La vie après l'ouragan Katrina alors que les habitants de la Nouvelle-Orléans tentent de reconstruire leur vie, leurs maisons et leur culture unique suite aux catastrophes naturelles parmi l... Tout lireLa vie après l'ouragan Katrina alors que les habitants de la Nouvelle-Orléans tentent de reconstruire leur vie, leurs maisons et leur culture unique suite aux catastrophes naturelles parmi les plus graves aux Etats-Unis.La vie après l'ouragan Katrina alors que les habitants de la Nouvelle-Orléans tentent de reconstruire leur vie, leurs maisons et leur culture unique suite aux catastrophes naturelles parmi les plus graves aux Etats-Unis.
- Récompensé par 1 Primetime Emmy
- 6 victoires et 53 nominations au total
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That wasn't an attempt at being snide, in case you were wondering. I'm not from America so I have no idea what this series is to people who are from the States but not from New Orleans, but for me it was as fascinating look into a place and people I didn't know anything about going in. And while there can be said a lot of good about the narrative trope of having an outsider who works as a link to the audience by asking all the questions that they want the answers to, I personally enjoy once in a while being thrown in at the deep and watching characters going about their daily lives and routines and if there's something I don't understand I will have to infer the meaning or else just live with the mystery. Of course it isn't all colourful costumes and plastic beards. Most of the characters and themes like the story arch of the chef or the violinist could be told with any place as a background, but since it takes place here, we learn about New Orleans food and music through them. The stories of police brutality and corruption could also, sadly, have happened anywhere, but the hurricane made everything worse and more chaotic. In the end, this is a slice of life, where we follow a group of people in their home town, until we leave them, partly changed, partly the same, without any special conclusion or wrap-up. Some doors are closed other are opened and we could easily have followed them for four more years. New Orleans might be a special place, but the people in it are just people; human, fragile and endearing even with all their flaws.
As a local who lived here during Katrina, I find this show particularly moving and powerful.
There have been so many films, documentaries, novels, etc. about New Orleans, and most tend to sensationalize or to give non-locals what they want or expect to see. This is the most real portrait of the city I've seen, and it does justice to the spirit of the city. Living here is a strange experience because it feels like a small town: you run into the same people again and again; people are always eager to show newcomers where to eat or drink or listen to music; people are very friendly; people do tend to cringe when visitors never stray from Bourbon (even though Bourbon is fun); people do have a fierce loyalty to local bars, restaurants, etc. Simon really captures all of this in the show.
I never saw The Wire, but I'm impressed with the style of giving snapshots of the city or characters to build portraits of the people and the atmosphere - particularly the second line parade, John Goodman's character reading the Tulane renewal plan (brought back some painful memories for me personally), the Mardi Gras Indian practice, the reaction of people walking into a house or bar for the first time since the storm and surveying the damage.
My main concern for this show: I have no idea how non-New Orleanians will feel about it. So much of my enjoyment of the show is rooted in seeing people I know and finally seeing a director do justice to some of the most wonderful things about this city. But I'm not sure how I would feel if I weren't so emotionally invested in it.
There have been so many films, documentaries, novels, etc. about New Orleans, and most tend to sensationalize or to give non-locals what they want or expect to see. This is the most real portrait of the city I've seen, and it does justice to the spirit of the city. Living here is a strange experience because it feels like a small town: you run into the same people again and again; people are always eager to show newcomers where to eat or drink or listen to music; people are very friendly; people do tend to cringe when visitors never stray from Bourbon (even though Bourbon is fun); people do have a fierce loyalty to local bars, restaurants, etc. Simon really captures all of this in the show.
I never saw The Wire, but I'm impressed with the style of giving snapshots of the city or characters to build portraits of the people and the atmosphere - particularly the second line parade, John Goodman's character reading the Tulane renewal plan (brought back some painful memories for me personally), the Mardi Gras Indian practice, the reaction of people walking into a house or bar for the first time since the storm and surveying the damage.
My main concern for this show: I have no idea how non-New Orleanians will feel about it. So much of my enjoyment of the show is rooted in seeing people I know and finally seeing a director do justice to some of the most wonderful things about this city. But I'm not sure how I would feel if I weren't so emotionally invested in it.
The Wire was a great show. Rather than imitating the backdrop that made The Wire tick....homicide, drugs, corruption, David Simon has created a program with the same reality, different circumstances. I have enjoyed both episodes and am already a fan. Treme showcases the people of New Orleans. Not as victims but simply as a community that has taken a very hard hit and are attempting to move forward. As a side story, it also focuses on the musicians that provide the soundtrack for the city and their own ways of balancing life with art and trying to give the impression that, on the outside, they care as much about family as they do about feeding their primary goal, playing. There is a lot going on but there are a lot of characters, back stories and lives interconnecting. Eric and David are doing a very good job at the set up, providing glimpses at personal lives to act as puzzle pieces for the whole picture.
