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Eugénie, qui a le don d'entendre les morts, se voit internée de force, par sa famille, à la clinique neurologique de la Salpêtrière. Son pouvoir va alors lui permettre de tisser des liens av... Tout lireEugénie, qui a le don d'entendre les morts, se voit internée de force, par sa famille, à la clinique neurologique de la Salpêtrière. Son pouvoir va alors lui permettre de tisser des liens avec une infirmière qui va essayer de l'aider.Eugénie, qui a le don d'entendre les morts, se voit internée de force, par sa famille, à la clinique neurologique de la Salpêtrière. Son pouvoir va alors lui permettre de tisser des liens avec une infirmière qui va essayer de l'aider.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Christophe Montenez
- Jules
- (as Christophe Montenez de la Comédie Française)
Avis à la une
10Deuz8
So I watched a French movie (with French audio and English subs to try and keep it authentic as much as possible since I do not speak the language) for the first time, ever. And I am left stunned by it. The acting is top-notch and on point always. Since I have gotten to experience kinda similar treatment in hospitals (MS patient living in a "third world" country) the emotions were relayed rather easily. I also really liked the underlying karma story at the end. All in all, a roller coaster of emotions and I do hope souls that have passed on are indeed watching over us (got a few myself). A must watch in my book and I thank the CNN article that I glanced over this morning mentioning it. Totally worth the time spent watching it. One of those unexpected and hard to find rare gems.
Lou de Laage is Eugenie, a headstrong woman who is committed to an insane asylum in 1885 France by her wealthy and domineering father. Victor Hugo's funeral opens the film and Eugenie was amongst the large crowd.
The young woman goes into fits and claims to communicate with the spirits of the dead. She finds a long lost necklace of her grandmother's while in such a state. Somehow, this event does not convince the rest of her family of her ESP like abilities.
At the asylum, Eugenie is subject to all kinds of atrocious "therapies," including ice baths and a month long stay in a what looks like a dungeon.
De Laage is magnificent in the lead and she can be seen as a doctor in postwar Germany in The Innocents. The actress deserves more widespread recognition.
The Mad Women's Ball is difficult to watch but a very good movie.
The young woman goes into fits and claims to communicate with the spirits of the dead. She finds a long lost necklace of her grandmother's while in such a state. Somehow, this event does not convince the rest of her family of her ESP like abilities.
At the asylum, Eugenie is subject to all kinds of atrocious "therapies," including ice baths and a month long stay in a what looks like a dungeon.
De Laage is magnificent in the lead and she can be seen as a doctor in postwar Germany in The Innocents. The actress deserves more widespread recognition.
The Mad Women's Ball is difficult to watch but a very good movie.
About the 19th century psychiatry treatment of women in le hospitale salphetriere in paris, france. Its a well made jump back to the past, where womens destiny where the mens decision, a fathers decision, a brothers decision or a husbands decision, if you were apart from the common term of normality, they could put you in a house for madwomen with a blink of an eye.
Acting is superb, though the story might feel a bit shallow and it-ified, where the caracter build is purely towards the main caracter, i feel far more shouldve been spent on the copatients and doctors, who many of them where real life caracters..
staging of the sets are impecable, youe drawn into a miljoe of darkness and madness, the musical score that contains lots of deep cello tones do enhance the tragedy of them lost soles in the socalled human care business, thank god things have cchanged to the better, but still humanity has a giant leap to take to make psychiatric care and medicine perfect.
Its a french edition of the typical dickensian british take on the mental ill a good take thinks the grumpy old man, but not perfect.
Acting is superb, though the story might feel a bit shallow and it-ified, where the caracter build is purely towards the main caracter, i feel far more shouldve been spent on the copatients and doctors, who many of them where real life caracters..
staging of the sets are impecable, youe drawn into a miljoe of darkness and madness, the musical score that contains lots of deep cello tones do enhance the tragedy of them lost soles in the socalled human care business, thank god things have cchanged to the better, but still humanity has a giant leap to take to make psychiatric care and medicine perfect.
Its a french edition of the typical dickensian british take on the mental ill a good take thinks the grumpy old man, but not perfect.
I was totally unaware of this film because I did not see any publicity but I was encouraged to see it without even knowing what it was about. What can I tell you, this movie was awesome from start to finish. The story is brilliant, costumes and performances impeccable, the music is beautiful and I am fascinated. I Love French cinema! In fact it is the first French film produced by Amazon.
This film was breathtaking from start to finish. Brilliant story, incredible acting, beautifully haunting music score. It was intriguing, and mesmerizing. One of the better films I've seen recently.
Le saviez-vous
- AnecdotesMelanie Laurent directed this film as well as starred in it. This is Melanie Laurent's fifth time directing a film.
- ConnexionsReferenced in In Praise of Shadows: The History of Insane Asylums and Horror Movies (2022)
- Bandes originalesAllerleil, Polka Schnell, Op. 219
written by Josef Strauss
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- How long is The Mad Women's Ball?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Mad Women's Ball
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 2h 2min(122 min)
- Couleur
- Rapport de forme
- 2.35 : 1
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