Takers
- 2010
- Tous publics
- 1h 47min
NOTE IMDb
6,2/10
68 k
MA NOTE
Le plan à plusieurs millions de dollars d'un groupe de braqueurs de banque est interrompu par un détective dur à cuire.Le plan à plusieurs millions de dollars d'un groupe de braqueurs de banque est interrompu par un détective dur à cuire.Le plan à plusieurs millions de dollars d'un groupe de braqueurs de banque est interrompu par un détective dur à cuire.
- Réalisation
- Scénaristes
- Stars
- Récompenses
- 2 victoires et 7 nominations au total
Nicholas Turturro
- Franco Dalia
- (as Nick Turturro)
Zoe Saldaña
- Lilli
- (as Zoe Saldana)
6,267.9K
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Avis à la une
Better than Expected
After reading the reviews posted here, I had little hope of seeing a good movie, although the fact that the movie was playing at a "budget" theater was incentive enough for me to see it. I'm glad I went. Over the last couple of years, I've found that reviews on movies have become extremely undependable. It seems as though a lot of folks, who fancy themselves as reliable movie critics, have become quite snobbish in their reviews. It's so easy to be critical. Some critics like to feel that they are a step above the rest of us, and therefore more likely to understand how the movie should have been written, versus the flawed production that was actually released upon the public. I'd have missed many a good movie had I listened to the "professionals". This is an entertaining movie. It's not "The Godfather" or "Shawshank Redemption", but it's a good old fashioned action movie that keeps your attention. Get some popcorn and soda, sit back, and enjoy the show.
lots of action
Every once in a while, I like a nice, mind-numbing adventure film that is pure entertainment. Takers is a good example.
The film stars Matt Dillon, Jay Hernandez, Idris Elba, Paul Walker, T.I., Hayden Christensen, Michael Ealy, Steve Harris, Johnathon Schaech, Zoe Saldana, and Marianne Jean-Baptiste.
A professional group of robbers is approached by a member (T.I.) who was just released from prison. He has an incredible plan to take down an armored truck full of millions. The group decides to go for it.
Dillon and Hernandez are the two cops who are working to take them down after a recent bank robbery. A slip-up by the drug-addicted sister of one of the crooks puts the cops hot on his trail.
The last half hour of this movie is one of the longest and best chases on foot I've ever seen, followed by a massive shootout - it's nonstop action all the way.
As someone mentioned, not every film is Shawshank Redemption or Citizen Kane. There is room for this type of adventure flick - good thing, because there are plenty of them.
I found it highly entertaining, the story helped by a strong cast.
The film stars Matt Dillon, Jay Hernandez, Idris Elba, Paul Walker, T.I., Hayden Christensen, Michael Ealy, Steve Harris, Johnathon Schaech, Zoe Saldana, and Marianne Jean-Baptiste.
A professional group of robbers is approached by a member (T.I.) who was just released from prison. He has an incredible plan to take down an armored truck full of millions. The group decides to go for it.
Dillon and Hernandez are the two cops who are working to take them down after a recent bank robbery. A slip-up by the drug-addicted sister of one of the crooks puts the cops hot on his trail.
The last half hour of this movie is one of the longest and best chases on foot I've ever seen, followed by a massive shootout - it's nonstop action all the way.
As someone mentioned, not every film is Shawshank Redemption or Citizen Kane. There is room for this type of adventure flick - good thing, because there are plenty of them.
I found it highly entertaining, the story helped by a strong cast.
Highly flawed, but ultimately successful
The plot for this film does not need to be explained. It's basically a pastiche of The Italian Job, True Romance and melodramatic clichés.
The third element in the blender, mentioned above, along with a script short on genuine character development (You'll sometimes forget that Hayden Christensen and Zoe Saldana are in it) are distracting for a film which develops a serious tone, but there are positives, depending on your genre preferences.
The film moves along briskly, even as we deal with a cringe-worthy first half, and when the actual robbery gets going, the fun starts. Though the cinematography is modeled too much off of the Bourne-style shaky cam, the set pieces are still very well pulled off.
