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Le Grand Bal du réveillon

Titre original : Best Christmas Ball Ever
  • Téléfilm
  • 2019
  • Tous publics
  • 1h 30min
NOTE IMDb
5,7/10
660
MA NOTE
Elisabeth Harnois and Christian Oliver in Le Grand Bal du réveillon (2019)
DrameRomance

Ajouter une intrigue dans votre langueWhen her boyfriend breaks up with her, Amy decides to visit her brother in Vienna. Taking a ballroom dancing lesson, she's paired with a handsome European. After clashing, will their partner... Tout lireWhen her boyfriend breaks up with her, Amy decides to visit her brother in Vienna. Taking a ballroom dancing lesson, she's paired with a handsome European. After clashing, will their partnership lead to love or another broken heart?When her boyfriend breaks up with her, Amy decides to visit her brother in Vienna. Taking a ballroom dancing lesson, she's paired with a handsome European. After clashing, will their partnership lead to love or another broken heart?

  • Réalisation
    • Nick Lyon
  • Scénario
    • Sam Jackson
    • Anna Rasmussen
  • Casting principal
    • Elisabeth Harnois
    • Christian Oliver
    • Samuel Hunt
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,7/10
    660
    MA NOTE
    • Réalisation
      • Nick Lyon
    • Scénario
      • Sam Jackson
      • Anna Rasmussen
    • Casting principal
      • Elisabeth Harnois
      • Christian Oliver
      • Samuel Hunt
    • 11avis d'utilisateurs
    • 1avis de critique
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos4

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    Rôles principaux37

    Modifier
    Elisabeth Harnois
    Elisabeth Harnois
    • Amy
    Christian Oliver
    Christian Oliver
    • Lukas
    Samuel Hunt
    Samuel Hunt
    • Daniel
    Julia Dietze
    Julia Dietze
    • Lydia
    Thomas Kraml
    • Tommy
    Edmund Jäger
    • Uncle Markus
    • (as Edi Jäger)
    Kathrin Beck
    Kathrin Beck
    • Sophia
    Alexander E. Fennon
    • Domenik
    Sherrod Taylor
    Sherrod Taylor
    • Hal
    Daniela Zacherl
    Daniela Zacherl
    • Vicky
    Florian Vana
    • Leopold
    Dimitar Stefanin
    • Philipp
    Aaron Keller
    • Roy
    Franziska Hetzel
    • Elaine
    Fabian Arthur Köll
    Fabian Arthur Köll
    • Ticket sales man
    Marie-Therese Lind
    • Lara
    Elisabeth Kanettis
    • Vira
    Teresa Rabenlehner
    • Eva
    • Réalisation
      • Nick Lyon
    • Scénario
      • Sam Jackson
      • Anna Rasmussen
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs11

    5,7660
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    Avis à la une

    5tedjordan-44348

    Why not her Uncle?

    The uncle belonged to her brother, but he was not her uncle? So why was he the uncle of the brother but not her? Unfortunately I got stuck with that in my head for the entire movie so I missed most of it 😂 This movie in America was called the Great Christmas Ball and was enjoyable to watch on Christmas morning.

    I have to admit that the big reveal at the end of the movie was going to occur much earlier.

    Anyway, I hope someone can explain to me why the uncle was her brother's uncle, but not her uncle. That really left me wondering for the entire show. Was that her half brother? Was he adopted?

    Fun, brainless movie. WWE for women.
    4story_by_corey

    Feels like the first draft version of Christmas Waltz

    In the movie's opening scene, our lead character Amy (Elisabeth Harnois) discovers her boyfriend's desire to have an open relationship and the fallout serves as the vehicle to launch her journey from Chicago to her brother's place in Vienna. She decides to get some ball tickets at a dance studio in Vienna. While there, a wealthy instructor Lukas (Christian Oliver) immediately wants her to be his replacement partner for a midnight ball dance competition without knowing how well she can dance. Romantic interests follow and the story follows the formula quite well to the end.

    Including the unbelievability of the opening premise of this movie, there are some unsettling aspects to it. There are three men who have a romantic interest in Amy and all are quite aggressive in pursuing Amy and placing her in difficult scenarios to resist their advances. Amy would be drawn in by their attention then suddenly realizing what was happening become quite creeped-out by the situation. I'm not sure if the director intended these scenes to play this way, it was how Elisabeth Harnois interpreted her character's response to the advances or just the actors taking some artistic interpretation on the scenes. Most versions of these movies have a slow progression of "not interested" to "he's the one" by the last 5 minutes. Amy's character went back and forth in every scene and this pendulum made the movie feel quite uncomfortable to watch at times.

