John Rabe

'To the Führer of the German people. Chancellor Adolf Hitler. My Führer. As a loyal party member and upstanding German. I turn to you in a time of great need. The Japanese Imperial troops conquered the city of Nanking on December 12, 1937. Since then I have witnessed atrocious crimes against civilians. Please help to end this catastrophe and make an appeal to our Japanese allies in the name of humanity. With a German salute, John Rabe ' This is an actual letter, unheeded, that along with the diaries of John Rabe provide the story for this deeply moving film about the Japanese destruction of Nanking as gathered in the book "John Rabe: Der Gute Deutsche von Nanking" edited by Erwin Wickert and adapted for the screen and directed by the immensely gifted Florian Gallenberger. Having just seen Chuan Lu's 'City of Life and Death', a brilliant black and white Chinese epic film about this same period of history, it is doubly troubling to view this shameful piece of history. JOHN RABE is after all a biography of the man the Chinese still regard as a saint for providing shelter of thousands of victims of the rape of Nanking and as such we learn much more about the German machinations in the event than in Chuan's film. Burt there is a similarity of distinction: in both films the writer/director shows that both sides of the atrocity had heroes and champions.

The film shares the writing of the diary kept by John Rabe during this time frame and follows his diary as the story line. Rabe (Ulrich Tukur in a brilliant performance) was living with his wife Dora (Dagmar Manzell) in Nanking for 27 years as the head of the Siemens Factory, a German resource for construction in China. They were loyal to Germany, were members of the Nazi party, but lived the good life in the city: Rabe was a compassionate but focused director of the Chinese employees. He is to be retired by the Germans and replaced by a rigid, seemingly evil Werner Fliess (Mathias Herrmann). On the night of his tender farewell party the Japanese attack and it soon becomes apparent that Prince Asaka Yasuhiko (Teruyuki Kagawa) plans to decimate the city. There are others from other nations who are working Nanking - in the university, Valérie Dupres (Anne Consigny), in the hospital, Dr. Robert Wilson (Steve Buscemi), and in the German Embassy, the Jewish lawyer Dr. Georg Rosen (Daniel Brühl) - as well as Chinese aligned with Rabe, Langshu (Jingchu Zhang). When it becomes obvious that the Japanese will slaughter all the populace of the city, John Rabe gathers as many Chinese as he can into a Safety Zone where no soldiers or weapons are allowed, only the support with food and medical attention and beneficence Rabe is able to gather. The atrocities and bombings continue until the very existence of the Safety Zone is vulnerable. Rabe's gathering of the forces around him to protect as many citizens as he can, despite his own gradual physical failure due to his diabetes and lack of insulin, gains him the respect and admiration and love of the people of Nanking.

The film spares no images of the mass executions, the beheadings, and the sexual abuse and torture of the people of Nanking by the Japanese. Much of the film is difficult to watch. But even more tragic is the discovery of the information after the film is complete that John Rabe (as well as Dr. Georg Rosen) returned to Germany as undesirables in 1938 and died in poverty and abandonment by the Germans. The cast is exemplary: many fine cameo roles played by fine actors make this film as touching than the main story. This is a very fine cinematic achievement and deserves a global audience.

Grady Harp

... essentially all has been said, but some reviews criticize the diversions from the original story. These would seem to have something to do with Chinese censorship following concerns about economic cooperation with Japan. That may explain the sometimes disjointed story structure, and the inclusion of a 'good' Japanese officer warning the Germans about imminent danger to the safety zone, while there is still ample display of Japanese brutality - even though, if you ever visited the memorial in Nanjing itself, you'll find these rather tame in comparison to the photos there.

At the time of its release in Germany, reviews were largely negative because Rabe's Nazi Party membership was downplayed in the film. His naivety in regard to Hitler is portrayed (writing him letters urging Hitler to intervene on behalf of the safety zone), but this was seen as way too ambivalent. Gallenberger was criticized for making a 'big' film with Hollywood clichés. And instead of a competition slot at the Berlinale, the film was screened as a 'Special' because the festival apparently shied away from controversy. Having only seen it now for these reasons, I must say that these complaints are exaggerated. There's nothing wrong with a German director trying to make a real cinematic feature instead of an overblown TV production, as it is usually the case. And Gallenberger was certainly the right man for the job, given his previous endeavor of a German Bollywood film. Sadly, the entirely justified vilification of the Nazi regime still clouds the perception of individuals living in that era, and there's some sort of German instinct to snap at everything that could be even remotely interpreted as euphemism - which isn't the case here.

