NOTE IMDb
7,6/10
19 k
MA NOTE
La suite d'une violente tragédie qui affecte différemment la vie de deux couples.La suite d'une violente tragédie qui affecte différemment la vie de deux couples.La suite d'une violente tragédie qui affecte différemment la vie de deux couples.
- Réalisation
- Scénario
- Casting principal
- Nomination aux 1 BAFTA Award
- 47 victoires et 88 nominations au total
Avis à la une
Mass tells a heart-breaking story in a way that feels unique in its own way with using interesting editing and dialogue choices that all in all makes it purposeful to see the experience writer/director Fran Kranz has crafted. Performance wise it is filled with considerate actors and actresses that need a lot of attention. And WTF the actresses from The Goonies and Parenthood is in this, and shes amazing. Like come on. If you get a chance to see it, don't waste it.
Fran Kranz's 'Mass' is a breathtaking debut feature about grieving parents that will linger long after the movie is over. The four-person ensemble group delivers fascinating performances while conveying a nail-biting story. Honest, optimistic, and brave, it is profoundly compelling in both the intimacy of its dramatic scope and the universality of the subjects it addresses.
Two couples sit down together in a perfectly well prepared room, to discuss a tragedy that links the four people.
A masterclass in acting, no special effects, no big budget, just a talented group of actors, and a fantastic script.
It's a very powerful film, it does something that many forget to do, it gives you both sides of the coin, the impact on both parties, the obviously injured, and the silently injured. It makes for a very thought provoking watch.
Mass maybe slow to start, a little curious, you may, as I did, be scratching your head wondering what's happening, but after thirty minutes, you get the moment, the revelation, the reason for this inconvenience and awkward meeting.
Truths, revelations, consequences, anger, when this film hits, it hits hard.
I can't, and won't pick out a single performance, all were equally terrific, but it was great to see Jason Isaacs in a role like this, showing just how good he is.
Not one to watch if you're a little low, or having a bad day, as the content is pretty bleak, but I'd you're intent on watching some first rate acting, this is for you.
8/10.
A masterclass in acting, no special effects, no big budget, just a talented group of actors, and a fantastic script.
It's a very powerful film, it does something that many forget to do, it gives you both sides of the coin, the impact on both parties, the obviously injured, and the silently injured. It makes for a very thought provoking watch.
Mass maybe slow to start, a little curious, you may, as I did, be scratching your head wondering what's happening, but after thirty minutes, you get the moment, the revelation, the reason for this inconvenience and awkward meeting.
Truths, revelations, consequences, anger, when this film hits, it hits hard.
I can't, and won't pick out a single performance, all were equally terrific, but it was great to see Jason Isaacs in a role like this, showing just how good he is.
Not one to watch if you're a little low, or having a bad day, as the content is pretty bleak, but I'd you're intent on watching some first rate acting, this is for you.
8/10.
7/10 - hard to watch and packed with the powerful performances (particularly Ann Dowd's), this debut film for writer/director Fran Kranz plays very much like something you would expect to see on the stage but I felt it was a little overlong at times.
This would make a fantastic theatre play, as its exactly that. Sure, some people might say "why should I watch 4 people sit and talk in a room for 2 hours?" ...but this is so much more than this. I think I have found my surprise/underdog Oscar nominee here.
I would even recommend to NOT watch the trailer and experience that journey like it was meat to be watched. You slowly get clues fed and construct what really happened. The movie completely relies on the reverse principle of film making and goes for the "Tell dont show" in this case, which does work though!
Especially Martha Plimpton and Ann Dowd are NAILING it in this movie. This could very well been have a Masterclass session by those two on how to act in a drama.
There is no visual stimulation, but this movie still manages to take you onto an emotional journey and when you think its over....it isnt.
In all honesty, this is not a movie that needs to be seen in the cinema, this is actually perfect for a streaming service. Just give this movie a chance and fully focus on how brilliant those 4 actors are!
I would even recommend to NOT watch the trailer and experience that journey like it was meat to be watched. You slowly get clues fed and construct what really happened. The movie completely relies on the reverse principle of film making and goes for the "Tell dont show" in this case, which does work though!
Especially Martha Plimpton and Ann Dowd are NAILING it in this movie. This could very well been have a Masterclass session by those two on how to act in a drama.
There is no visual stimulation, but this movie still manages to take you onto an emotional journey and when you think its over....it isnt.
In all honesty, this is not a movie that needs to be seen in the cinema, this is actually perfect for a streaming service. Just give this movie a chance and fully focus on how brilliant those 4 actors are!
Le saviez-vous
- AnecdotesFilmed in 14 days, 4 of which were for exterior shots.
- ConnexionsFeatured in WatchMojo: Top 10 Best Movies of 2021 (2021)
- Bandes originalesBlest Be the Tie That Binds
Written by John Fawcett and Hans Georg Negeli
Performed Dallas Christian Adult Concert Choir
Courtesy of Dallas Christian Sound Inc.
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- How long is Mass?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 145 174 $US
- Week-end de sortie aux États-Unis et au Canada
- 13 485 $US
- 10 oct. 2021
- Montant brut mondial
- 256 359 $US
- Durée
- 1h 51min(111 min)
- Couleur
- Mixage
- Rapport de forme
- 2.00 : 1
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