Pieces of a Woman

This is a film that will be on my mind for a while. It's hard to enjoy a movie that's incredibly depressing, but Pieces of a Woman is one that I got behind. All I feel like doing is raving about how good this movie truly is, but I need to stress that I probably won't recommend it to most average viewers. Having just premiered at the Toronto International Film Festival, Pieces of a Woman took me on a journey that I wasn't prepared for in the slightest. Here are my overall thoughts on this very challenging film.

The premise of this film alone kind of ruins the experience to dive into it in detail, so I'll simply say that this film is about Martha (Vanessa Kirby), a woman who has to cope with a devastating loss. This loss drives a huge steak in the love between her and Sean (Shia LaBeouf), so much so that their relationship may not work out. Pieces of a Woman begins with an absolutely gut-wrenching 30 minutes that sets the rest of the film in motion. The opening of the film made me smile and it felt sweet, but the quick descent into heartbreak just left my jaw on the floor. In retrospect, this movie isn't for anyone who is looking to genuinely enjoy a film, but rather an experience that utilizes filmmaking and performances in the best ways possible.

I've been a Shia LaBeouf fan for as long as I can remember, so his fantastic and raw performance here didn't surprise me in the least. He's been great in everything he's done over the last few years and I can't wait to see more indie turns from him. Now, Vanessa Kirby on the other hand... I've seen her in big films like Mission: Impossible - Fallout and Fast and Furious Presents: Hobbs and Shaw, but I've never seen her sink her teeth into a role like this. Maybe there's a smaller film that I need to seek out that she's done in the past, but this may be the best performance she'll ever give. From her first moments on-screen to where she ends up by the end, her range here was outstanding. I felt the emotion that she was conveying and I broke down in a certain courtroom scene.

Now, where I feel the one imperfect aspect of this film lies, is in the fact that the first 30 minutes are so incredibly moving, that the rest of the movie does seem to move at a much, much slower pace. Once the big moment occurs, Pieces of a Woman almost teeters on being a little too melodramatic and slow. With that said, the camerawork by Benjamin Loeb is a character in itself. Incredibly long takes bring you on a journey themselves and it took the overall story to another level for me. Having done the cinematography for the film Mandy, I guess that shouldn't have surprised me so much. It's very clear that Loeb has a keen eye on what will work for a specific film and what won't. I'm eagerly awaiting his next project.

In the end, Pieces of a Woman is probably the most challenging movie I've watched all year. Not only due to how depressing the story itself is, but how slowly the film moves along. It asks you to be patient and really dive into the emotional core, which I ended up finding incredibly powerful overall, even though the subject matter was almost too much to take in at times. The graphic nature of how certain things are displayed almost had me in tears alone. This is a film that doesn't hold back. It tells you the honest truth about situations like this and I found that very powerful. Not many viewers will be able to sit through this movie and want to call it great, but that's exactly what I believe it to be. A great, great piece of drama, even if it's brutally hard to watch.

Opens on one of the most powerful long takes in recent memory, but not even the masterful performances by Kirby and Burstyn could save the dry 2nd and 3rd acts. Resolution felt incomplete. Kirby elevates an otherwise tough sit.

Pieces of a Woman (2020) follows a woman who struggles to deal with the aftermath of a traumatic home birth. This film was a really beautiful film with a lot of heart and emotional. Such a brutally realistic portrayal of grief and I'm very happy i watched it.

I loved the cinematography for this film! The colour palettes were subtle yet very visually pleasing and all the shots were framed really well. The camera panning was good and I liked how it tracked the characters, especially in this birth scene. The extreme close-ups used helped to convey the characters' emotions to the max and were very effective!

The score was super melancholic throughout the whole film and immediately set the tone well. It was somewhat basic at points but I still found that it added a lot to the film and didn't really need to be 'unique' per say.

All the performances were strong, with some well written and intense dialogue. The characters felt so real. Vanessa Kirby was phenomenal as the lead and her acting during the birth scene was unreal! I thought Ellen Burstyn was great in her role too, as she always is! My only criticism is that I'd have liked to have seen more of Benny Safdie's character! Also, I wanted to mention that the casting of the sister was accurate and a great choice!

The film had strong themes of grief, and I found it to be brutally realistic in addressing such themes. I'm sure this is a movie many people, unfortunately, can relate to. Also, I loved the apple metaphor and it was beautifully addressed during the court scene, which was probably my favourite scene of the movie!

Lastly, the pacing was slow and steady, but managed to keep me engaged and interest through the whole duration! I was completely drawn in to these people's lives, and it left me wanting more!

The screenplay and the resulting formal structure of the movie left me a bit puzzled. Did they try to parallel the experience of this young woman, surpassing a deep life crisis after a miscarriage, on the formal level and the structure of the movie? The film never recovers from its strong first 30 min, after this you have the feeling it breaks into pieces, like the life of this young woman itself. Sequences seem fractured and shattered, not really motivated or combined in a convincing way. Dialogue and acting often seems loosely improvised and unconnected. La Beouf's part for example, the most unconvincingly motivated character for me, suddenly loosing any connection, vanishing out of sight. But that's exactly the way the grieving mother must have felt it herself! Maybe they did that intentionally to give us the feeling of loss, pain, anger and emotional estrangement this woman is going through. Strong supporting acts by Ellen Burstyn and Molly Parker. But the movie's core and center is Vanessa Kirby here, giving a breathtaking performance, she carries this film almost alone. In the end it doesn't leave you frustrated, it seems there's enough hope left for a new beginning in life.

The lives of two people decimated with the loss of their newborn baby girl. Grabbing the viewers' attention from the off, as every parent's nightmare is lived out in graphic detail at the close of a thirty minute escalation that lays the foundations for a bridge to the unimaginable, a trajectory paved with chaos, veiled and shrouded in turmoil, suspended on tenterhooks as tense and as taught as Tacoma. With anticipation and expectation set, it's a little disappointing to find this resonance, once established and secured soon decays and rapidly fades, from the deeps to the shallows, as the story begins to mainstream with its contemporaries, as opportunity, empathy and originality are lost and the only structure left standing embodied through the performance of Vanessa Kirby, who will surely go on to much bigger and better crossings.