The extended car chases and shootouts contain a level of energy and suspense that really makes them standout, comparable to similar scenes in the above mentioned films, along with an on-foot chase clearly modeling itself off of the Madagascar chase in Casino Royale. Every car whizzing by, bone crunch or gunshot affects the audience due to mostly- proper use of slow motion, and great editing, both sound and film wise.
The melodrama may make some engaged viewers start laughing due to how it's put on screen, but as the stakes get higher, gels with the storyline.
The main cast, considering the material they are given, do the best they can, and their charisma is enough for us to care about them when the stakes get REALLY high, particularly in the case of Matt Dillon and Idris Elba.
It's highly unoriginal and contains several other elements worthy of nitpicking, but after evaluating how I had spent the past 107 minutes of my life, I think it got the job done.
B-
The third element in the blender, mentioned above, along with a script short on genuine character development (You'll sometimes forget that Hayden Christensen and Zoe Saldana are in it) are distracting for a film which develops a serious tone, but there are positives, depending on your genre preferences.
The film moves along briskly, even as we deal with a cringe-worthy first half, and when the actual robbery gets going, the fun starts. Though the cinematography is modeled too much off of the Bourne-style shaky cam, the set pieces are still very well pulled off.
The extended car chases and shootouts contain a level of energy and suspense that really makes them standout, comparable to similar scenes in the above mentioned films, along with an on-foot chase clearly modeling itself off of the Madagascar chase in Casino Royale. Every car whizzing by, bone crunch or gunshot affects the audience due to mostly- proper use of slow motion, and great editing, both sound and film wise.
The melodrama may make some engaged viewers start laughing due to how it's put on screen, but as the stakes get higher, gels with the storyline.
The main cast, considering the material they are given, do the best they can, and their charisma is enough for us to care about them when the stakes get REALLY high, particularly in the case of Matt Dillon and Idris Elba.
It's highly unoriginal and contains several other elements worthy of nitpicking, but after evaluating how I had spent the past 107 minutes of my life, I think it got the job done.
B-
Poor man's "The Town", still, nice movie.
As the tittle says, if you want a really good thieves-crew movie go for "The Town" (Ben Affleck's new adventure), or, if you missed it, "Heat" (1995). If you missed this one, wait no longer and get it NOW, its a masterpiece.
Takers is entertaining, action packed, bang bang and all those flashy things. You will be as satisfied as in a meal without dessert, you are full but you still lack something sweet.
The story in "Takers" is solid, with a few shortcuts along the way, but nothing damaging to the overall value of the movie. Acting is also very decent, nothing fancy, also a few bad apples, but mainly in the "second line" of actors.
Also, for the love story fans this has very little value, and the the little it has does not turn out too good.
Overall, my humble opinion, give this movie a chance and you will be satisfied.
Takers is entertaining, action packed, bang bang and all those flashy things. You will be as satisfied as in a meal without dessert, you are full but you still lack something sweet.
The story in "Takers" is solid, with a few shortcuts along the way, but nothing damaging to the overall value of the movie. Acting is also very decent, nothing fancy, also a few bad apples, but mainly in the "second line" of actors.
Also, for the love story fans this has very little value, and the the little it has does not turn out too good.
Overall, my humble opinion, give this movie a chance and you will be satisfied.
Stop Trying to Make Rappers Into Actors
A veteran crew of hardened thieves, led by Gordon (Idris Elba) and John (Paul Walker), runs into some turmoil when Ghost (T.I.), a former member of the group, gets out of prison and offers up a dangerous job. Against their better judgment, the group decides they owe it to their newly free comrade to pull the heist, all the while unsure of whether or not they can trust the intel. With a detective (Matt Dillon) hot on their tails and a clean lifestyle calling to some of the crew, the thieves put everything on the line for a score that will surely make or break them.
Heist movies call to me, even ones I know will be awful. There's something about a big score playing out on screen that gets my attention every time. I'm like a drug addict, really, constantly chasing the next high, with the high being "Heat" or "Italian Job." So even as I mocked the trailer for "Takers" last Fall, I knew I'd eventually give in and check it out. And now I hate myself for giving into the urge.
