Echo 8

Although Echo 8 may not be a terrific film, it's still quite an achievement when taking into consideration all the limitations the filmmakers had to face and the amount of jobs each crew member undertook by themselves. In regards to Tran, I highly doubt you will see any other filmmaker this year starring, directing, producing, editing and choreographing the fights of their own movie.

Mainstream viewers may be put off by the obvious low budget, and even I would have to admit that it is an obstacle. Still, there is a lot to admire here and would be a perfect film for any potential filmmakers to show what can be done on limited finances.

2023 looks like it should be a good year for Tran. Not only does she have Echo 8 due for release, she also has a supporting role in the upcoming television series Last King of the Cross (2023), where she will be acting alongside the likes of Tim Roth, Matt Nable and Callan Mulvey. Hopefully this will open up Tran to a wider audience, and I look forward to seeing what films she can come up with in the future when giving a larger budget.

Co-Directed by the films stars Maria Tran and Takashi Hara from a script written by Elizabeth H. Vu, ECHO 8 follows a secret sect of assassins whom are sent on a mission that raises many questions. In particular from Tran's character.

Echo 8 is an anomaly in Australian film. An Asian-Australian led/directed and produced martial arts film. I'm not sure if any have come before, so this is a welcome addition in Australian cinema.

The independent film has a shoestring budget which is clear, but a strong concept anchored by good performances give the film an enriched quality. It's no blockbuster, but you know blood, sweat and tears went into it, so you can certainly appreciate it.

The film sets out to showcase the talent in the film, which is surely where it succeeds. Maria Tran, whose already been in many action films, is tough as nails and I expect to see her leading more action films in the future.

The film breaks the mould of the usual Australian film. There is no long drone shots of picturesque landscapes. Rather dark alleys and driveways where the action takes place, barring an exciting sequence in a bright nightclub.

ECHO 8 recently dropped on the streaming platform TUBI, I encourage people to get out and support it so that this isn't the only Asian-Australian led martial arts film. We need more.

In the crowded landscape of low-budget cinema, Echo 8 emerges as a standout achievement, captivating audiences with its explosive action and heartfelt storytelling. With a budget of just $8,000 AUD, this Vietnamese-Australian film defies its financial constraints to deliver a powerful narrative that resonates on multiple levels.

The film's central plot revolves around an assassin trapped between a nightmarish dreamscape and the gritty reality of her covert operations. Her latest assignment-to eliminate a grieving mother-takes an unexpected turn when she uncovers the shocking proximity of her target. This twist not only fuels the suspense but also provides a profound exploration of personal and familial conflict.

What truly elevates Echo 8 is its dynamic action sequences. For a film with such a modest budget, the explosive scenes are nothing short of remarkable. The choreography is tight and exhilarating, clearly a result of meticulous planning and innovative execution. The sheer intensity of these moments draws viewers in, proving that high-octane action doesn't always require a blockbuster budget.

The film's casting is another notable strength. Featuring a predominantly Vietnamese cast, Echo 8 offers an authentic representation that allows Vietnamese Australians to see themselves reflected in a story of resilience and conflict. This cultural authenticity not only grounds the film in a rich, relatable context but also enhances its emotional impact. The nuances of Vietnamese family dynamics are explored with a sensitivity that resonates deeply, portraying both the strength and fragility of familial bonds.

However, while Echo 8 excels in many areas, there is room for growth. A more profound investment in character development could further enrich the viewing experience. The main character's journey is compelling, but a deeper exploration of her motivations and backstory would allow audiences to forge a stronger connection with her plight. Enhanced character depth could transform a gripping narrative into an unforgettable one.

In conclusion, Echo 8 is a triumph of resourcefulness and creativity. It demonstrates that a low budget does not preclude high-quality action or meaningful storytelling. With its thrilling sequences, culturally resonant casting, and exploration of familial themes, it stands out as a powerful film. With a bit more focus on character development, this film could easily become a modern classic in its genre. For now, it's an impressive achievement and a testament to the talent behind and in front of the camera. Excited for the next instalment in the trilogy!

The movie's premise is good; a good idea.

The opening is good, the mother's performance is note worthy and believable.

The rest can be better, very caricature-ish acting, in particular the scene at the beginning of the karaoke place, the winy older man with the suitcase on the floor, the commander in the office etc.

A low budget film is evident in the shots and no named actors. With more money and a good cast and story, Echo8 would do better on the world stage. The fighting at the end is good. Again the mother's performance is striking and real. The fighting is good and worth to watch. Cheers mate.

Overall, the team behind Echo 8 has done exceptionally well considering the limited budget. It's a commendable effort and a solid foundation if the plan is to build a trilogy-but there are some key areas that need improvement moving forward.

The martial arts choreography is already quite good, but for the sequels to really stand out, it needs to elevate from good to great.

The script and storytelling, however, fall short. The pacing is slow, the dialogue occasionally cringeworthy and awkward. The film would benefit from dropping the cheesy one-liners and focusing more on grounded drama and intense action. Characters need to evoke genuine emotion-both from themselves and from the audience.

In terms of performances, most of the cast struggles, but Maria Tran delivers the strongest performance. The actress playing the mother also holds her own, and Mike Leeder brings a photogenic and compelling presence to the screen.

Visually, the poster leans too far into a sci-fi aesthetic-it would be better reimagined in the style of a gritty martial arts action film.

The cinematography is one of the weaker elements, feeling more like a student film or backyard project with an amateur color grade to match. For future installments, bringing in a professional cinematographer could make a huge difference.

That said, this is still a remarkable achievement for indie filmmakers out of Western Sydney, and a milestone for the Asian-Australian creative community.

Hey Screen Australia-maybe it's time to invest in this team instead of continuing to fund content that fails to find an audience. This is the kind of work people want to see.

Maria Tran is absolutely one to watch, and it's exciting to imagine what she could create with proper backing and real investment.