimately leave the viewer something different visually.

    Rating: 3/10.
    2AlsExGal

    I had a bad feeling about this one, going in...

    ... when I saw Dakota Johnson was starring in it. Naturally I can't lay the entirety of this hot mess at her feet. But there is some really bad campy acting happening on her part, reminiscent of the Fifty Shades of Grey movies in which she starred. Perhaps it was because the director was more interested in the placement of Pepsi cans than her performance, but I digress.

    Basically, this movie plays out like the cut scenes from a budget Xbox 360 game. From the ground up this thing just feels designed to fail. It feels almost Producersesque in its approach in just how every aspect is seemingly intentionally mangled, yet no one seems to care. How have we come so full circle to go through the glory of Infinity War/Logan/The Dark Knight to arrive all the way back to Batman and Robin and Catwoman levels of superhero flicks? (Bam!, Pow!, Gosh yes Batman!)

    How did this movie make it so far that it has an actual release, and no one stopped it? How did this idea get green lit? Why did Sony give 80 million and turn over their valuable IP to the people that wrote Morbius, Gods of Egypt, Dracula Untold and The Last Witch Hunter? How did this get past the writing process and again have that script greenlit? How could no one on the set at any point stop things? How did no one in the editing room point out how bad it looked and how much of a mess it was?

    But to the suits it's not about art and story. Instead it's about business, and people are just a commodity. It's cheaper to recycle known quantities, and practice nepotism and involve maybe less than talented friends, people you've worked with before, than go out and find artists with worthy stories. They don't care about art, they don't care about stories, they care about making this work for them financially, regardless of loss of reputation with audiences as a whole.

    Youtuber Chris Stuckmann did a deep dive on the topic of big studios being generally run by folks who came up through management rather than the creative rungs such as writing and directing when he discussed this film. His take is worth watching. For some reason, Chris doesn't do critical movie reviews since he has become a filmmaker, but I can tell by his tone that, like me, he was completely displeased watching this one. I'd avoid it.
    2Dinnerandamovieofficial

    Badly made, weird film

    I understand what the plan was here. They wanted a trippy film, focusing on a strong future for the Sony verse. The problem is the delivery. The camera work in this movie made it quite irritating to follow, as there was constant quick close up shots of the action. The dialogue was awful, and there was quite a lot of blatant voice over during the villain scenes.

    So much wasted time was given to boring scenes in the movie, which led me to believe the screen writers finished the script and realised that it was under the word count.

    Honestly the acting quality was quite poor across the board, especially the villain, who honestly seems as if they didn't cast for his role at all, just picked up someone off the side of the road.

    For someone who's guilty pleasure is watching bad movies, I it was a painful time. Don't recommend.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This is the first Marvel movie based on a character that did not have their own self-titled comic series.
    • Gaffes
      There are multiple scenes where Ezekiel's lip movement does not match with what he's saying.
    • Citations

      Julia Carpenter: [checks a photo of a man] So, who is he?

      Cassandra Webb: That man is Ezekiel Sims, he was in the Amazon with my mom when she was researching spiders right before she died.

    • Connexions
      Edited from Spider-Man 2 (2004)
    • Bandes originales
      Miles Away
      Written by Brian Chase, Karen O (Karen Lee Orzolek) and Nick Zinner (as Nicholas Joseph Zinner)

      Performed by Yeah Yeah Yeahs

      Courtesy of Touch and Go Records

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    FAQ22

    • How long is Madame Web?Alimenté par Alexa
    • Who is Madame Web?
    • As the movie has Spider-Man's parents, does that makes it a prequel to The Amazing Spider-Man (2012)?
    • How is this movie connected to other SSMU films like Venom and Morbius?

    Détails

    Modifier
    • Date de sortie
      • 14 février 2024 (France)
    • Pays d’origine
      • États-Unis
      • Mexique
      • Canada
    • Sites officiels
      • Facebook
      • Instagram
    • Langues
      • Anglais
      • Espagnol
    • Aussi connu sous le nom de
      • Madame Web!
    • Lieux de tournage
      • Palenque National Park, Chiapas, Mexique
    • Sociétés de production
      • Columbia Pictures
      • Di Bonaventura Pictures
      • Marvel Entertainment
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 80 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 43 817 106 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 15 335 860 $US
      • 18 févr. 2024
    • Montant brut mondial
      • 100 498 764 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 56min(116 min)
    • Couleur
      • Color
    • Mixage
      • IMAX 6-Track
      • Dolby Atmos
    • Rapport de forme
      • 2.39 : 1

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