Moneyboys

If you're wanting for a film that avoids the tired cliches of so much current gay-themed content, I highly recommend Moneyboys. It is a very assured debut from director CB Yi, who displays incredible restraint in telling the story of a young Chinese sex worker dealing with the trials of work, love, family and displacement.

The cinematography is absolutely stunning with each scene beautifully composed. The camera perspective is often at a distance, which adds to a feeling of remoteness and detachment. This is the same feeling projected by the main character, played with restraint and empathy by Kai Ko.

There are many scenes where few words are spoken but much is said in the pauses and silence. Some may find the tone of Moneyboys too formal and the pacing too measured, but with patience you'll be treated to a moving story of compassion and acceptance.

I tried so hard to stick with this film, needing to watch it in three parts.

As other users have said, the cinematography is beautiful and it has many redeeming productive value features.

What is critically lacking though is any real reason to get behind the main protagonist Fei. Although he is claimed to be selfless, this really doesn't translate to the film.

Fei is often moping and locked in his own spiral of melancholy. It's difficult to root for a character who doesn't give the audience much to work with!

While not a bad film by any means, at times it can be a real drag to watch and invest in.

Fei is a young man from the countryside, making money in the big city by having sex with men. There are subplots of his colleagues, with one managing to save enough money to get out of the business, marry a woman and have a baby, and another managing to switching to busking to support his wife and children.

Going home, he has uncles who are not happy with his lifestyle, wanting him to get married and settle down. Instead, another young man from his village follows him back to the city, hoping to earn his fortune.

Produced and shot in Taiwan, the cities and locations mentioned squarely puts the action in mainland China. That makes me wonder how authentic the situation would be - is this the only alternative to life working in the factories making goods for export? Also, how fluid is their sexuality, that they can "switch teams" easily, or are they just "gay for pay"?

Empathic and leisurely vision of people in quite desperation and everything making one hard choice over another entails.

Filmed in a set of restrained long-takes, this just feels like regular life and that is where a lot of its power lies.

Neither romanticized, nor sensational. People just get on with boring old life where you do whatever work falls into your lap.

More episodic than plot-driven.

This director loves the gimmick of using captions that peak behind the dark screen.

It's hard to know what else to say; they did not over think or over complicate this. I suppose that's how you know it's close to the mark.

This is a beautiful movie which reflects amazingly the life of a taiwanese gay prostitute who is unsatisfied, sad and dehumanized.

It is a wonferful thing that this movie shows the contrast between the city, that represents the modern, the new ways of life, which sometimes dehumanize people, and the countryside, which reflects the tradition, the conservatism, and also, the hypocrisy about the homosexuality.