NOTE IMDb
6,3/10
7,5 k
MA NOTE
Dans un futur proche, une crise financière frappe la Corée et des bidonvilles apparaissent à travers le pays. Dans ces régions, un groupe de jeunes commet des crimes pour survivre.Dans un futur proche, une crise financière frappe la Corée et des bidonvilles apparaissent à travers le pays. Dans ces régions, un groupe de jeunes commet des crimes pour survivre.Dans un futur proche, une crise financière frappe la Corée et des bidonvilles apparaissent à travers le pays. Dans ces régions, un groupe de jeunes commet des crimes pour survivre.
- Récompenses
- 3 nominations au total
Tony Azzolino
- Additional Voices
- (English version)
- (voix)
Johnny Yong Bosch
- Ki-Hoon
- (English version)
- (voix)
David Chen
- Additional Voices
- (English version)
- (voix)
Stephen Fu
- Sang-Soo
- (English version)
- (voix)
Todd Haberkorn
- Additional Voices
- (English version)
- (voix)
Judy Alice Lee
- Additional Voices
- (English version)
- (voix)
Christopher Sean
- Additional Voices
- (English version)
- (voix)
Stephanie Sheh
- Additional Voices
- (English version)
- (voix)
Avis à la une
Time To Hunt: A near future Dystopic South Korea, a crook is released from prison and discovers the money from his last heist is worthless due to inflation. He plans a heist at a casino with friends to fund an escape from SK. Very much like The Last Days Of American Crime in set up and plot development. An interesting story is padded out by an overlong running time of 134 minutes. Some pretty good gunfights, well choreographed, car chases a mysterious assassin who is hired to eliminate the gang. This would have made a tight gangster thriller at 90 minutes. Directed & Written by Yoon Sung-hyun. On Netflix. 6/10.
I consider myself a fan of Korean cinema. Annually they release two or three cinematographic jewels that go unnoticed by the majority of the population. I expected more from this film, the script did nothing to develop a better plot, since between jumps the message is lost. At the end of the day, I do not know if there will be a sequel, since the end it's open, but I doubt it. Also, not knowing what exactly happened to Ki-hoon, after having him in front of the cameras throughout the entire movie, does not help to close the story. Although we assume it happened to him. In the end, I'm not quite sure if Jun-seok will become a Han in the future or if he would return to Korea to face Han, if he survived, like that guy say. I give it a 7, because the colors and the camera shots of the director are exceptional. Nothing else.
Amazing 1 half, nonsense 2nd half, did they switch to another script writer or wat? Everything is good, the acting, camera, sound, ost, directing but the script doesnt make any sense after the parking lot scene, why empty hospital? Why let them go? I am confused.
KOREAN HEAT
Within the sweaty, blood-smeared constraints of Yoon's hugely contrived narrative, though, the film does succeed as a slice of high-calibre, testosterone-fuelled escapism
A tour-de-force exercise in non-stop tension.
HIGHLY RECOMMEND FOR ACTION FANS.
Within the sweaty, blood-smeared constraints of Yoon's hugely contrived narrative, though, the film does succeed as a slice of high-calibre, testosterone-fuelled escapism
A tour-de-force exercise in non-stop tension.
HIGHLY RECOMMEND FOR ACTION FANS.
Very beautifully directed and even more effectively presented by all the actors. The shots in the movie are very beautiful. Great use of natural colours and camera angles. Ground breaking storyline. Awaiting for part 2 eagerly. Worth your time for sure. You will not be disappointed by this masterpiece. One of the great thriller and suspense category Korean movie I have ever watched.
Le saviez-vous
- AnecdotesThe film premiered at the 70th Berlin International Film Festival on February 22, 2020, making it the first Korean film to be screened in the Berlinale Special section.
- ConnexionsReferenced in Film Junk Podcast: Episode 781: Another Round (2021)
- Bandes originalesPassing By (Prod. Primary)
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Détails
- Durée
- 2h 14min(134 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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