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IMDbPro

Freakonomics, le film

Titre original : Freakonomics
  • 2010
  • Tous publics
  • 1h 33min
NOTE IMDb
6,3/10
7,8 k
MA NOTE
Freakonomics, le film (2010)
Some of the world's most innovative documentary filmmakers explore incentives-based thinking.
Lire trailer2:32
2 Videos
12 photos
Documentary

Ajouter une intrigue dans votre langueA collection of documentaries that explores the hidden side of human nature through the use of the science of economics.A collection of documentaries that explores the hidden side of human nature through the use of the science of economics.A collection of documentaries that explores the hidden side of human nature through the use of the science of economics.

  • Réalisation
    • Heidi Ewing
    • Alex Gibney
    • Seth Gordon
  • Scénario
    • Peter Bull
    • Alex Gibney
    • Jeremy Chilnick
  • Casting principal
    • James Ransone
    • Morgan Spurlock
    • Tempestt Bledsoe
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,3/10
    7,8 k
    MA NOTE
    • Réalisation
      • Heidi Ewing
      • Alex Gibney
      • Seth Gordon
    • Scénario
      • Peter Bull
      • Alex Gibney
      • Jeremy Chilnick
    • Casting principal
      • James Ransone
      • Morgan Spurlock
      • Tempestt Bledsoe
    • 33avis d'utilisateurs
    • 45avis des critiques
    • 58Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 nomination au total

    Vidéos2

    Freakonomics
    Trailer 2:32
    Freakonomics
    Freakonomics: First 3 Minutes
    Clip 3:04
    Freakonomics: First 3 Minutes
    Freakonomics: First 3 Minutes
    Clip 3:04
    Freakonomics: First 3 Minutes

    Photos11

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 8
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    Rôles principaux79

    Modifier
    James Ransone
    James Ransone
    Morgan Spurlock
    Morgan Spurlock
    • Self - Narrator
    Tempestt Bledsoe
    Tempestt Bledsoe
    • Self
    • (images d'archives)
    Melvin Van Peebles
    Melvin Van Peebles
    • Self - Narrator (segment "It's Not Always A Wonderful Life")
    Bill Gates
    Bill Gates
    • Self
    John D. Rockefeller
    John D. Rockefeller
    • Self
    Ngozi Jane Anyanwu
    Ngozi Jane Anyanwu
    • Uneek
    Tarô Akebono
    Tarô Akebono
    • Self
    • (as Akebono)
    Veronica Heffron
    • Courtroom Audience
    Zoe Sloane
    Zoe Sloane
    • Blake
    Dan Chen
    Dan Chen
    • Bruce-Cubicle Worker
    Rahmel Long
    Rahmel Long
    • Courtroom Audience
    Richard Kohn
    • Judge Ignatius Lyons
    Emma Meyers
    • Angela-Cubicle Worker
    Bronson Gilmore
    • Kevin-Cubicle Worker
    • (as Tyler J. Gilmore)
    Greg Crowe
    Greg Crowe
    • Johnny the Mechanic
    Kahiry Bess
    • Deshawn
    Steven Levitt
    • Self - Author
    • Réalisation
      • Heidi Ewing
      • Alex Gibney
      • Seth Gordon
    • Scénario
      • Peter Bull
      • Alex Gibney
      • Jeremy Chilnick
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs33

    6,37.8K
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    Avis à la une

    3angry127

    Poor Documentary

    I never read the book, but know that it is very popular. The movie does a bad job at selling the book.

    Though, I would still be up for reading the book after having watched the movie. This is because the fault of the movie was only partially due to the content of the book. The movie tries to move along at quick pace at the beginning. It has a very catchy poppy kind of theme to it and talks about a real practical use of the study of economics.

    After those 5 minutes, things seem to go terribly south. We get this long and fact lacking piece about sumo wrestling. There is an interesting statistic at the beginning of the segment about how sumo wrestlers will lose matches when there is no real loss to them in order to get payback in the future. The rest of it is exposition about how all the super smart economists are using these fancy numbers and statistics to give very good proof that sumo wrestlers are cheating. I would have liked to hear more about these statistics and the reasoning behind why its very likely that we're cheating. This smug movie instead insults our intelligence and passes by this thinking that we would be too stupid to understand it. The narrator goes on about assassinations of whistle blowers... blala yada yada. I started to lose interest at this point.

    There was a part that had an interesting look at why abortion may be one of the key reasons of the drop in crime in the 90's. This really peaked my interest and some convincing figures where given. I liked this segment and am eager to read more about this.

    After that is a boring long Good Morning America-esque expose on paying kids to get better grades in school. The kids are annoying, the concept is annoying, the results are paltry, and it all seems pretty meaningless by the time you get to the end of it. This was the segment that really killed the movie. It felt like it went on for an hour, although I'm sure it didn't. This reality show garbage really shouldn't be in any kind of movie that calls itself a documentary.
    lor_

    Uneven, mainly ho-hum documentary

    Employing 5 teams of directors (who did not collaborate per the producer's q&a comments), the film adaptation of FREAKONOMICS is a hit-or-miss extravaganza, mostly missing the mark. Even fans of the popular book (and its followups) are unlikely to be stimulated.

