Preparations to Be Together for an Unknown Period of Time

This movie flows like a big river. If you can just enjoy the slow flow, the soft cinematography, the imperfect buildings, the very minimalistic acting, you will have a good time.

The story is meant to be very simple, this is all about the mood it tries to convey.

"Márta, a 40-year-old neurosurgeon, falls in love. She leaves her shining American career behind and returns to Budapest to start a new life with the man she loves. But she waits for him at the Liberty Bridge in vain - he does not appear at their rendezvous. Márta starts to search for him desperately, but when she finally finds him, the love of her life claims that they have never met before."

Very atmospheric film. Somewhat nice to be immersed in the protagonist's mind. Some may be bothered by the floating from scene to scene, non linear storytelling, and the unreliable narrator. That all being said, it does flow, albeit haltingly. But that ending seemed so sudden. This ended up feeling like a too long short film or a weakly executed feature length film. Almost everything needs to be expanded upon for a fulfilling story.

I should have loved a thunderbird instead; At least when spring comes they roar back again. I shut my eyes and all the world drops dead. (I think I made you up inside my head.)

• Sylvia Plath, Mad Girl's Love Song

Márta, an American neurosurgeon, is on a bridge in Budapest waiting for the love of her life to appear at the appointed time. She has given up her job, patients, kids, and husband to be with this man. He doesn't show.

"I've never seen you before," he says when Márta tracks him down at a local hospital (he is also a brain surgeon). Still, she doesn't let it go. Márta is Carrie Fisher in Blues Brothers level obsessed. She gets a job at his hospital and starts to woo him again. She is certain he will remember. Or perhaps it is all in her head. "A brain is like a city. There are abandoned buildings that can be sacrificed if need be, to save the whole."

Cerebral in more ways than one, this female driven film is an intriguing brain tickler. There are many possibilities as to what drove Márta to Hungary and where she is going from here. Her love interest is seen with another woman of course, so there's that, but thankfully the film goes much deeper than this tired old trope. It delves into Márta's mental state. She has done something like this before in a previous romance. "I wanted something so bad I lost myself" Márta tells her psychiatrist, and yet you don't get to be a brain surgeon without having a healthy intuition. She struggles to trust herself.

There are some amazing scenes including of Márta and the other doctor following each other across Budapest on different sides of the street. There are fascinating twists and turns.

Ever since I heard the name of this film I'd been intrigue. Although I'm not a huge fan of films with long titles this somehow seems to fit perfectly. This is one of those films where is better to enter the film without knowing too much about it. One of the few good things about the pandemic is you get to discover this types of films.

My greatest respect for this very sensible story, for the dramaturgy, and for reminding me of the silent perseverence of love! The lead actress, Natasa Stork, is just brilliant and lovely; excellent choice!