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6,0/10
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Raconte l'histoire d'Aziz, un homme en proie à une crise existentielle, nostalgique de sa jeunesse, malheureux au travail et perturbé dans sa vie privée par une sœur envahissante et sa famil... Tout lireRaconte l'histoire d'Aziz, un homme en proie à une crise existentielle, nostalgique de sa jeunesse, malheureux au travail et perturbé dans sa vie privée par une sœur envahissante et sa famille.Raconte l'histoire d'Aziz, un homme en proie à une crise existentielle, nostalgique de sa jeunesse, malheureux au travail et perturbé dans sa vie privée par une sœur envahissante et sa famille.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Avis à la une
It is quite enjoyable and sad storyline without satisfying conclusion..
However, i like it and do not see as a waste of time.
However, i like it and do not see as a waste of time.
I have been impatiently waiting for this movie since the first day I heard about it, because I love every single person, who is in the movie. However I didn't like the movie.
I believe the movie looks like a great project on paper, but for some reason the directors and writers failed to convey that to us. There are some ridiculous scenes that have no place not only in this movie, but in any movie. I watched every second of it with the hope that it would get better and everything would make sense in the end, but unfortunately I finished it quite unsatisfied and utterly disappointed.
I don't understand how absurdity is very popular in Turkish movies, yet nobody has ever used it deservedly. For instance in this movie, you see absurdity being used excessively and very unnecessarily so that it gets impossible for you to get involved. It is also partly because of the characters that were written down and dirty.
One of the writers Berkun Oya already proved his great ability to write thanks to very succesful series Innocent and Ethos that he wrote himself, but for some reason he could not show this ability in this film. Collaboration of the directors Taylan brothers with the actors Engin Gunaydin & Binnur Kaya was also much better in Vavien, which is one of my favorite Turkish movies. Therefore Stuck Apart is unfortunately nothing but a disappointment for me.
I believe the movie looks like a great project on paper, but for some reason the directors and writers failed to convey that to us. There are some ridiculous scenes that have no place not only in this movie, but in any movie. I watched every second of it with the hope that it would get better and everything would make sense in the end, but unfortunately I finished it quite unsatisfied and utterly disappointed.
I don't understand how absurdity is very popular in Turkish movies, yet nobody has ever used it deservedly. For instance in this movie, you see absurdity being used excessively and very unnecessarily so that it gets impossible for you to get involved. It is also partly because of the characters that were written down and dirty.
One of the writers Berkun Oya already proved his great ability to write thanks to very succesful series Innocent and Ethos that he wrote himself, but for some reason he could not show this ability in this film. Collaboration of the directors Taylan brothers with the actors Engin Gunaydin & Binnur Kaya was also much better in Vavien, which is one of my favorite Turkish movies. Therefore Stuck Apart is unfortunately nothing but a disappointment for me.
After a long while of underrated comedy domination, Turkey Cinema presents a successfull comedy work deserving to be appreciated.
(In recent years, very few numbers of good comedy examples have been relaesed, like Ali Atay's movies among which "Limonata" subjectively looks more exclusive.)
The audience is invited, by Taylan Brothers, to a dark-comedic story which comprises sensitive ironical views based on satirical sub-texts on;
-. Fixed and monotype human relations,
-. Childhood roots on which patriarchal manners are instructured,
-. Screen addiction,
-. Failure of both the individual and the society etc...
Except some scenario faults, the movie staged a stronge sense through its dramatic tone and visual narration skills.
(In recent years, very few numbers of good comedy examples have been relaesed, like Ali Atay's movies among which "Limonata" subjectively looks more exclusive.)
The audience is invited, by Taylan Brothers, to a dark-comedic story which comprises sensitive ironical views based on satirical sub-texts on;
-. Fixed and monotype human relations,
-. Childhood roots on which patriarchal manners are instructured,
-. Screen addiction,
-. Failure of both the individual and the society etc...
Except some scenario faults, the movie staged a stronge sense through its dramatic tone and visual narration skills.
Going in blind, I quite enjoyed this movie. Sure, it has it's shortcomings but no way near the hate it's getting here. I don't think this movie was intended for Turkish audiences, who are very vanilla most of the time when it comes to any form of art. I don't know what this movie claimed to be during the advertising period but if you watch it expecting a "normie" comedy, you'll be disappointed. That exact reason is why I enjoyed it. It can be called dark comedy-ish I guess, labels don't matter to me. The art direction was quite beautiful and the acting was decent, as expected from a cast of veteran actors. Comparing this to the dumpster fire that was Leyla Everlasting is a blasphemy.
A Dark-comedic story that tells a notable story with a theme(can be grabbed very quickly). This combination is rare in modern day Turkish movies. Not a bad movie but, potentially good idea is wasted to some extent. They managed to gather some good actors/actresses in town, including Engin Gunaydin, Haluk Bilginer, Oner Erkan, Ilker Aksum, Okan Yalabik, Binnur Kaya and Gulcin Santircioglu. Overall, you will not regret watching it.
Le saviez-vous
- ConnexionsReferenced in Flix Forum: Stuck Apart (Azizler) (2024)
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