L'escapade d'une famille dans une luxueuse maison de location prend une tournure inquiétante lorsqu'une cyberattaque met hors service leurs appareils et que deux étrangers se présentent à le... Tout lireL'escapade d'une famille dans une luxueuse maison de location prend une tournure inquiétante lorsqu'une cyberattaque met hors service leurs appareils et que deux étrangers se présentent à leur porte.L'escapade d'une famille dans une luxueuse maison de location prend une tournure inquiétante lorsqu'une cyberattaque met hors service leurs appareils et que deux étrangers se présentent à leur porte.
- Récompenses
- 1 victoire et 11 nominations
- Kid Beachgoer
- (non crédité)
- Kid Beachgoer
- (non crédité)
- Beach Goer
- (non crédité)
Histoire
Le saviez-vous
- AnecdotesThe picture of the waves in the upper bedroom changes during the movie. The tide is rising. Same applies for the black and white picture in the living room which resembles a changing Rorschach' picture.
- GaffesAiring on the television is the outdated Emergency Broadcast System (EBS). This was an emergency warning system used in the United States from 1963 to 1997, at which point it was replaced by the Emergency Alert System (EAS) which became operational on January 1, 1997.
However, it is against FCC regulations to use the EAS and its related tones in TV and movies. NBCUniversal was fined $530,000 in 2014 for airing an Olympus Has Fallen trailer that used real EAS alerts.
Its likely the movie used the old EBS alerts to get around that issue.
- Citations
Amanda Sandford: We fuck each other over all the time, without even realizing it. We fuck every living thing on this planet over and think it'll be fine because we use paper straws and order free-range chicken. And the sick thing is, I think deep down we know we're not fooling anyone.
- Bandes originalesThe Rev3nge
Written by Joey Bada$$ (as Jo-Vaughn Virginie Scott), Powers Pleasant, Sucuki (as Tim Friedrich), Adam Pallin, and Gregor Sperzel
Performed by Joey Bada$$
Courtesy of Pro Era/Cinematic Music Group and Columbia Records
By arrangement with Sony Music Entertainment
A dysfunctional family with emotionally drained bonds between them, with patterns of social arrogance, mistrust and racism in their relation to another couple, each trapped in a doom-like situation, without a point of return to normal. The way they successfully describe the evolution of a global apocalypse here is disturbing, but absolutely true. It's likely that it won't come with a Big Bang, but with a whimper, a creeping process, which no one is able to understand or control, during everything looks like normal, but under the surface, invisible, everything has already changed with fatal consequences. The occuring events are enigmatic and the uneasiness resulting from that is perfectly shown by camera movements, montage of sequences and sound design.
Nature is out of balance, natural and technical ressources come to an end, our total slavish dependance on digital gadgets makes us vulnerable, a perfect target. Ignorance won't help us out. It's devastating that many of the viewers are already unable to get the crystal clear message of this movie. They prefer to continue, ignore and entertain themselves with stupid sitcoms.
That's what the end is telling us! And that's why they don't get it.
- berndgeiling
- 11 déc. 2023
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Dejar el mundo atrás
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée2 heures 18 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1