Al morir la matinée

The Last Matinee gets the giallo gore and style right on the mark, but also carries over its lack of interesting characters and story drive. It takes a bit too long to get to the slashing and everything plays out about as one would expect. There are very few surprises, but it's entertaining enough for a one time watch.

The action takes place in 1993 (decade of the movie Scream). Rainy night at the Montevideo Opera Cinema. A few spectators enter the large movie theater to see a Frankenstein movie at the evening performance, while the film is screened by the young daughter of the projector. But in the room there is a psychopath who will assassinate them ...

When the matinee dies is a film-tribute to the Italian giallo and his successor, the slasher. Personally, I confess that neither of the two (especially the second) convinced me as a "horror" cinema. The slasher repeats the formula of a serial killer with a sharp object and gruesome murders (with a lot of gore), with generally young victims and in some sexual or drug process, a "final girl", a heroine who faces the monster and a dose of self-awareness shared by your viewers. But his main problem for me is the poor psychological development of all his characters (including the murderer). While every genre film follows certain rules, in this one in particular, everything becomes (to me) very predictable.

The film by the Uruguayan Maximiliano Contenti has some successes and certain limitations that in this genre one does not know whether to attribute them to the genre or to the inexperience (for example, the performances).

At all times there is a certain parallelism between the film being projected and what is happening in the room. After a somewhat routine and static first part, when the action is concentrated on a group of characters, the empathy works better and the interest in the plot is consolidated, interest reinforced by the increasing truculence of the scenes and a murderer who charges more entity. Some shots are very successful (with tributes to the red giallo) and the murders deserve special mention, with a very analog and real gore.

In short, a film that lovers of the genre will surely enjoy and with an effective dose of gore.

It competed at the Mar del Plata Festival and was broadcast on cinearplay.

This a a film set in the early '90s and the ambience, clothing and set design really took me back to those care free days of my youth. All together, this was a good slasher with above average special fx.

This is not what I was looking for at all, I was hopeful because of the creative usage of the movie theater atmosphere but this director was obviously more influenced by the experience of being a child in the late 1980s or early 90s and watching slasher flicks than anything else. Depressingly, the film they're watching in the theater for our "meta" experience as an audience is complete crap. Apparently, the folks creating Al morir la matinee could not purchase the rights to something a little more recognizable even if it was low grade sleaze. One Dario Argento poster for Opera hangs prominently in lobby, but we're dragged through some American D-movie I've never even heard of.

5 stars for style, totally watchable, just probably never again unless I'm stuck in a hotel with basic cable somewhere.

A beautiful homage to giallo films, to horror, to cinema in general. Loved the cinematography and the score - reminding you Demons and others from that time in some moments. The direction is also refreshing with a big variety of different angles and shots.

I really loved the first act and most of the deaths. Unfortunately, I was not convinced by some acting and stupid reactions (maybe an homage to giallo? Maybe a bit too far?) and that's the only reason this is not at the very top of the best horrors of the year.