Al morir la matinée
- 2020
- 1h 28min
NOTE IMDb
5,8/10
2,8 k
MA NOTE
Lors d'un journée grise et pluvieuse, quoi de mieux que de se réfugier dans un vieux cinéma? Un seul problème: un meurtrier en cavale y a également trouvé refuge.Lors d'un journée grise et pluvieuse, quoi de mieux que de se réfugier dans un vieux cinéma? Un seul problème: un meurtrier en cavale y a également trouvé refuge.Lors d'un journée grise et pluvieuse, quoi de mieux que de se réfugier dans un vieux cinéma? Un seul problème: un meurtrier en cavale y a également trouvé refuge.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 2 nominations au total
Franco Durán
- Tomás
- (as Franco Duran)
Pedro Duarte Gurméndez
- Mauricio
- (as Pedro Duarte)
Avis à la une
The action takes place in 1993 (decade of the movie Scream). Rainy night at the Montevideo Opera Cinema. A few spectators enter the large movie theater to see a Frankenstein movie at the evening performance, while the film is screened by the young daughter of the projector. But in the room there is a psychopath who will assassinate them ...
When the matinee dies is a film-tribute to the Italian giallo and his successor, the slasher. Personally, I confess that neither of the two (especially the second) convinced me as a "horror" cinema. The slasher repeats the formula of a serial killer with a sharp object and gruesome murders (with a lot of gore), with generally young victims and in some sexual or drug process, a "final girl", a heroine who faces the monster and a dose of self-awareness shared by your viewers. But his main problem for me is the poor psychological development of all his characters (including the murderer). While every genre film follows certain rules, in this one in particular, everything becomes (to me) very predictable.
The film by the Uruguayan Maximiliano Contenti has some successes and certain limitations that in this genre one does not know whether to attribute them to the genre or to the inexperience (for example, the performances).
At all times there is a certain parallelism between the film being projected and what is happening in the room. After a somewhat routine and static first part, when the action is concentrated on a group of characters, the empathy works better and the interest in the plot is consolidated, interest reinforced by the increasing truculence of the scenes and a murderer who charges more entity. Some shots are very successful (with tributes to the red giallo) and the murders deserve special mention, with a very analog and real gore.
In short, a film that lovers of the genre will surely enjoy and with an effective dose of gore.
It competed at the Mar del Plata Festival and was broadcast on cinearplay.
When the matinee dies is a film-tribute to the Italian giallo and his successor, the slasher. Personally, I confess that neither of the two (especially the second) convinced me as a "horror" cinema. The slasher repeats the formula of a serial killer with a sharp object and gruesome murders (with a lot of gore), with generally young victims and in some sexual or drug process, a "final girl", a heroine who faces the monster and a dose of self-awareness shared by your viewers. But his main problem for me is the poor psychological development of all his characters (including the murderer). While every genre film follows certain rules, in this one in particular, everything becomes (to me) very predictable.
The film by the Uruguayan Maximiliano Contenti has some successes and certain limitations that in this genre one does not know whether to attribute them to the genre or to the inexperience (for example, the performances).
At all times there is a certain parallelism between the film being projected and what is happening in the room. After a somewhat routine and static first part, when the action is concentrated on a group of characters, the empathy works better and the interest in the plot is consolidated, interest reinforced by the increasing truculence of the scenes and a murderer who charges more entity. Some shots are very successful (with tributes to the red giallo) and the murders deserve special mention, with a very analog and real gore.
In short, a film that lovers of the genre will surely enjoy and with an effective dose of gore.
It competed at the Mar del Plata Festival and was broadcast on cinearplay.
An interesting film. The production is ok for me, and considering the small budget, this is a real little masterpiece. All the elements of retro horror are there. It was interesting to watch him. The music is great. The rain that is constantly falling complements the phenomenal atmosphere that is missing in many films of this genre today ...
The Last Matinee is a stylish and well shot homage to the giallo films of Dario Argento and maybe a few nods to the Spanish thriller Anguish. On the technical side of things, there are few complaints. Lighting is beautiful and the gore effects are really well done, but the script goes off the path a few too many times during its first hour and the pacing can get a little sluggish. The final act is at least a bit more entertaining as the surviving moviegoers band together to stop this killer who collects eyeballs.
'Bloody Matinee' or 'The Last Matinee' depending on which region you're from is a fun Spanish horror flick with Giallo and Slasher elements combined with a stylish 90's throwback setting. The movie's plot is simple yet effective and well paced with enough tension and gory kills to keep you entertained throughout.
The plot = The movie takes place on a rainy Sunday evening at the Opera Theatre where are old horror movie is being screened and a handful of people show up unaware that there's a murderer amongst and he starts to pick them off one by one.
The movie's direction by Maximiliano Conti is excellent with solid set pieces and a creative use of colours and lighting which makes everything look polished and fantastic, the cinema itself has that classic grand look to it and builds a decent amount of mood and atmosphere. The only negatives I could give is that the acting isn't up to much here and the characters themselves are rather forgettable, but there's enough going on to keep you distracted and thrilled.
Overall the movie is a fun ride with a clear love for the classic Giallo and slasher flicks. Sure it may not be the most original horror flick out there, but its still a good effort.
The plot = The movie takes place on a rainy Sunday evening at the Opera Theatre where are old horror movie is being screened and a handful of people show up unaware that there's a murderer amongst and he starts to pick them off one by one.
The movie's direction by Maximiliano Conti is excellent with solid set pieces and a creative use of colours and lighting which makes everything look polished and fantastic, the cinema itself has that classic grand look to it and builds a decent amount of mood and atmosphere. The only negatives I could give is that the acting isn't up to much here and the characters themselves are rather forgettable, but there's enough going on to keep you distracted and thrilled.
Overall the movie is a fun ride with a clear love for the classic Giallo and slasher flicks. Sure it may not be the most original horror flick out there, but its still a good effort.
This a a film set in the early '90s and the ambience, clothing and set design really took me back to those care free days of my youth. All together, this was a good slasher with above average special fx.
Le saviez-vous
- AnecdotesThis film's killer is played by Ricardo Islas. He also directed the movie-within-movie, Frankenstein: Day of the Beast (2011).
- ConnexionsFeatures Frankenstein: Day of the Beast (2011)
- Bandes originalesMotorcycle Cop
Written by Jarome Harmsworth and Joel Harmsworth
Performed by Power Glove
Meilleurs choix
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- How long is The Last Matinee?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Red screening
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 400 000 $US (estimé)
- Durée1 heure 28 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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