Un réalisateur rentre chez lui avec sa petite amie après la première de son film qui rencontrera, selon lui, un franc succès critique et financier. La soirée prend soudain une tournure impré... Tout lireUn réalisateur rentre chez lui avec sa petite amie après la première de son film qui rencontrera, selon lui, un franc succès critique et financier. La soirée prend soudain une tournure imprévue.Un réalisateur rentre chez lui avec sa petite amie après la première de son film qui rencontrera, selon lui, un franc succès critique et financier. La soirée prend soudain une tournure imprévue.
- Réalisation
- Scénariste
- Stars
- Récompenses
- 4 victoires et 9 nominations au total
Avis à la une
The script is buzzing-The actors are trying...
An ambitious examination of the complexities of relationships
Has its moments for sure, but can't quite sustain itself through all 106 minutes
It's a decent effort to do one of those one-location, limited cast kind of movies, but it is let down in the writing, with some dialogue that feels very overwritten at points, and a lot of scenes that feel like they hammer home the same point again and again. You could argue it's intentional, but I'm sure there would be ways to have that repetition as a theme without making the film feel like a bit of a chore to sit through after about the 50-minute mark.
That being said: even though the black and white cinematography doesn't seem to serve a concrete purpose, it does look fairly nice. And the film is saved by its two performances, who do surprisingly good work with a screenplay packed with lines (and whole scenes) that would be difficult to act convincingly.
Overall, it's far from terrible, and I did get a fair bit of enjoyment out of the first half and small parts here and there in the second, but it doesn't quite sustain itself well enough to justify the feature-length runtime, in my opinion.
Too pretentious to be genuine
Boring, Boring, Boring
Le saviez-vous
- AnecdotesOne of the first films to be written, directed, and completed during the COVID-19 pandemic in the United States.
- GaffesIn the bathroom scene, Marie's bath water is clear in the first few shots, but is later seen to be cloudy without her obviously adding anything to it.
- Citations
[Marie walks into the room with a knife]
Malcolm: Marie, what are you doing? Put the knife down, please. Marie?
[she kneels down in front of him and plays with the knife]
Marie: Do you remember those antidepressants I was on? I'm not on them anymore. I'm not doing well. I'm really, really not doing well. I've never been clean. And I don't plan on getting clean. I'm a piece of shit. I'm a liar. I cheated on you. I fucked your friends
[she laughs]
Marie: I fucked your friends. God, I feel like I'm crazy. I've stolen from your mother. And you know what the fucked up thing is? I don't even care. I don't mind. Because I deserve it. Tell me where the fucking pills are. Tell me where the pills are.
[Malcolm struggles to answer, Marie puts the knife down and acts like herself again]
Marie: And that, Malcolm, is what authenticity buys you.
[she flips him off with both hands as she leaves the room]
Malcolm: Well, damn! Why didn't you do that in the audition?
- Crédits fousThe title appears 13 minutes into the film.
- ConnexionsFeatured in WatchMojo: Top 10 Failed Oscar Bait Movies of 2020 (2021)
- Bandes originalesDown and Out in New York City
Written by Bodie Chandler, Barry De Vorzon
Performed by James Brown
Courtesy of Universal Records
Under license from Universal Music Enterprises
Meilleurs choix
- How long is Malcolm & Marie?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Malkolm va Mari
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 46min(106 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1






