NOTE IMDb
5,7/10
24 k
MA NOTE
Un groupe de personnes voyageant dans le sud de l'Italie se retrouvent coincés dans les bois, où ils doivent lutter désespérément pour en sortir vivants.Un groupe de personnes voyageant dans le sud de l'Italie se retrouvent coincés dans les bois, où ils doivent lutter désespérément pour en sortir vivants.Un groupe de personnes voyageant dans le sud de l'Italie se retrouvent coincés dans les bois, où ils doivent lutter désespérément pour en sortir vivants.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 5 nominations au total
Will Merrick
- Mark
- (as William Merrick)
Giuseppe Russo
- Fabrizio
- (English version)
- (voix)
Justin Korovkin
- Samuel19
- (non crédité)
Avis à la une
It's a good one. Photography and screenplay are well made, characters are believable in their choices, actors in their performances. Personally, I loved the well-aged Italian soundtrack. The movie is somehow thought provoking, with a twist in the end that I did not see coming until when the protagonist realises it too, and that's something per se.
Starting from the title itself, the movie goes around playing with genre's archetypes, landing a few scares, also managing to convey an overall sense of uneasiness.
The ending scene: it felt like a critique on our contemporary hysteria on having less and less time, our attention span is reducing, and even watching a movie becomes a chore. The viewer ends up skipping the movie entirely, fast forwarding it, picking few random scenes, ending up taking the same side of those who watched it distractedly, hated it, but spoke about it in capital letters in a comment on a social media.
It really questions the Netflix paradigm of producing movies based on "the like algorithm".
I like when an horror movie does what it's supposed to do: provoke you.
Starting from the title itself, the movie goes around playing with genre's archetypes, landing a few scares, also managing to convey an overall sense of uneasiness.
The ending scene: it felt like a critique on our contemporary hysteria on having less and less time, our attention span is reducing, and even watching a movie becomes a chore. The viewer ends up skipping the movie entirely, fast forwarding it, picking few random scenes, ending up taking the same side of those who watched it distractedly, hated it, but spoke about it in capital letters in a comment on a social media.
It really questions the Netflix paradigm of producing movies based on "the like algorithm".
I like when an horror movie does what it's supposed to do: provoke you.
I noticed that some people used the word "satire", to make it sounds as if this movie is smarter than it actually is. These people need to google what "satire" actually means.
Satire is a comedic exaggeration of a stereotype as a form of criticism, This movie has no comedy, no exaggeration, no highlighted stereotype whatsoever. "A Classic Horror Story" just copied some part of other slasher movie plot and made a last minute criticism at the end. That's not a satire, that's just being unoriginal.
For real satire movies, check What We Do in the Shadows, Hot Fuzz, Tropic Thunder, or Don't Look Up. That what a satire movie really is. "A Classic Horror Story", is just a normal slasher movie.
That being said, the acting is good, special effect is good, script is good, plot is decent. If you can enjoy a decent, yet unimpressive slasher horror movie like me, I'd say give it a try. By its own merit, I think it's fair to give this movie a very normal 6/10.
Satire is a comedic exaggeration of a stereotype as a form of criticism, This movie has no comedy, no exaggeration, no highlighted stereotype whatsoever. "A Classic Horror Story" just copied some part of other slasher movie plot and made a last minute criticism at the end. That's not a satire, that's just being unoriginal.
For real satire movies, check What We Do in the Shadows, Hot Fuzz, Tropic Thunder, or Don't Look Up. That what a satire movie really is. "A Classic Horror Story", is just a normal slasher movie.
That being said, the acting is good, special effect is good, script is good, plot is decent. If you can enjoy a decent, yet unimpressive slasher horror movie like me, I'd say give it a try. By its own merit, I think it's fair to give this movie a very normal 6/10.
This is yet another example where IMDb score doesn't do justice to the film's quality. It is a decent film with proper directing, acting and storyline and a decent twist in the end.
I watched many horror films that got higher scores than this yet they are half as good.
Absolutely recommend it.
I watched many horror films that got higher scores than this yet they are half as good.
Absolutely recommend it.
Not what I thought, but I liked it. It had all the main elements of horror. By the way, don't forget to watch the post credit scene. It adds a bit more to the story. Again, post credit scene.
Le saviez-vous
- AnecdotesThe story of Osso, Mastrosso, and Carcagnosso is based on an urban legend that is still popular in Italy. The original legend dates back to the 15th century when the brothers were exiled from Spain because they murdered their sister's rapist. The brothers landed off the coast of Favignana, near the Sicilian islands, where they created new social rules and eventually founded three major criminal organizations in Italy: the Cosa Nostra (or the Mafia), the 'Ndrangheta and the Camorra (via La Mafia Uccide Solo d'Estate).
- GaffesToutes les informations contiennent des spoilers
- Crédits fousThere's a mid-credits scene.
- ConnexionsReferences Massacre à la tronçonneuse (1974)
- Bandes originalesIl cielo in una stanza
Performed by Gino Paoli
Meilleurs choix
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- How long is A Classic Horror Story?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Une histoire d'horreur classique
- Lieux de tournage
- Province of Foggia, Apulia, Italie(Foresta Umbra, Monte Gargano)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 000 000 € (estimé)
- Durée1 heure 35 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.00 : 1
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