What I really liked about the film was that it clarifies that the safety zone was an international 'joint venture' so to speak, instead of being due to the efforts of Rabe alone. Buscemi played all the right keys with his character, and still restrained his presence to allow Ulrich Tukur to take central stage. And his performance is definitely worth the BlueRay. He is one of the very few German actors with aura; Daniel Brühl, in my opinion, isn't, but he's pretty good here, as his scenes with Tukur are balanced very well.

If you found John Rabe's story amazing, you might be interested in the even more controversial Johannes Lepsius, who was the principal witness of the Armenian Genocide during World War I - under similar circumstances, as Germany and Turkey were allies, as with the Japanese at the time of the Nanjing Massacre. I couldn't help but think of that while watching 'John Rabe' - that a film based on Lepsius would be far more controversial than this one, since Turkey denies the Armenian genocide to this day even more vehemently than Japan denies Nanjing.

I give 'John Rabe' 8/10 because I feel this film has been treated a little harshly, but 7.5 sounds just about right.

"John Rabe" is a very glossy and well done film about the actions of Rabe and a few other foreigners in saving as many of the residents of Nanking as they could during the Japanese invasion. The airplane attacks and look of the film were absolutely great--and the film is well worth seeing.

I am very familiar with the story of John Rabe and used to teach my world history students about him and the Japanese destruction of Nanking (I have since retired). Much of what I'd learned were from the book "The Rape of Nanking" as well as several well made documentaries. So, I am NOT the typical person watching the story for the first time--I am a bit tougher to please. Because of this, I am much more critical that average and to me, the story was flawed because it actually seemed very sanitized. In other words, while the film DID show some of the Japanese atrocities, it didn't do much--probably because it would nauseate most viewers. BUT, by doing so, it minimized the evil that was perpetrated here--making the Japanese troops seem almost normal. It's rare, but I would have included much more blood and talked much more about the rapes and murder of children. Evil must not be minimized and here it just didn't seem as sadistic and wrong as the Rape of Nanking was.

Many people knew about the Holocaust happened in Europe, but so few people knew about the massacre happened in Nanjing - capital city of Republic of China.

This is an excellent movie, too bad, it wasn't shown at many movie theaters in the USA. This could help people to know what the Japanese did to defenseless Chinese people during world war ii. The scenes are shocking and graphic, but that is what the Japanese soldiers did.

Even today, some Japanese still refuse to believe the appalling atrocities. This is an excellent movie for the event. Even though John Rabe was a Nazi member, but what he did he in Nanjing was heroic. He could be given the Nobel peace prize for saving over 20,000 innocent Chinese people.

This film is truly an international collaboration from actors all over the world just like those people who saved so many people in 1937. I highly recommend it.

This is the second film about the Nanking (Nanjing) massacre of 1937, to come out recently. Both feature a man whose bravery saved many thousands of lives and who was largely unknown to the wider world until very recently. John Rabe was a member of the Nazi party and had worked in Nanking as the senior executive for Siemens for many years. In the eponymous film it's suggested that he is about to return to Germany, but his departure is prevented by the sudden attack with over-powering military force, by the Japanese.

Rabe stays, and heads a committee that sets up a safety zone around the Siemens works and the main embassies. When the Japanese take Nanking, and embark on wholesale rape and slaughter, this zone keeps more than 200,000 Chinese in greater safety that elsewhere in the city.

The story is seen through Rabe's eyes mainly and focuses more on Westerners than the Japanese, although the dire impact of a member of the Imperial Family on the decisions made by the Japanese to execute unarmed soldiers, is highlighted .

Some beheadings are shown but the wide scale practice of rape and enforced prostitution is skirted around. Nevertheless, the atmosphere of menace, instant arbitrary death and fanaticism is established effectively.

The film grips and, in its own way, inspires. It is interesting to see this film and the more symbolic approach taken by Chuan Lu in 'City of Life and Death'. Both cover the same time period. Both are films that leave you pondering on human nature, its heights and its gross distortions.