Blaze

Blaze could have been so great. The concept sounds fantastic and Savage is doing a great job as the main. Most of the coming of age parts are actually really well done and the movie portrays the process of trauma management in a way that feels relatable.

However, the main hook of the movie is poorly executed. There is a huge disconnect between the style of the over the top candy colored visions of Blaze and the emotional minefield that its main characters navigate through.

Furthermore, these scenes are a one trick pony. Every single one of them blasts you with melodramatic pop songs with lyrics that are right in your face, there is no subtlety. There is no space to ponder about the meaning of what you're seeing because it screams it right at you. And quite frankly, it's annoying.

The moment I realized that each of these scenes will be like this was the most heart breaking moment of the movie. I don't say that to mock the people involved, I actually mean it. Because there is a ton of potential here, if these scenes were handled better this movie could have been one of this years best. But sadly it just screams: "look how childish, colorful, fantastic yet sad I am! Look at me! Look at me!" And boy, did that get on my nerves at some point.

Also, I don't think the make up and costumes are all that great in these scenes. The movie looks a bit cheesy and the dragon itself doesn't work as a character due to its design. It isn't emotional expressive which makes the movie fall apart in some scenes where it feels like Blaze had to actually say what the dragon is feeling.

These scenes rarely add something significant to the story. Some are outright pathetic (especially the ones near the end of the movie). And they felt out of place. Like they were tacked on as an afterthought.

In the end, this might have been the best time I had with such a flawed movie in a long time but it was so cringe inducing at times I couldn't fully enjoy the main story.

If you are more open minded about flashiness or if you don't feel the cringe with melodramatic contemporary songs featuring a howling singer than you might enjoy this movie way more than I did. But I don't think this was good enough to get a recommendation from me.

(Saw this at the Slash Filmfestival, Vienna)

This film was potentially an interesting premise; unfortunately, there are too many flaws in the production to produce a Blaze. The film is more of a toaster-oven. The gradual psychological recovery of a young girl who witnesses a violent act probably takes place thousands of times a year in the US, so there is really nothing unique here. An examination of the adults and their characters might have been helpful, but those are missing from the film. The performance of the young girl playing Blaze is fine, and I am sure she has a future in film. The same cannot be said for the writers of the film, however.

When I had first watched this movie, I was immediately moved by it. The visuals are arresting and the performances, especially by the lead (a child actress nonetheless) are top tier. It easily sky rocketed to my top favorite films of all time, without question.

About 4 months after discovering this film, an incident occurred to me that I reported to the police. This incident left me with severe emotional trauma and nightmares. The healing process regarding that event has taken me a long while to get over it but I'm slowly improving. I'm rewatching this movie tonight and it's painful and scary just how accurate the depiction of PTSD and guilt is. This is an astoundingly beautiful film that should be seen by art aficionados and healing minds alike.

An introverted, imaginative girl on the cusp of womanhood experiences a life-alteringly awful event and the film follows her path to healing as she simulataneously crashes through the safe cocooon of her childhood into the adolescent reality of an imperfect, unjust world. Boldly envisioned by leading Australian Artist Del Kathryn Barton, this dark, beautiful and powerful film from acclaimed producers Causeway Films - (The Babadook, Talk to Me) packs a massive cathartic punch if you immerse yourself in the emotional journey of its central character. Breathtaking visuals, superlative sound design, a killer soundtrack, strong performances all round and an oscar-worthy bravura turn from the then barely 13 year old young Australian actress Julia Savage make for a profoundly affecting viewing experience.

To me this movie covers exactly how I used to cope with complex trauma for 20 years. It is insanely accurate, in terms of the psychedelic visions that a mind can create to self-soothe and in terms of healing both individually and as a family. Also, the touch on the need to tell the truth in a young, idealistic person is beautiful. Simon Baker broke my heart with his vulnerability and Julia Savage gave a pat on the shoulder to my inner tiger that sometimes forgets to breathe but could rule the world. I wish I had the chance to heal together my father, but we never found the words nor the emotional bridge to each other. This movie has helped go through it in the realm of fiction.