April Showers

This shouldn't be a 'bad' movie.

There was nice production value for a no name project. The acting was what I expected from an indie project of said nice production value; a little bit above high school drama club, but just a shade below B-list actors. The concept of gaining insight into the aftermath of school shooting intrigued me; especially if that insight is coming from a survivor. The story was...a melodramatic Lifetime movie at best, but that's not necessarily a negative thing, considering this is a debut project.

Like I said, this shouldn't be a 'bad' movie.

Where does it go wrong?

Religious subtext.

Why make a movie that's meant to give people insight if you're going to exclude half your audience with blatant Christian overtones?

What is the theme here? That one can only comprehend tragedy through piety? There's no reason this film should take any standpoint that isn't subjective; but then again, within reason, there should have been an objective viewpoint. And that's why this movie with a lot of promise behind it will remain encased in a small clique of individuals who are either tied to the project or agree exactly in line with its ideology and simplistic lens, rather than reach out to the masses as it should.

Based on his real life experience of surviving the Columbine High School Massacre, writer and director, Andrew Robinson comes up with a retelling, titled "April Showers" which promises to deliver something that will make us all think. I applaud Andrew for achieving something that must have been very hard to do. To relive these terrible events in an effort to outline how some of these survivors coped and how some didn't through such a troubling time , was a courageous thing to do. with solid Cinematography and passable acting, the film really should have delivered what it was striving for, but unfortunately, due to some real problems, it falls quite hard. To start with, for a film of this nature to work, we really have to connect with the characters. Unfortunately, the film prevents us from getting acquainted with the people involved, through lack of story development. The Massacre happens in the first five minutes of the film, so we are thrust into the deep end before knowing anything. So instead of the emotional strain that the viewer should be feeling, we can separate ourselves from them. I compare it to hearing something on the news, which takes place over the other side of the world. Yes its shocking, but there isn't as much impact for us, as opposed to having a relative or friend in the actual tragedy. This film didn't allow us to really care what was going on, which makes the second half of the film rather boring, as we try our best to connect with those grieving, but just can't. My other problem is that the main focus of the film, the relationship between Sean and April, takes the gloss away from the only really interesting character, one that is going through post traumatic stress. There is just no allowance for any chemistry between the romance of the lead two, and like the majority of the film, it just feels like its eating away the run time, as opposed to actually building a solid platform of emotion. If the film was done in way that we have development and then the tragedy, I feel it could have worked. But as a result of impatience and maybe a lack of experience, the director chose a different path that ultimately hurts it and prevents it from being a memorable experience. Ordinary at best, but a courageous move from the director.

This movies plays out like one long drawn out sad scene. You never have time to feel anything for the characters because they are too busy being consumed by grief FOR HOURS!!!!!!!!!!!!!!!. The acting is one step above your average Doritos commercial and the cinematography is film school at best. As for the sound track I think this was the only movies I have ever watched that had one continuous crappy sad song playing throughout. It was like being stuck at a wake with a bunch of kids who just lost their tickets to a Jonus Brothers concert. If you see this DVD at any time RUN RUN or grab it and flush it down the toilet.

Brave of the director to attack this sort of subject and for not glorifying the "bad guy(s)" However that is where the compliments end.

The idiotic shaky camera syndrome just annoys the hell of of many people.. the character development is shallow at best. Acting is well.. as one other review said very "after school special" and I'd have to agree.

The entire film really is a failure in the end since it lacks what is necessary to really tie things together properly.

Oh and before someone gets on the soapbox about "it's the guns" (which is inevitable on this subject. It is not and nor has it ever been. Yes tragedies happen with seriously mentally ill psychos. But this is a classic example of how moronic a "gun free zone" is.

If even some of the teachers had been armed this sort of thing could have been stopped much faster and w/far less loss of life. Same as many other incidents of this nature. No one can predict such an incident.. but we all can certainly prepare to handle such infinitely better.

All of that said.. I as most others feel for the victims of such incidents. Most everyone wishes such things never happen ever. But that is simply not reality.

The most poignant part of this entire effort is the list of those lost to all of us at the end. To those I would say we all should salute them for their sacrifice and/or bravery. But not a tear will I ever shed for those killed that perpetrate such crimes.

Andrew Robinson's "April Showers" is like Oliver Stone's "World Trade Center." We relive a day that stunned the world. We look for triumph over tragedy at the most intimate level.

It is an intense film. The MPAA found its content disturbing. I disagree. What they meant was that it unlocks the deepest feelings of innocence lost.

The softest targets, we all are. Protectors unprotected. The hero inside ignored. The survivor looking over the dead. The dead looking over those still standing.

The history of the world in fewer days than God took to create it.

And who is left to create charity, hope, and faith?

The answer comes from a director with a sure hand, in real life a young playwright at Columbine High School 10 years ago whose next leading lady was to be a student named Rachel Joy Scott.