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IMDbPro

BigBug

  • 2022
  • 13
  • 1h 51min
NOTE IMDb
5,5/10
11 k
MA NOTE
Isabelle Nanty, Elsa Zylberstein, Stéphane De Groodt, Youssef Hajdi, and Marysole Fertard in BigBug (2022)
Humans have ceded most tasks to AI in 2045, even in nostalgic Alice's home. So when robots stage a coup, her androids protectively lock her doors.
A group of bickering suburbanites find themselves stuck together when an android uprising causes their well intentioned household robots to lock them in for their own safety.
Lire trailer2:09
1 Video
36 photos
ComédieScience-fiction

Un groupe de banlieusards se retrouve coincé ensemble lorsqu'un soulèvement d'androïdes oblige leurs robots domestiques bien intentionnés à les enfermer pour leur propre sécurité.Un groupe de banlieusards se retrouve coincé ensemble lorsqu'un soulèvement d'androïdes oblige leurs robots domestiques bien intentionnés à les enfermer pour leur propre sécurité.Un groupe de banlieusards se retrouve coincé ensemble lorsqu'un soulèvement d'androïdes oblige leurs robots domestiques bien intentionnés à les enfermer pour leur propre sécurité.

  • Réalisation
    • Jean-Pierre Jeunet
  • Scénario
    • Guillaume Laurant
    • Jean-Pierre Jeunet
  • Casting principal
    • Isabelle Nanty
    • Elsa Zylberstein
    • Claude Perron
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,5/10
    11 k
    MA NOTE
    • Réalisation
      • Jean-Pierre Jeunet
    • Scénario
      • Guillaume Laurant
      • Jean-Pierre Jeunet
    • Casting principal
      • Isabelle Nanty
      • Elsa Zylberstein
      • Claude Perron
    • 132avis d'utilisateurs
    • 53avis des critiques
    • 46Métascore
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Official Trailer
    Trailer 2:09
    Official Trailer

    Photos36

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    Rôles principaux55

    Modifier
    Isabelle Nanty
    Isabelle Nanty
    • Françoise
    Elsa Zylberstein
    Elsa Zylberstein
    • Alice Barelli
    Claude Perron
    Claude Perron
    • Monique
    Stéphane De Groodt
    Stéphane De Groodt
    • Max
    Youssef Hajdi
    Youssef Hajdi
    • Victor Barelli
    Claire Chust
    Claire Chust
    • Jennifer
    François Levantal
    François Levantal
    • Yonyx 7389XAB2
    Alban Lenoir
    Alban Lenoir
    • Greg
    Marysole Fertard
    • Nina Barelli
    Hélie Thonnat
    • Léo
    • (as Helie Thonnat)
    Juliette Wiatr
    • La présentatrice de Galaxy
    André Dussollier
    André Dussollier
    • Einstein
    • (voix)
    Benoît Allemane
    • Nestor
    • (voix)
    James Champel
    • Nettoyeur Howard V2
    • (voix)
    Corinne Martin
    • Tom
    • (voix)
    Julie Ferrier
    Julie Ferrier
    • La chienne
    Nicolas Marié
    Nicolas Marié
    • Politicien
    Jean-Pierre Becker
    Jean-Pierre Becker
    • Conducteur
    • Réalisation
      • Jean-Pierre Jeunet
    • Scénario
      • Guillaume Laurant
      • Jean-Pierre Jeunet
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs132

    5,511K
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    Avis à la une

    5faithless4734

    Started out really well

    I was very hopeful when this movie started but as it got further along it never really took off. There doesn't ever seem to be a real point to this movie. The goal of getting out of the house is limited and does not occupy the movie enough. The movie seems to be all over the place with no real direction. There is all the flirting with no conclusion and it does not keep attention for the movie to be worth watching. The robots "taking over" is also a weak theme in the show and not captivating enough to make the movie worth while.
    6TheVictoriousV

    Remarkably accurate; energetic

    In its first five minutes, Bigbug already seems more eerily prescient than most of its genre relatives. It may look like Blade Runner or A. I: Artificial Intelligence, but as it's been made by Jean-Pierre Jeunet (Amélie; The City of Lost Children), it guarantees a playful, unpredictable, and unique take on the familiar concepts we're about to see. However, what truly struck me was the all-too-accurate particulars:

    We've seen this idea before. Mankind at the mercy of machines. But the additional detail of half-naked people on (literal) leashes -- acting like domesticated animals for all screens to see -- makes it seem especially accurate. Just think of the digital age we're already in, and what some people willingly film themselves doing via their Twitch, TikTok, and OnlyFans channels. (The attention they garner is their reward and it also rewards the website, the algorithm, the machine...) When we first see the visual, it's admittedly a piece of in-universe entertainment, but it foreshadows things to come.

    We move into the film's "real world" and things continue to seem clairvoyant, as a robotic maid serves up a nice batch of grilled crickets (an environmentally friendly and Greta Thunberg-approved delicacy, so I'm told) for her masters and their arriving guests. The movie is in French and so there's a pun here: Cricket is "grillon" (likely derived from the Latin "Gryllidea"), ergo they are eating "grillons grillé".

