When You Finish Saving the World, directed by Jesse Eisenberg, runs for 88 minutes and presents a story that feels both disconnected from reality and oddly frustrating to watch. The film follows Ziggy (Finn Wolfhard) and his mother Evelyn (Julianne Moore), two characters who are meant to be navigating their strained relationship but come across as exaggerated caricatures of real people. Unfortunately, the characters' behaviors and interactions feel so far removed from anything believable that it becomes difficult to connect with any part of their story.
The biggest issue with this film is the way the characters are written and developed. Instead of offering any relatable qualities or depth, both Ziggy and Evelyn (along with most of the supporting characters) feel like hollow, over-the-top versions of real people. Their personalities are frustratingly one-dimensional, almost to the point of parody. It's hard to watch their interactions without feeling an overwhelming sense of cringe and discomfort. While some films successfully use exaggerated characters to make a point or add humor, When You Finish Saving the World doesn't manage to do either. The characters lack any redeeming qualities that would make their quirks engaging or their struggles emotionally resonant.
The story flows naturally within its own twisted reality, but that only seems to exacerbate the disconnect between the characters and the audience. While the movie may have intended to explore the complexities of familial relationships or generational differences, it instead feels like an exercise in frustration. The characters' interactions are more likely to elicit eye-rolls or exasperation than any sort of emotional engagement. Watching the film, it's hard to imagine anyone feeling anything other than discomfort or irritation at the exaggerated and often unlikable personalities on display.
By the end, I found myself wondering what the film was trying to achieve. While it flows easily enough within its strange, unrealistic world, the lack of believable character development made it impossible for me to become invested in the story. Instead of walking away with any sense of connection or reflection, I was left feeling mostly frustrated and disengaged.
In conclusion, When You Finish Saving the World struggles with the same issue that plagues many films-it offers characters that feel like overblown versions of real people, but with none of the relatability or charm needed to make them work. Despite its natural flow, the film is more likely to evoke cringe than anything else. I give it a 5 out of 10.