Viduthalai Partie 1

For a movie that is nearly three hours and only tells half the story, Viduthalai is still such a brilliant film in every aspect (except maybe dubbing and a bit of editing to cover that). The way it slowly unravels its world and the characters and even the way it holds back some of the harsher stuff initially to present the horridness of it through the characters you grow to love makes the drama extremely powerful. My blood was literally boiling by the end of the movie and it's not just a passing phrase when I say I can't wait for the second part, I literally need to watch the second part asap.

Long after time , engaging flim, moves you to the edge of seat yours eyes don't move away from screen, the rise of soori was a different move even a small character has added plus to the movie, cinematography was good, moved away from the clashes of the metropolitan ,finally the movie is for people, movie of people, includes the officials, the base study and the work done by the director was must have great effort, salute, the acting aspiration of soori came well on the screen, the music is smoothly moves with the movies, the movie satisfied the time spent and leaves a good message to the society,

Balumahendra made uncompromising raw and realistic films. Both Bala and Vetrimaaran are his disciples and Balumahendra's influence is heavyset on both these directors. Both the disciples haven't swayed till date and carved an unique raw, cruel, brutal genre for themselves albeit an unpalatable one for a larger part of the audience, which contributes to the reason why one of the top directors that India has ever produced arent as well known as they should have been.

Vetrimaaran directorial debut was in 2007 with Dhanush Polladhavan, the movie was remade in Kannada, Telugu, Hindi, Bengali and Sinhalese. Viduthalai is his 6th movie as a director in his 16th year. Four years later in 2011 came his second movie, Aadukalam which was again with Dhanush, the movie raked 6 National Awards including Best Screenplay and Director. Another 4 years later came his third movie Visaranai, which bagged 3 National Awards including Best Feature Film in Tamil. He joined hands again with Dhanush for his 4th film in Vada Chennai which was released in 2018, the movie will be a cult classic in years to come and is rated 8.4 on IMDB. His 5th film was released one year later in 2019, again with Dhanush. Asuran won two national awards including Best Feature Film in Tamil. Dhanush won both National Awards for Best Actor for Aadukalam and Asuran.

Viduthalai is a 2 part movie and Vetrimaaran takes his time to set the plot. Soori, an accomplished comedian in the Tamil film industry makes his debut in a lead role and is an incredible casting choice for the role. Set in 1987 in a fictional town, the plot is based on Jeyamohan's short story Thunaivan. The narration is fresh, raw and aptly supported by Velraj's cinematography and IRs BGM, both the full songs are soothing melodies from the 80 year old maestro and apt to the situation. This is Vetrimaaran's first collaboration with his mentor's one and only favourite music director. Buzzing insect noises form a part of the BGM giving you a feel that you are actually there at the mountainous forest surrounded village. Vijay Sethupathi sizzles and scorches the screen with his brief screen time. Bhavani Sre delivers an award winning performance. GV Menon is his usual clinical self as a top cop. There are several new comers in the film who all give a seasoned performance. Vidathu Karuppu Chetan as the cruel cop stood out tall. Stand out casting choice was Rajeev Menon as the chief secretary, the characterisation was so real that Rajeev could actually walk into any government and do the job immediately.

If you watch movies for entertainment only, this is not the movie for you like Visaranai or Jai Bhim. The police station scenes are brutal and raw unlike any movies that you would have seen. It even makes Schindlers list concentration camp scenes palatable when compared against this.

Once in a life time role for Soori and he has given his 200%. Vetrimaaran's direction prowess can be seen throughout the movie, spectacular location choice and art work supported by solid actor's performance, editing, cinematography and music makes this a grand teamwork.

I would say, this is not Vetrimaran's best. But it is still up there, in the top echelons of Thamizh movies.

Acting was superlative across the board - Soori, VJS, Bhavani, and the host of characters that play the different parts in this movie. I couldnt think of anyone who did a lesser job. With VM around, its virtually impossible for an actor in movie to deliver less.

Story is layered. There are many nuances, or two sides that compete to be right. But it screenplay and direction that makes all this come together beautifully. The movie was slow, purposefully because it it was meant to play on your mind. It was not dragging.

Only thing about the songs, i wish Ilaiyaraja would control his exuberance to sing!!

I also think VM made some compromises in some shots. The opening sequence was good, but could have been better. The art direction too could have been better here. But thru' the rest of the movie camera, sets etc were super.

Cant wait for part-2... when the movie was ending, for a moment, i thought part-2 was going to start..... oh man.

I don't believe in oscars as long as the gems provided by Vetrimaran sir goes unnoticed by many.

This movie should be pan India to show what can a movie can make you experience. Such a gem.

Every detail to character presentation starting from the constable to the antagonist, every detail suspense even the climax is to the point. I can't deny it's a masterpiece.

The acting of everyone is top notch and the rawness of the reality what makes the movie a true best. Everything about it so special, if I say anything more I'll give you spoilers.

If you haven't watched it till now reading this just go.