"Takers" is, quite simply, a mess of a movie. Terrible acting, an overly convoluted story, and a final "twist" you can see from the opening credits, "Takers" has them all. The biggest issue, however, is a severe identity crisis. "Takers" can't decide whether it wants to be "Ocean's 11", "Heat", or "Dead Presidents." The tone of the film jumps back and forth between smooth and stylish, harsh and gritty, and over-the-top ridiculousness. The filmmakers clearly couldn't decide what their target audience would be and decided to shoot for them all, only they failed to hit on ANY level. Elba, a fine actor, is seriously underused while Zoe Saldana's role in the film is completely pointless. Whatever Saldana was paid, it was stolen money because she's essentially an extra given a line here or there. And when you then consider how much time was given to Paul Walker and Hayden Christensen, both horrendous actors, you have to ask yourself what in the name of John Frankenheimer was director John Lussenhop doing?! Walker and Christensen are completely overshadowed in the "Worst Actor EVER" conversation, though, compared to rapper T.I. Never, and I mean, NEVER, have I witnessed a more miserable performance. I feel like I should start a petition to ban T.I. from appearing on screen again in the future. It is offensive how bad he is.
"Takers" also steals liberally from better heist movies and while I usually give a free pass in the "That's Already Been Done in This Other Movie" department, it's so blatant here that the characters actually reference the knock-off they are about to perform. New lows all around. The first 20-30 minutes of "Takers" is decent and some of the (early) action is entertaining but that is all that keeps this movie from completely deteriorating into near-spoof territory.
Check out my site: www.thesoapboxoffice.blogspot.com
Heist movies call to me, even ones I know will be awful. There's something about a big score playing out on screen that gets my attention every time. I'm like a drug addict, really, constantly chasing the next high, with the high being "Heat" or "Italian Job." So even as I mocked the trailer for "Takers" last Fall, I knew I'd eventually give in and check it out. And now I hate myself for giving into the urge.
"Takers" is, quite simply, a mess of a movie. Terrible acting, an overly convoluted story, and a final "twist" you can see from the opening credits, "Takers" has them all. The biggest issue, however, is a severe identity crisis. "Takers" can't decide whether it wants to be "Ocean's 11", "Heat", or "Dead Presidents." The tone of the film jumps back and forth between smooth and stylish, harsh and gritty, and over-the-top ridiculousness. The filmmakers clearly couldn't decide what their target audience would be and decided to shoot for them all, only they failed to hit on ANY level. Elba, a fine actor, is seriously underused while Zoe Saldana's role in the film is completely pointless. Whatever Saldana was paid, it was stolen money because she's essentially an extra given a line here or there. And when you then consider how much time was given to Paul Walker and Hayden Christensen, both horrendous actors, you have to ask yourself what in the name of John Frankenheimer was director John Lussenhop doing?! Walker and Christensen are completely overshadowed in the "Worst Actor EVER" conversation, though, compared to rapper T.I. Never, and I mean, NEVER, have I witnessed a more miserable performance. I feel like I should start a petition to ban T.I. from appearing on screen again in the future. It is offensive how bad he is.
"Takers" also steals liberally from better heist movies and while I usually give a free pass in the "That's Already Been Done in This Other Movie" department, it's so blatant here that the characters actually reference the knock-off they are about to perform. New lows all around. The first 20-30 minutes of "Takers" is decent and some of the (early) action is entertaining but that is all that keeps this movie from completely deteriorating into near-spoof territory.
Check out my site: www.thesoapboxoffice.blogspot.com
Le saviez-vous
- AnecdotesWas originally titled Bone Deep. The director liked the "We're takers, gents" line from Idris Elba's character so much he changed the name to Takers.
- GaffesIdris Elba's character is named Gordon Cozier, but he is listed in the end credits as playing "Gordon Jennings".
- Citations
Gordon Jennings: We're takers, gents. That's what we do for a living. We take.
- ConnexionsFeatured in The Rotten Tomatoes Show: Zombieland/A Serious Man/Whip It (2009)
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- How long is Takers?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- El escuadrón del crimen
- Lieux de tournage
- 410 Boyd St, Los Angeles, Californie, États-Unis(Jake says goodby to Lilli on street just before big job.)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 32 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 57 744 720 $US
- Week-end de sortie aux États-Unis et au Canada
- 20 512 304 $US
- 29 août 2010
- Montant brut mondial
- 80 205 382 $US
- Durée
- 1h 47min(107 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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