Beautiful

A rather routine risqué thriller that is not quite thrilling and never really risqué. Although, not for lack of trying. We have a "girls gone missing" story with satanic, sadistic, serial killer overtones that are a found in this type of eerie wannabe, but nothing is really resolved (it makes you want to think).

But don't think too much because then it will all be for naught. There are dangling and unanswered major questions that we are to fill in and the ending is too clever for its own good, revealing that it is not that clever after all.

It is gripping enough but ultimately loses it and we are left with unsolved mysteries and dream like disconnects and the result is a good looking film with some artistic touches, but overall it remains something like an urban legend. There is something there, but just out of reality's reach.

Just want to write a quick note to combat the other comments on here a bit. First, this movie isn't TRYING to be "American Beauty" or "Donnie Darko" -- and it certainly isn't trying to be David Lynch. To compare this to any David Lynch film shows you don't understand Lynch at all.

This is an atmospheric thriller. No, the plot isn't ridiculously tangled and doesn't have countless twists, like many Hollywood thrillers that seem to feel obligated to throw dozens of red herrings at the audience so that they feel sufficiently fishy when they leave the theater.

But neither is this movie trying to be an over-the-top freakfest like a Lynch film. I love David Lynch's style and the effect his films have on me, but this is quite different.

This movie was slow and calculated, with plenty of scenes to build atmosphere -- and thereby deepen the sense of character and environment. No, every scene does not advance the plot. Yes, you can tell most of what's going to happen in advance.

But for a strange story about a demented youth for whom everything goes terribly wrong, I thought this was wonderful. All the actors are top-notch, and the cinematography is delightful.

A more accurate frame of reference than the above-mentioned movies would be "Heavenly Creatures," Peter Jackson's tale of the disturbed fantasy life of two girls that explodes into violence. I felt shades of that story throughout "Beautiful." If you want a fast-moving, keep-you-guessing thriller, don't look here. You'll be disappointed. But if you want to see a nicely shot, atmospheric tale that slowly spins out of control, this is well worth your time.

'In the quiet suburban area of Sunshine Hills, hides dark secrets and missing teenage girls. This leads the beautiful Suzy (Tahyna Tozzi) to enlist the help of Danny (Sebastian Gregory) to stalk the town and uncover the truth of what happened.'

It's worth starting off by saying first time director Dean O'Flaherty does a great job at providing the perfect 'feel' for this Stepford-style suburb with an even darker undertone. The film from start to finish is visually stunning and definitely incorporates beautiful scenes that are more like a work of art.

The acting is also something to boast about. The younger performers pack a punch while Peta Wilson is a force on screen in her dramatic role that requires a lot of nuance.

The storyline here is definitely engaging and pulls you into it's glossy web, but unfortunately it doesn't manage to lead anywhere worthwhile. The ending sadly doesn't feel resolved and not in a smart way. Motivations are never revealed and it feels lazy.

Overall I think the film is excellent despite disappointments.

Rarely there are films I don't like. Beautiful just happens to fit that quota. In a nutshell, to me, the film didn't make sense. Too many dead ends and some pieces that didn't fit. A beautiful blonde girl, whose the juvenile wet dream of the next door neighbour teen is asked something of her, while being kissed, prefore. She gets him to spy and take photographs of thesee girls who have supposedly been held hostage in a house, where the latest teen girl abduction could be. Trying to understand our blonde bombshell, especially at the end, which truly didn't make sense, would entail a lifetime of figuring. Other characters who's suffered come in and out of the film. Again, Aaron Pederson is great as a cop with a conscience, where some other actors are just wasted here. The only enticing bit is the flirtatious pro's in lingerie, working the upper end of Hindley St. The film makes as much sense as the t.v. show, Passions.

Where do I start? Well, basically, see this film for free because you will want a refund otherwise. Written and Directed by some copycat wannabee film maker called Dean OFlaherty we have a very poor and deliberately convoluted remake of the collision between DONNIE DARKO and BLUE VELVET, or of you prefer TWIN PEAKS and DISTURBIA.. This mashed potato with bloodstains is called BEAUTIFUL. The poster even copies LOLITA. The whole result is just crap. A waste of resources, actors and your time and their talent. It is like some self obsessed actor's studio thesping exercise that should never be filmed. Again we have some 30 something auteur who simply takes other film maker's ideas and images copies them onto film in his suburb, incredibly and unfortunately Australian film funding bodies put public money into it and we get another pointless ugly cruel stupid and wasteful film that will be forgotten by winter. BEAUTIFUL is an insult to film goers (tickets cost $16 in Australian multiplexes) and an irritating waste of talent and resources. it is not awful-fun like LIQUID BRIDGE or a guilty pleasure, it is simply infuriating plagiarism of more interesting themes that got onto a movie screen in the last 20 years. So ridiculous is the so called plot that a narrator has to explain it all in the misty wrap-up. Avoid. You will not be feeling too beautiful yourself otherwise. It even goes for a NATURAL BORN KILLERS newsreel with HOSTEL tool waving moment. Just terrible.