    Superstar doc director Alex Gibney takes precedence here, and producer Chad Troutwine acknowledged at the post-screening q&a that his segment runs long for some audiences. I found his study of corruption in the ranks of Japan's sumo wrestling rather uninteresting, and Gibney's forced comparisons to the bad boys of Wall Street (Bernie Madoff, etc.) pointless and self-serving.

    Movie's most controversial sequence has to be Eugene Jarecki's elaboration of the book's chapter on the causes of the lowered U.S. crime rate in recent decades. As an anti-Giuliani New Yorker I certainly ate up the red meat portion of the footage, indicating that our local self-appointed savior really had nothing to do with the dramatic lowering of the NYC homicide and violent crime rate since around 1989. However, author/economist Steven Levitt's conclusion that, statistically, 50% of the reduction in crime in this country is attributable to Roe v. Wade making abortion legal and readily available to a whole generation beginning in the '70s (causing there to be fewer unwanted kids in existence who might have grown up to become serious criminals 16 to 20 years after) spurious and more a case of grandstanding that solid science. Sure, he controlled for all the relevant variables (areas of the country that had already legalized abortion prior to 1973 vs. the rest of the nation, etc.), but I don't buy it. And worse yet, where does it lead us -to endorse eugenics next?

    That segment exemplifies my basic problem with FREAKONOMICS, the publishing phenomenon and now the movie: trying to analyze complex issues from an economic standpoint is simply not applicable to all situations, unless you force it. It is just Levitt applying his expertise willy-nilly in what I take to be self-aggrandizement, and obviously millions of people are taken in by his con. Watching the film I became painfully aware of his heavy emphasis, almost ad nauseum, on the concept of "incentives", which he clearly believes professionally to be a basic way of explaining human behavior. Repeated over & over, the shallowness of this approach becomes quite evident.

    There is a very cute segment by Morgan (SUPERSIZE ME) Spurlock on naming children, emphasizing issues with the prevalence of unique (even Uneek as a choice) names within the Black community, but this is also one of the dumber segments by the time all the theories have been trotted out and lampooned. The femme directors Grady & Ewing take on use of cash incentives (there's that word again) to attempt to approve grades and achievement of Chicago Heights ninth graders, but that part of the film struck me as pretty phony, even including a fantasy sequence, though the main protagonist named Urail (another unique name victim) is a winning screen presence.

    Seth Gordon, who interviewed Levitt and his co-author, journalist Stephen Dubner at length, comes off best in this documentary since he does only the intros & interstitial segments. Overall, as one naysayer at the q&a perceptively noted, the film is mainly old-hat.
    bettycjung

    Pop Economics 101

    1/27/18. An entertaining documentary that looks at the various ways economics play a role in our lives. So educational without feeling like you are being lectured to about ethical behaviors, cheating, etc. Worth catching. You'll learn some about how society functions!
    5tributarystu

    Lukewarm at best

    I'll admit from the off that I was skeptical regarding this documentary ever since I first heard it was in production. Having read the book, I felt that what made it enjoyable could not really be transposed onto film. Economics, being such a science of numbers, even in its freakonomic form, does not really lend itself to being narrated to death.

    Going beyond this limitation, I reckon the film could have still been better, had it found a unity of tone. Unfortunately, as several different teams were involved with making each of the four chapters, the final experience is heavily fragmented and unlike the book, which kept its pacing throughout, the film is all over the place.

    The first part basically looks at whether there is some sort of correlation between a person's first name and the path one goes through life. A potentially amusing segment, it proves to be in search of a comic sense it never arrives at and the examples taken from the book appear wholly unrealistic and not fully integrated.

    The second part is quite dark and brings forth a sort of investigation into the Sumo world and allegations of match-rigging. Contextualized in the sacrosanct culture that defines the sport, this exploration of truth, justice and fair-play toys around with big words and complex issues, its reach ultimately exceeding its grasp.

    The third part references dear old Romania and our beloved dictator's policy of ruling abortions illegal - a subject matter dealt with artistically in the well-known "4 Months, 3 Weeks, 2 Days". I'm not quite sure the parallel proves a point, because it tries to show how the opposite policy, legalizing abortion in the US following Roe v Wade, caused a sudden, steep reduction in crime in the early nineties. Ironically enough, the generation Ceausescu (the dictator referenced above) forcibly gave birth to, so to say, caused his downfall. Yet, I think this segment points out an interesting observation, even if one could get distracted by the overly dramatic narration.

    The last part is an on-film experiment about trying to find an incentive to make kids get better grades in high-school by offering financial rewards. Unfortunately, the set-up lacks any authentic feel and implicitly does not help support the case that the authors tried to convey.

