Sputnik - Espèce Inconnue

Cinematography (camera, pace, lighting, angles) is top-notch. Score is majestic and utterly suggestive of a dark, claustrophobic atmosphere and the sense of grappling with the unknown. Acting is good enough. However, the story goes nowhere really. The reach of the plot runs out at just over an hour, once the picture has become clear of what the situation is. From there on, it becomes nonsensical, as it lacks a credible motivation for the main characters' choices of course of action. There is also little reason behind a middle ranked army officer keeping all of this secret from headquarters. And the child subplot is rather superfluous and contributes nothing. The resolution of the story is hasty and fairly commonplace, a sign of the script having run out of original ideas.

The film is, therefore, a mixed bag. Technically, it stands its ground very well against better and more expensive sci-fi productions from Hollywood . It is true that special effects and CGI are sparse here, but this film is not meant to tread the same roads as thinly-scripted, CGI-heavy, teen sensations like Transformers. Instead, a well worked out script would have allowed expert direction to make this into a solid, sober and tense, sci-fi drama.

I'll be honest, I was really excited to see this, I don't have much experience with Russian Cinema unfortunately, but I'd this was anything to go by, then I am keen to see more.

A very good start, it's creepy, it's imaginative, I can truly believe that this is set in The Cold War USSR in the 1980's.

Well acted, well produced, I'm no film expert, but in terms of the visuals, it feels more American cinema than European cinema to me, it looks great.

I just love how Russian it is, from the name, to the Russian dolls that pop up.

It's chilling, it looks great, it exceeded my expectations, I perhaps didn't enjoy the ending quite to much, but that's a minor quibble, all in all, I thoroughly enjoyed it. 8/10.

This is a very well done sci-fi with a solid creature which isn't too over the top and is kept just simple enough to really work. Some of the only gems coming out of the horror and sci fi genres these days are the indie/foreign films and this one delivers a scary creature without getting so bogged down and convoluted as some of the more recent big budget films. It is subtitled but you can still appreciate that the actors/actresses were quite good. It was an unexpected surprise and I recommend it to anyone surging through the massive catalog of cookie cutter and ridiculous horror movies of late.

Set in 1983, this film opens with two cosmonauts preparing to return to Earth; they see something on the outside of their capsule. When the capsule lands one of them is dead and the other, Konstantin Veshnyakov, appears to be injured. He has no memory of what happened. The authorities, under Colonel Semiradov, invite psychiatrist Tatyana Klimova to try to help recover those memories. She is taken to a facility in Soviet Kazakhstan where she learns that there is far more to Konstantin's story than she was told... he has brought something back with him; something potentially very dangerous.

I enjoyed this film; some of the ideas may have been less than original but the setting gave it a freshness. Early on I wasn't sure what genre the film was as it is a while before it becomes obvious what the creature does and why. The design of the alien creature was impressive as was the way it moved. The cast did a solid job, most obviously Oksana Akinshina and Pyotr Fyodorov as Tatyana and Konstantin. While there isn't too much violence, what there is, is quite gory although unlikely to disturb horror fans. Overall I'd certainly recommend this to sci-fi fans.

These comments are based on watching the film in Russian with English subtitles.

I am happy to see that Russian scifi films are finally moving towards the Russian scifi literature that I loved so much as a child. This is a wonderful little gem, a Russian version of Life, but with more focus on the people and less on the special effects and action scenes. Not perfect, mind you, but so far the best Russian science fiction film I've seen them make recently. And the special effects were very good, too, which makes the decision to keep them in the background so much more laudable.

The weakest link is the main character, unfortunately, who does things that make little sense for a scientist. Yet her contribution is not that of a character, but as a carrier of the audience, so what she does is really not that relevant.

I hope Russian cinema will start bringing back the intellectual slow burn story, the civilian scientists that have to solve problems without relying on strength or weapons, but on their own thinking.