The Grand Bolero

I am dying to see this film in theaters, because I'm confident the experience will be that much better. (I originally watched it on my computer through a virtual film festival.) Goodness gracious the SOUND! The POWER of the organ! I could FEEL the music. And the echoing feeling of the dialogue in the grand cathedral was spectacular. I have no idea how they pulled that off. The story was unique and captivating. I was constantly guessing at what would happen next.

And Lidia Vitale... WOW. I'm searching for words to describe her performance, but everything comes up short. She is mesmerizing and powerful. She says nothing and says everything.

I loved this film!

It is incredibly poetic, beautifully shot and original.

I loved the setting: the woods, winter, Italy, a decrepit church, two organs that need fixing.. It taught me lots I didn't know about organs, and the post twists left me speechless.

The acting is really good and the tension between the character is always present and really carries the story forward, I loved the fact that no character is completely good or evil but each has clear flaws, motivations and qualities.

The score is phenomenal, it paces perfectly with the emotions and it is so rare to hear classical music, let alone played on an organ.

There are lots of metaphors but it never is preachy, I would recommend it.

All in all I found it a delicate love letter to real Italy, not the sunny Country with Vespas that Hollywood is so fond of, but the true identity of my home Country is on display in The Grand Bolero.

This film is incredibly visually poetic and the performances are fantastic. Lidia Vitale is a powerhouse and delivers a moving and chilling performance in this film. The score perfectly punctuates the drama on screen and the cinematography and pace keep you enthralled and interested in every detail as the story unfolds. Hope this film comes out in theaters.

Set in the backdrop of rural Italy, this thriller has beautiful cinematography and a wondrous gripping storyline.

Brilliant, raw and powerful performances from the two main protagonists, Lidia Vitale and Ludovica Mancini - with subtle direction from Gabriele Fabbro.

The story is set in a church in the covid era as a young girl takes refuge as an assistant to a pipe organ restorer - and their relationship metamorphosises with captivating results.

The powerful music of the pipe organ cleverly weaves in synchronicity with the story to keep and heighten the tension & emotions of this thriller, which works to keep the viewer invested.

Loved this film!

Austin Film Festival 2021 Greetings again from the darkness. The symphonic crescendo of Maurice Ravel's "Bolero" is perfectly synched with this film's crescendo, creating a heart-racing, frantic few moments of passion, lust, revelation, and shock - for both the characters and viewers. Also shocking is discovering that this is writer-director Gabriele Fabbro's first feature length narrative film (after many shorts and videos). This is expert filmmaking and creative storytelling in a time when it's certainly needed and appreciated.

Veteran Italian actor Lidia Vitale stars as Roxanne. The film opens on her haggard face as she utters, "F-you". Right on cue, the organ music thunders over the opening credits. Her bitterness is aimed at the banner hanging outside the church where she works. The words on the banner dare state, "Everything will be fine". This is March 2020, and Italy has just begun the initial shutdown over COVID-19.

Roxanne is a passionate restorer of pipe organs, and this 1700 church currently houses two - one from 1500 and one from 1900. After a workplace tragedy, Roxanne's supervisor, Paolo (Marcello Mariani), finds her an assistant who will work for organ-playing lessons and food. Lucia (Ludovica Mancini) is a young, eager-to-learn mute. Her soft, soulful eyes are in stark contrast to Roxanne's sharp facial features and stone cold glares of loathing. Whereas Roxanne is angry, annoyed, and hot-tempered, Lucia remains spirited, open, and energetic.

Of course, the barriers between the two slowly break down, but the twists and surprises and secrets are gradually unveiled. Roxanne's obsessions are not limited to the beautiful pipe organs and sweet Lucia has a side to her no one would have predicted. Ms. Vitale's performance really drives the story and the building of trust between Roxanne and Lucia. The manner in which conveys the softening of her barriers and the re-directing of her focus is fascinating.

Without being overbearing, the film reminds us of the pandemic through Paolo's all too frequent ringing of the 'death bell', the television reports playing in the background, the protective mask defiantly looped around Roxanne's ear, and the warning that nature may carry out God's wrath. And speaking of nature, the camera work outside the church is, at times, stunning in its beauty, striking angles, and message. It's rare to find a filmmaker's 'first' feature so original and well-executed, and that is on top of Mr. Fabbro's use of powerful pipe organ music throughout. This is a truly fine film that hopefully will find an audience.