    So overall it would seem that almost all segments have at least one fundamental issue that they don't tackle very well. At times the film livens due to the interesting nature of the facts being presented, but on the whole it's still shy of a successful venture. Even while reading the book I felt that the novelty seeped out of it before I had reached its end and this feeling was only exacerbated in the documentary.

    I don't think this is the place to debate the correctness of the research Levitt and Dubner have done or their conclusions, because the film certainly does not offer a strong basis to work on. The book has a scientific feel to it, conferring at least a sense of objectivity and, more importantly, finding the levity to show that it does not assume to offer absolute answers. The documentary, on the other hand, loses sight of this and never manages to find its proper balance.
    7DICK STEEL

    A Nutshell Review: Freakonomics

    Based upon the bestselling book written by steven Levitt and Stephen Dubner, Freakonomics the film is an omnibus of shorts, where different filmmakers adapt a segment of the book for their respective sections, and then putting them all together into a feature length documentary. In some ways, it could have been directed by an invisible hand rather than the "big name" documentarians of today and probably still come up on tops, since the subject matter is rather contentious at best, and in my opinion, a little bit too stretched.

    For my limited understanding of basic economic principles from school, there's hardly any straightforward demand and supply theories that can be applied by anyone not too well versed with various theorems and hypotheses that Economics deal with, though you need not have intimate knowledge of the subject in order to view the film. I thought it was more of a sociology experiment, since there are many of topics here that deal with the basic human condition on social principles rather than an economic standpoint, and in many ways, through its touted in depth analysis, it's more akin to hammering a square peg into a round hole.

    It adapts from chapters in the book such as discovering cheating as applied to teachers and delving deep into the closed community of sumo wrestlers, the patterns that emerge with the naming, or misnaming of children, and how bribery can be used as an incentive to succeed. You can imagine how economics can be applied to these, so perhaps it's quite apt that the concepts discussed are freakish to begin with. Economics theories and principles are filled with plenty of assumptions and "ceteris paribus"es, so in twisting some of these assumptions, what you get is the content as explained in Levitt and Dubner's book, which are adapted by the likes of Alex Gibney (Enron: The Smartest Guys in the Room), Morgan Spurlock (Super Size Me and Where in the World is Osama Bin Laden), Eugene Jarecki (Why We Fight), Rachel Grady and Heldi Ewing (Jesus Camp), and put all together with various transitional, brief topics by Seth Gordon (The King of Kong).

    Perhaps the only economics related idea here is how the lack of information and irrational choices by consumers have led to skewed markets, which goes to show the sneaky arsenal of tactics that real estate agents have up their sleeves to manipulate markets to their advantage. But while you shouldn't expect economics to fit into most of the subject matter discussed here, the concept that gets explained are incredibly sexy, and brought out through eye- catching methods, sometimes with the use of effective animation like a lubricant to force ideas down and eventually nailing that square peg into the round hole.

    What's more important is the fact that we cannot deny the little things everyone does to get ahead, where the objective is to use whatever means possible to get a desired outcome. The teacher and results segment remind one about how school ranking pressures here become an obsession, with results to the detriment of those who somehow fall by the sidelines, and how an elite community help each other to stay afloat for various benefits and back-rubbing. It's human nature to seek out competitive advantage, and one constant in sitting through the various topics and scenarios presented, is how data mining (a term I got introduced to when in varsity) has that ability to present a wealth of information that can be used to analyze for gaining that upper hand. Businesses use it, and so does the many researchers of topics in Freakonomics.

    You won't become an expert or a whiz after viewing this, but what it'll open your eyes and mind to, are the plenty of behind the scenes shenanigans that even the seemingly innocent industry or individual get up to, that indeed like the tagline of the film says everything has a hidden side to them. It's really more than meets the eye, and presented here in a very alluring manner.

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    Le saviez-vous

    Modifier
    • Anecdotes
      Lian Amado's debut.
    • Citations

      Steven Levitt - Author: The closest thing to a worldview, I would say, in "Freakonomics," is that incentives matter. Not just financial incentives, but social incentives and moral incentives.

    • Connexions
      Features La vie est belle (1946)
    • Bandes originales
      Ave Maria
      Written by Johann Sebastian Bach

      Performed by Amy Butler and Mary Jane Newman

      Courtesy of X5 Music Group

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    FAQ19

    • How long is Freakonomics?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 4 janvier 2012 (France)
    • Pays d’origine
      • États-Unis
    • Sites officiels
      • Official site
      • Official site (Japan)
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Freakonomics
    • Sociétés de production
      • Chad Troutwine Films
      • Cold Fusion Media Group
      • Green Film Company
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 2 900 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 101 270 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 31 893 $US
      • 3 oct. 2010
    • Montant brut mondial
      • 122 216 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 33 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital

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