Un incroyable talent

Structurally speaking, ONE CHANCE follows the trajectory of just about every showbiz rags-to-riches movie you could think of. There's the skeptical father (Colm Meaney) offset by the devoted mother (Julie Walters); the best friend (Mackenzie Crook) who supports Paul (James Corden) despite evidence the contrary; the dramatic reversal scene where Paul is told by Luciano Pavarotti that he will never make the grade; the touching scene where Paul's wife Julie-Ann (Alexandra Roach) vows to support him through thick and thin; and the climactic sequence on the talent show BRITAIN'S GOT TALENT where Paul proves himself in front of the judges including Simon Cowell (the film's Executive Producer). And yet the film has a certain integrity to it: James Corden gives a winning performance as Paul, conveying the uncertainty and gawkiness of the character. Roach makes a convincing lifetime partner - someone who willingly puts up with Paul's basic self-centeredness as she truly believes in him. Meaney turns in a competent turn as a gruff rugby- playing patriarch with a heart of gold. Oh -- and there's the music as well, which is always worth listening to.

When people say they don't make movies like they used to, here's proof that they still do sometimes. "One Chance" has the charm of the old Earling Comedies and maybe even a touch of the magic of Frank Capra.

This is the almost true story of Paul Potts (James Corden), a shy young mobile phone salesman with a great voice. He wants nothing more than to be an opera singer. After scraping the money together to attend an opera school in Venice, he blows an audition in front of Pavarotti (Stanley Townsend). Crest fallen, he regains his confidence only to have an accident that damages his throat. However, he comes back again with the help of his girlfriend, Julz (Alexandra Roach), and becomes a sensation when he wins the first "Britain's Got Talent" in 2007.

The film actually ends at the audition because it's hard to beat a climax where James Corden as Paul Potts has the judges and the audience gulping back the tears as he lifts to that final sustained note, "Vincero", in "Nessun Dorma"; the operatic equivalent of clearing the bar and setting a new world record in the Olympic pole-vault. It's a stunning scene - as it was in real life.

There is so much to like about this movie. Sure, the filmmakers took the crash course in 'Feel Good Movies 101', it's predictable and sentimental with the highs and lows in all the right places, but it works.

There are a number of scenes I love: when Paul first meets Julz, his online girlfriend at the station; another when the crowd in the club falls silent as they are stunned by the power of Paul's voice; the scene in Venice when he dines beside the canal with the family of Alessandra (Vileria Bilello), the beautiful Italian opera singer; and finally, the look on Simon Cowell's face when he realises that the hesitant, shy, slightly awkward contestant possesses show-stopping talent, "I wasn't expecting that Paul".

"One Chance" has perfect casting for mum and dad (Julie Waters and Colm Meaney), witty lines and some opera that cuts though all the Rap, Death Metal and New Weird we are surrounded by today. To paraphrase Simon Cowell's comment to the real Paul Potts on the night of his "BGT" audition, "This is a complete breath of fresh air".

Since the film is based on a true story, you already know what the outcome will be from the starting point, so it leaves room for very little surprises. Nevertheless, the film is a wonderful feel-good movie. James Corden is perfectly cast as Paul Potts. The love story is beautiful and the characters are very likable. A delightful comedy, actually.

Other reviews for this movie (from "professional" reviewers) all point out how shallow this movie is when it comes to showing the feelings Paul is having at the various things that happen to him throughout his life. This may very well be the case. But this movie was not made to be a Doctoral Thesis on the effects of bullying. Rather, it was made to show how, once a young man becomes a coward in his youth, it is almost impossible to overcome later in life. The scene in the alley (when the chick comes to his rescue with the guitar) shows how, as an adult, Paul could only get the barest semblance of rage at his life-long tormentor, even though he had all the reason in the world to go ballistic. After losing his voice, he was unwilling to take a chance at being ridiculed by an audience, so he almost didn't even fill-in the form for Britain's Got Talent. He almost didn't go on stage (several times).

There must be a lot of kids getting bullied in England for their love of opera. Just this year, there was another case -- Lucy Kay -- who went through the same torture. She finished second, and has been signed by Simon Cowell personally for one of his labels.

Yes, this movie will not win an Oscar -- or even play in any American theaters -- but you need to see it. If you bullied fellow school mates when you were young, you might want to go find those now-grown-up kids and apologize. If you were bullied, this movie will inspire you.

This is a touching story with moments of sadness, joy and humor. As far as I can tell it is based pretty closely on the true life of Paul Potts. I liked the realism portrayed in the characters and the situations; for once Hollywood restrained itself. For classical music lovers, the music is a treat. Until the end--after an incredible soundtrack of great pieces written by the masters and performed by true artists, we are treated to an over- credits song by... Taylor Swift. WHAT??? NOOOOOO!!! WHY??? Who on earth made the choice to include that--performer--in this? Nothing worse than having your ears and senses assaulted with garbage after first being primed by some of the best music ever written. That's like having a lunch of fine French cuisine and then being presented with a Twinkie for dessert. Thanks a lot, whatever idiot included that favorite of teenyboppers everywhere in this otherwise-fine film.