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Mothering Sunday. A lot of work has gone into this film in terms of congregating a good cast including a Olivia Coleman & Colin Firth. Some good acting and lovely cinematography, but unfortunately it was very, very slow. Trying to create an enigmatic and sultry atmosphere for a romantic love story but it just didn't come off.

The penny dropped that all the good romantic films watched in the past you 'bought in' to the characters and felt for them, urging them to succeed. Here I found we got to a point after 30 minutes where we couldn't care less about the two lovers or what happened to them. We weren't moved or brought to tears but felt complete apathy. Plus it was like an advert for cigarettes with so many smoked!

A young house maid (Odessa Young) to The Nivens (Colin Firth/ Olivia Coleman) visits her lover (Josh O'Connor) for the last time, whilst The Nivens visit the neighbours to celebrate the forthcoming marriage of their son, O'Connor, who obviously is otherwise engaged.

A film you need real patience for, as the bulk of the run time is taken up with a fairly straightforward tale of young lovers within the English upper classes - Upstairs, Downstairs if you will - and gently and nicely done it is.

It is worth waiting though, for quite a long way in, things develop dramatically that you probably won't expect, affecting the young couple, The Nivens and their neighbours which is handled magnificently. Odessa Young does a fine job holding all this together in the starring role, but support from Coleman and Firth is the high point, with a special treat with essentially just one scene featuring the great Glenda Jackson. Overall, slow to be sure, but ultimately cleverly written and rather moving.

Lots of earthy cinematography... very decent acting and an interesting story... a movie to just relax and ponder. The weaving of nude shots of Odessa Young are masterful... done with taste... while not taking over the story. A lot of character building in such a short time.

The scenery is incredible, as is the performances of Colin Firth and Olivia Colman.

The rest of the movie is incredibly disjointed, and because there is no actual emotion or feeling between the two main characters, Odessa Young and Josh O'Connor, it quickly became annoying. There is only so much cigarette smoking a person can watch before you realize, I suppose, this is the point where the viewer is supposed to be emotionally touched. The problem is, I wasn't. Ever.

This felt like going to a beautiful restaurant and waiting so long for your meal that by the time it's gets there you want to throw the plate on the floor.

Much of the movie is beyond belief, such as the maidservant (who, between the wars, works for the wealthy Niven family), wandering naked through a manor house, seemingly unconcerned that the owners may show up...for over an hour.

At every turn, I kept thinking, here it is, we must be getting to the point...but 'the point' simply never happened.

A waste of talent and scenery, however it is worth watching simply for the performances of Firth and Colman. They are outstanding.

I wanted to like this film but it strikes me as an empty book, an idea abut time but with no place to go.

Main story set in 1924 sees the country gentry still reeling from the slaughter of World War I Several families maintain the tradition of a picnic by the river on Mother's Day and recall the times when the children played and swam in the river. They're all dead now except for the youngest (Josh O'Connor), who's about to marry one of the daughters who was engaged to one of the boys now dead.

A maid in the house named Jane (Odessa Young), an orphan who's been "in service" since she was 14, is having a secret affair with the boy and meets with him one last time before he goes to the party to announce his engagement to the young woman.

The lady of the house (Olivia Colman) tells the maid she's lucky to have been an orphan. She can observe life without having to deal with the deaths of loved ones.

Jane eventually leaves the house and goes to work in a bookstore where she meets a philosopher and becomes his lover (there's talk of marriage). We also see Jane as an old woman (Glenda Jackson) who has indeed lived most of her life as an observer and as a famous writer.

Jane's life after she leaves the country house is sketchy and the viewer will likely feel cheated. We're not told very much ... yet the film runs for 104 minutes.

Jane strikes me as a character out of time and place. Would an uneducated house maid in 1924 be this self- possessed and confidant? Were interracial marriages possible in England in the 1930s and 40s? What kinds of books did Jane write? No details.

Young is good and O'Connor is better. Colman and Jackson combined have about 10 minutes of screen time. Colin Firth plays the "lord of the manor," but no one else registers.

There's a reference to Virginia Woolf's "Orando" and I guess that's meant to be a clue. Jane is a character out of time. Time is fluid and has no temporal barriers.