Treize vies

This was better than expected. Could have gone sideways in so many fashions but resists at every turn to become soapish or maudlin or fall into action flick tropes but it does not. In Ron Howard's able hands this amazing true story comes alive with intrigue and emotion. And clocking in at 2 1/2 hours, for me it did not feel overlong or slow.

Now in 2022 it seems such a short time ago, in June 2018, when news around the world announced that twelve young boys and their soccer coach were trapped in a Thailand cave, trapped by excess rain and rising water. The trip to them was over a mile and took several hours by experienced divers.

This is Ron Howard's movie about that event and eventual rescue in July, using a technique that had never been tried. So great was the fear of killing the boys the government provided diplomatic immunity to several rescuers in case all or most of the boys died. But they viewed it as their only option, soon the monsoon season would arrive and eliminate all chances of rescuing them alive.

It is a really good movie, a bit long at 2 1/2 hours, but my wife and I enjoyed it, at home streaming on Amazon Prime.

I followed this Real story as it unfolded live on telly. I used to not sleep so that I know those kids will be alright somewhere.

Watching this 2.5 hrs movie, made me go back to June 2018 of Tham Luang cave rescue. This movie is a masterclass, it's emotional, it's about courage and rescue.

Don't miss this gem. Actors been brilliant so are the kids.

Thank you for this movie.

Maybe, it helps that I didn't watch The Rescue prior to seeing the film, but Ron Howard's work is excellent nonetheless. The film doesn't waste any time getting to its "rescue mission" core, bringing in the likes of Viggo Mortensen, Colin Farrell, and eventually Joel Edgerton to help tell this thrilling and utterly grounded tale. Howard ensures that the film doesn't forget where it is set, allowing the region's culture to breathe life into its Thai characters as opposed to showcasing just white sentiment.

The major highlight, as you expect, is the underwater cinematography (by Sayombhu Mukdeeprom) which plays an essential role in making us gasp for breath often and inducing claustrophobic feels. William Nicholson's script plays out chronologically, adding more gravity to the events. The melodrama is kept to a bare minimum, and the narrative is very matter-of-fact. Benjamin Wallfisch's score infuses itself into the fantastic sound design, making it indistinguishable from the sounds of water splashing, diving helmets hitting rock, and oxygen cylinders being dragged along. It's 2.5 hours long, and you already know the ending, but it's still one of the finest films this year.

I'm a scuba diver and well aware of the technical challenges of Cave Diving. I'm also well versed in the rescue of these boys having read two books and seen the previous documentaries. What's great about this movie is that it presents the emotional response of the parents and the divers, especially Harry and John and how they had to cope in an incredibly dynamic and challenging situation, moreso above the water, than in the water.