    There's more. We learn that handshakes have been replaced with elbow nudges because of you-know-what and that drones and voice-controlled programs are being used for whatever drones and voice-controlled programs could possibly be used for. The further into Bigbug we get, it gets crazier -- yet more and more believable at the same time.

    Some of those "jokes" seem dated now, sure, but as hopeful as things are starting to appear, I'm willing to guess we're only a few weeks away from a COVID variant -- brought forth because y'all just can't sit the f-ck still and leave the vacationing/clubbing alone for a while -- that "necessitates" a government anti-handshake mandate. Oh, did that sound disturbing? Why? Are you an anti-vaxxer?

    Anyways. What's the actual plot about and why is this family in lockdown? Well, it's your basic uprising of machines -- that feared moment in our future where the devices and programs we've created to serve us finally turn on us (after backfiring in predictable ways, as with the self-controlled cars that go on strike when the plot gets started). Again, the idea itself is familiar, but Jeunet gives it his usual eccentric flair that sets it apart from any other movie on Netflix right now. His weird and expressive characters are as fun as ever, but I really missed those calculated chain-reaction sequences where one microscopic accident may cause a massive development.

    As per usual, Jeunet's cast is nonetheless having a blast. Dominique Pinon is a given but I also recognized Elsa Zylberstein from 2008's I've Loved You So Long and Isabelle Nanty from Asterix and Obelix: Mission Cleopatra. Leading the androids, or at least the "Yonix" types who already control much of the world's information and law enforcement, is François Levantal, host of the TV series Homo Ridiculus I mentioned earlier. His equal-parts hilarious and threatening performance is a highlight amongst highlights.

    Claude Perron is equally wonderful as the maid, a largely humanoid robot who, like many 'bots of old, yearns to discover what truly makes one "human". One of the human characters, meanwhile, has a moment where they begin to seem more like a programmable piece of intelligence. This doesn't lead to much, but it's certainly true that, whereas machines are starting to seem more and more alive, many humans appear less free-thinking, or just less inclined to be "truly" alive -- mortal. I won't bore you with my own thoughts on that but let the record show that my favorite Black Mirror episode is the one where V. R. and W. B. E. Are used to effectively unlock The Afterlife.

    As distinctive as Jeunet is, he clearly owes a lot to classic sci-fi (the universe of The City of Lost Children has been named a "steampunk" wonderland worthy of Jules Verne) and perhaps even more to Terry Gilliam. Bigbug, in particular, reminds one of 2013's The Zero Theorem, a film that effectively seems lost (I hardly need to tell you where the Orwell reference is). Due to some cheap-looking VFX and a somewhat unsatisfying conclusion, I'm unable to give this one of my higher ratings. That said, I think people's complaints are majorly unfounded.

    Even if you ignore its wild imagination and energy, you shouldn't worry this is some basic "technology = bad" screed at the end of the day. Au contraire, technology is what we make it.
    7Shadowboy_25cm

    crazy, artsy, impressive, smart, funny, shallow, little substantial over-the-top Sci-fi Comedy Satire

    Jeunet is back and it's amazing what he can do on a tight budget.

    It's a smart film, unfortunatelly with a small world building and with a running time of about 2 hrs, it feels like there could have been more substance to make this movie greater.

    Nevertheless, it's an over-the-top sci-fi comedy with great actors and stunning production values, set designs and effects.

    Somewhere between Blade Runner, The Terminator, Delicatessen and Jaques Tati, this movie is recommended for everyone who is fed up with all that american sci-fi uniformity. Bigbug is entertaining and crazy and shows again, why Jeunet is such a gifted filmmaker.

    Watch and enjoy the trip.
    6jean-84188

    Worth it for the production design

    I actually enjoyed the film and was entertained throughout, but the storyline was eclipsed by the awesome set design. Visually, it's a feast of retro wares and curvy architecture. Worth it for the styling alone in my opinion.
    7Reenoeh

    Dystopian 2035 controlled by AI

    It's like a very long goofier episode of blackmirror. The overall plot AI vs humans, what does it mean to be human and the danger of AI is interesting and makes you really hate AI. LOVED that part. I really hope it never goes that far but seeing how many people already love being spied on by their Alexas just because their phone does it too is disturbing.

    The romance parts were repetitive and not interesting to me. The main romance was actually quite uncomfortable, standing awkwardly close and interacting very hastily and clumsily. Didn't care for the teenage romance.. other than that the plot is too drawn out but it was not painfully slow. The trailer pretty much tells the whole plot except for one slight twist in the end. It's fine but not outstanding.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Contains a number of Blade Runner references including an android picking a boiled egg out of boiling water and androids having a date of their planned obsolescence.
    • Connexions
      Referenced in Film Junk Podcast: Episode 835: Kimi + SexWorld (2022)
    • Bandes originales
      Theme From a Summer Place
      Performed by Percy Faith

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    FAQ

    • How long is Big Bug?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 11 février 2022 (France)
    • Pays d’origine
      • France
    • Site officiel
      • Netflix Site
    • Langue
      • Français
    • Aussi connu sous le nom de
      • Big Bug
    • Lieux de tournage
      • Paris, France
    • Sociétés de production
      • Eskwad
      • Gaumont
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Budget
      • 13 000 000 € (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 51 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Atmos
      • Dolby Digital
    • Rapport de forme
      • 2.00 : 1

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