    Overall, this movie is very much a hybrid between Hallmark's 2020 version of Christmas in Vienna and Christmas Waltz storylines. Not sure who stole whose idea on this one or if somebody at Hallmark hated this movie so much they decided they could do it better. Christmas Waltz features much higher dancing quality, set decorations and very strong chemistry between the lead actors. Hallmark's Christmas in Vienna version features a better and socially correct version of our subject movie's story. Either of these films would be recommended over this one.
    10SunnyDaise

    Beautiful performances and really fitting lead actress.

    The dancing, music, costumes and locations are amazing in this movie which is grander, slightly meaner and sexier than the cosy Hallmark style. I totally identify with the leading lady's situation, trying to have a fresh start and with new interests etc after a traumatic experience. It makes sense that she's not super skinny like the regular dancers who train all the time, and all the clothes look great on her - costume department did a lovely job in both the casual and formal wear.

    I also enjoyed the subplot of her adopted or half-brother looking for his wider relatives, but I understand why some viewers think the script could have explained that set up more - is Amy adopted? I'd be quite happy to see a sequel continuing the family research on all sides.
    8JaynaB

    Elegant Vienna deserves top billing

    TBH 2 of those stars are due more to my nostalgia for the city's market & the giant ferris wheel than to any quality of the movie. Plus I'm a longtime devotee of the waltz, and nobody does that like the Viennese

    The cute American girl, the rich & handsome Viennese boy, the cute meet on a Christmas-bedecked cobblestone street...the script pretty much writes itself.

    Actually it's a different male character she meets on the (beautifully decorated, cobblestoned) street, and only after she's been the traditional gauche New-Worlder and the rich Old-Austrian boy has been rude to her. Of course there is also a snooty scheming other woman.

    After that, the script takes some pleasant detours on the way to the inevitable happy ending, among them that some extras had a point to their presence that was not all 'spoil the budding romance'. They seem like real people going about their own lives, with only occasional lapses into propping up the pretty heroine.

    It's rare in holiday fare to allow secondary characters anything of a plot but the brother who brought Our Heroine to Vienna had his own minor storyline that eventually meshed with our heroine's, and a few bit players got callback moments in the final scene as well. Nice extra touches in a fairly nice and definitely pretty movie.

    Settle in with your hot chocolate and your best dancing slippers, and prepare to be swept off your feet.
    4sfumatosprocket

    Meagan McCain after Lipo With a Baby Bump

    The lead actress is actually not bad, and most performances are fairly decent, but she does not cut a lead feminine romantic figure appearance (too chubby for the role, to be blunt). There are some scenes terribly hokey, and wow, ankle injury disappeared like magic, but it's a decent job done with a bad script. The settings help. A travel show featuring Vienna sightseeing would actually be much more watchable than this. The relationship with the brother is odd, and the director/script allowed the brother to be undeveloped and didn't explain his purpose except to be used for a typical romance movie stunt blunder ("That wasn't my boyfriend, he's my brother!"... Hey, if you are that chummy with your brother, he's most definitely your boyfriend!!!). But it was tolerable as Christmas buffoonery goes. The ballroom dance scenes took directorial patience, and you can tell that the terrible acting by the bad girlfriend of the prince was just accepted to get the flick done, and the diversion of the American male nurse random meeting the fellow American in Vienna was another implausible personality...not sure if that scattershot character was necessary since it was the uncle who pulled through with the hokey last second tickets and best dress. If they ever do a movie with a Megan McCain character, the lead actress here will be a good choice. She just played an overly dramatic 'skinny' version role, so not much rehearsal to get into character required. You can watch this, but probably skip it unless you need a turkey of a Christmas movie playing to ignore while cooking a turkey in the background. *Director prank(?): One ballroom dance scene, one of the extras has a male prosthetic attached to his nose... It's only a second, but it's as if it was done so you'd look at later scenes of all the dancers so you'd see that the director actually did some pretty good work getting large groups of dancers fitted into the scenes...but to my eye, I only saw it the one time.

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    Histoire

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    Le saviez-vous

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    • Anecdotes
      Hallmark made a movie a year later also titled Christmas in Vienna.

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    Détails

    Modifier
    • Date de sortie
      • 30 décembre 2019 (France)
    • Pays d’origine
      • Autriche
      • États-Unis
    • Langues
      • Anglais
      • Allemand
    • Aussi connu sous le nom de
      • Christmas in Vienna
    • Lieux de tournage
      • Vienne, Autriche
    • Sociétés de production
      • JewelLabs Pictures
      • Acme Holding Company
      • The Asylum
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Budget
      • 750 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

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    • Durée
      • 1h 30min(90 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.78 : 1

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