Le comédien raté Arthur Fleck rencontre l'amour de sa vie, Harley Quinn, alors qu'il est incarcéré à l'hôpital d'État d'Arkham. À sa sortie, tous deux se lancent dans une aventure romantique... Tout lireLe comédien raté Arthur Fleck rencontre l'amour de sa vie, Harley Quinn, alors qu'il est incarcéré à l'hôpital d'État d'Arkham. À sa sortie, tous deux se lancent dans une aventure romantique vouée à l'échec..Le comédien raté Arthur Fleck rencontre l'amour de sa vie, Harley Quinn, alors qu'il est incarcéré à l'hôpital d'État d'Arkham. À sa sortie, tous deux se lancent dans une aventure romantique vouée à l'échec..
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 7 victoires et 19 nominations au total
Résumé
Reviewers say Joker: Folie à Deux received mixed reactions, highlighting Joaquin Phoenix's and Lady Gaga's performances. The musical transformation was criticized for disrupting the original's dark tone. The plot was seen as aimless and lacking emotional depth, though some appreciated the exploration of Arthur Fleck's mental state and the Joker-Harley relationship. Pacing and predictability were frequent criticisms, yet a few reviewers valued the film's bold, unique approach.
Avis à la une
Joker: Folie à Deux, a sequel that disappoints, Joaquin Phoenix and Lady Gaga offer a good performance giving life to two tormented and complex characters. However, it is the story that is full of holes.
While the first film had won us over with its psychological depth and its powerful social criticism, this second chapter seems to struggle to find its own identity. The plot, at times fragmented and predictable, cannot hold its own against its predecessor. The characters, although interesting, remain in the background compared to an action that gets lost in useless digressions.
In conclusion, Joker: Folie à Deux is a film that leaves a bitter taste in the mouth, it is often even boring. Despite the technical merits and the excellent performances, the story is weak.
A sequel that disappoints expectations, with a poor plot and a much lower emotional impact than the first film.
While the first film had won us over with its psychological depth and its powerful social criticism, this second chapter seems to struggle to find its own identity. The plot, at times fragmented and predictable, cannot hold its own against its predecessor. The characters, although interesting, remain in the background compared to an action that gets lost in useless digressions.
In conclusion, Joker: Folie à Deux is a film that leaves a bitter taste in the mouth, it is often even boring. Despite the technical merits and the excellent performances, the story is weak.
A sequel that disappoints expectations, with a poor plot and a much lower emotional impact than the first film.
- Rating is 6.5/10
- Watched on Sept. 30 2024 @ Fan First Premiere (First Watch)
- Format: (Digital) IMAX
Todd Phillips repeats exactly what he did to The Hangover trilogy with Joker 2. The director goes on to make a sequel that is unfortunately empty and has no character development.
Phillips outdone himself in directing a film that has an outstanding cinematography/visuals that portrays every feeling and emotion that it wants to tell and express. BUT, he failed in creating an engaging storyline. From a part one to a part two, usually the characters of the film change. Their arc either declines or inclines. Their personalities change. Events/obstacles come along their way to shift their lives. OR new character/s enter their life which opens the door for more interesting events to come along their way resulting in a "Folie à Deux". In this film, Joker's/Arthur Fleck's life doesn't seem to change much as Gaga's character, Lee, is added. Instead, the film keeps repeating its events by REvisiting the past (the first Joker film) or reacting some of its scenes. It also keeps coming back and forth to the same locations and events within this film itself. Resulting in an overall dull film that is ONLY visually entertaining.
This film introduces two major characters within the Gotham world, Harvey Dent, who is played terribly by Harry Lawtey and written even worse. By the end of the film, I felt like he was useless and is taken advantage of because of his 'name' within the comic books fandom. Same goes to Lady Gaga's Lee that simply felt like it wasn't even in this film.
I enjoyed how this film uses music/songs to showcase that it's an ESCAPE for our inner selves. But, the song choices weren't on point. On the other hand, their performance was well done by Gaga or Joaquin Phoenix and Lawrence Sher's cinematography skills.
If Joker 2 was meant to expand on the tortured psyche of Arthur Fleck, it succeeded only in expanding my boredom. What made the first film so intriguing-the slow descent into madness-was replaced with a frantic, disjointed attempt to outdo its predecessor without any real sense of direction. Fleck's evolution (or lack thereof) feels more like a series of erratic, isolated scenes than a cohesive narrative.
The film struggles to find its tone, oscillating between forced social commentary and a carnival of absurdity, leaving neither thought-provoking nor entertaining moments to cling to. It's as if the filmmakers believed that more chaos automatically equals more depth, but instead, it comes off as empty spectacle with none of the philosophical grit that made the original resonate. The character development was shallow, almost as if they hoped we wouldn't notice the lack of story under the avalanche of neon-lit chaos and ominous laughs.