The intense drama series "Treme" is one of the best shows out there.
And there is a good reason why some of the best dramas on television end up on HBO.
This is an endlessly rich series coming from the genius of David Simon,who has re-team with "The Wire" writer-producer Eric Overmyer to re-create New Orleans,a city in chaos three months after it was nearly washed away by Hurricane Katrina. Like his previous efforts on "The Wire",Simon's brilliant five-year epic about Baltimore was told mainly through the eyes of its most beleaguered(and beleaguering)citizens,"Treme" teems with authentic life.
Simon doesn't coddle an audience,and landing in "Treme" is the artistic equivalent of landing in New Orleans itself. You're surrounded by people who know this city.....who talk about some of it's places, foods and culture and people without providing any background information to help you follow the discussion. They know the ups and downs of this city. And "Treme" delivers. As you'd expect from a Katrina story,the characters in "Treme" face myriad problems. But they have a sense of hope and resilience and a good-times-roll embrace of great food,great conversation,and so forth.
If the strong writing is a Simon hallmark,so is an impeccable ensemble that includes Wendell Pierce("The Wire"),Clarke Peters("The Wire"), Khandi Alexander("The Corner"),Melissa Leo("Homicide:Life On The Street"),and Nick Gomez("Oz"),along with such widely known actors as John Goodman("Roseanne"),and Steve Zahn. "Treme" sets up the characters and tells its story incredibly well and this maybe one of the best dramas on television,and it delivers. A Must See.
And there is a good reason why some of the best dramas on television end up on HBO.
This is an endlessly rich series coming from the genius of David Simon,who has re-team with "The Wire" writer-producer Eric Overmyer to re-create New Orleans,a city in chaos three months after it was nearly washed away by Hurricane Katrina. Like his previous efforts on "The Wire",Simon's brilliant five-year epic about Baltimore was told mainly through the eyes of its most beleaguered(and beleaguering)citizens,"Treme" teems with authentic life.
Simon doesn't coddle an audience,and landing in "Treme" is the artistic equivalent of landing in New Orleans itself. You're surrounded by people who know this city.....who talk about some of it's places, foods and culture and people without providing any background information to help you follow the discussion. They know the ups and downs of this city. And "Treme" delivers. As you'd expect from a Katrina story,the characters in "Treme" face myriad problems. But they have a sense of hope and resilience and a good-times-roll embrace of great food,great conversation,and so forth.
If the strong writing is a Simon hallmark,so is an impeccable ensemble that includes Wendell Pierce("The Wire"),Clarke Peters("The Wire"), Khandi Alexander("The Corner"),Melissa Leo("Homicide:Life On The Street"),and Nick Gomez("Oz"),along with such widely known actors as John Goodman("Roseanne"),and Steve Zahn. "Treme" sets up the characters and tells its story incredibly well and this maybe one of the best dramas on television,and it delivers. A Must See.
This is definitely one of the best shows on HBO. It shows how New Orleans is coping with the disaster of Katrina with not only great scripts but with great characters such as Davis (Steve Zahn), Ladonna (Khandi Alexander), Antoine (Wendell Pierce) and "Big Chief" Albert (Clarke Peters). In fact, the character of Davis is truly a one of a kind character. He is both passionate and manic and you can truly feel his passion as well as his anger over the disaster that destroyed his adopted hometown. Also, this definitely captures the spirit of New Orleans, both good and bad and the true star of the show is the city of New Orleans itself with This definitely has a chance of becoming a true classic and hopefully the audience will continue to grow for this wonderful show.
Le saviez-vous
- AnecdotesWendell Pierce is not a trombonist. He started taking lessons when he was cast as a trombonist, so his handling of the instrument would look credible on-screen. When Antoine Batiste plays, a professional trombone player off-screen provides the actual music. In season 4, a version of this behind-the-scenes story plays out in one of Antoine's story lines, when Antoine is hired to teach a non-trombonist actor (Lanny Fox, played by Wilson Bethel) to fake playing the trombone credibly during a movie shoot.
- GaffesThe computer John Goodman's character uses is running Windows Vista and Office 2007 (you can tell from the user interface), yet that software wasn't released when the series took place (in 2005).
- ConnexionsFeatured in De wereld draait door: Épisode #5.141 (2010)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- 劫後餘生
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h(60 min)
- Couleur
- Mixage
- Rapport de forme
- 16:9 HD
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