Joaquin Phoenix, ever the committed actor, did his best, but even his performance couldn't save a script that feels more like a checklist of provocations than an actual journey. Joker 2 is a poor imitation of its own predecessor, like trying to laugh at the same joke twice-only this time, it falls flat, and you're left wondering why you ever found it funny in the first place.
Verdict? Skip this punchline.
The film struggles to find its tone, oscillating between forced social commentary and a carnival of absurdity, leaving neither thought-provoking nor entertaining moments to cling to. It's as if the filmmakers believed that more chaos automatically equals more depth, but instead, it comes off as empty spectacle with none of the philosophical grit that made the original resonate. The character development was shallow, almost as if they hoped we wouldn't notice the lack of story under the avalanche of neon-lit chaos and ominous laughs.
Joaquin Phoenix, ever the committed actor, did his best, but even his performance couldn't save a script that feels more like a checklist of provocations than an actual journey. Joker 2 is a poor imitation of its own predecessor, like trying to laugh at the same joke twice-only this time, it falls flat, and you're left wondering why you ever found it funny in the first place.
Verdict? Skip this punchline.
It was a complete waste of time. As a massive fan of Joker, I expected a strong comeback five years later. The movie was a complete drag. Whenever I thought the movie was taking a turn for the better, it got worse. Save yourself the time and money. Joaquin Phoenix's performance was excellent, but the script was terrible. Through no fault of his own, Joker Folie A Deux is in line as one of the worst sequels ever. The movie seemed more like a display of Lady Gaga's singing and acting ability, which isn't great. I believe this may be the biggest box office flop of 2024. This movie should have been released on Tubi for free.
The sequel to "Joker" promised a lot, but the final result fell short of expectations, also a bad movie. The ambitious choice to transform the film into a musical, although bold, was not interesting.
The story does not add anything truly new or original. The relationship between Joker and Harley Quinn, although central to the plot, fails to convince, lacking that emotional depth that could have made it memorable.
Joaquin Phoenix confirms his talent, but his interpretation is also a bit repetitive compared to the first film. Lady Gaga, in the role of Harley Quinn, offers a solid performance, but the character seems crushed by the dominant figure of the Joker.
Ultimately, "Joker: Folie à Deux" is a film that leaves a sense of incompleteness, I did not like it. A bad film overall.
The story does not add anything truly new or original. The relationship between Joker and Harley Quinn, although central to the plot, fails to convince, lacking that emotional depth that could have made it memorable.
Joaquin Phoenix confirms his talent, but his interpretation is also a bit repetitive compared to the first film. Lady Gaga, in the role of Harley Quinn, offers a solid performance, but the character seems crushed by the dominant figure of the Joker.
Ultimately, "Joker: Folie à Deux" is a film that leaves a sense of incompleteness, I did not like it. A bad film overall.
Le saviez-vous
- AnecdotesThe film's subtitle "Folie a Deux" means "Madness of Two" in French. This initially led to speculation about Harley Quinn's appearance in the film, which was shortly thereafter confirmed. The name Folie a Deux comes from the 19th century French psychiatrists Charles Lasègue and Jules Falret. The term was coined to refer to two or more people that share the same madness or delusion. It is also known as Lasègue-Falret syndrome.
- GaffesThe jury foreperson speaks of the "People of New York" instead of Gotham City. This is because the State of New York is the plaintiff in a criminal trial, and this version of Gotham City is evidently located in New York state (most versions place Gotham in New Jersey).
- Citations
Arthur Fleck: [Written as a spiteful autograph with a sad smiley face] I HOPE YOU GET CANCER
- Crédits fousThe film opens with a Looney Tunes title sequence, featuring the Warner Bros logo surrounded by rings and the Joker's face.
- ConnexionsFeatured in AniMat's Crazy Cartoon Cast: The Wicked Discovery of a Lifetime (2022)
- Bandes originalesMerrily We Roll Along
Written by Eddie Cantor, Murray Mencher and Charles Tobias
Performed by The Warner Bros. Studio Orchestra
Courtesy of Warner Bros. Entertainment Inc.
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Juliet
- Lieux de tournage
- Soho Hospital - 520 Belleville Avenue, Belleville, New Jersey, États-Unis(Arkham Asylum exteriors)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 190 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 58 300 287 $US
- Week-end de sortie aux États-Unis et au Canada
- 37 678 467 $US
- 6 oct. 2024
- Montant brut mondial
- 207 500 287 $US
- Durée2 heures 18 minutes
- Couleur
- Mixage
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