Une vie

I've been on a bit of a spree of Jewish themed films of late, trying to inject a bit of hope in between the inevitable darkness. Going from Shoah to Yentl and The Zone of Interest to One Life, which I think will likely bridge the horror with some lasting positivity... hopefully. I say this, as like many, I'm aware of Nicolas Winton from his appearance on That's Life! A stunning piece of television that will stick with anyone who remembers it being broadcast. I was very young though and I'm sure there's more to the story than I recall. Winton was a man who saw what the Nazis were up to, whilst many were covering their eyes and was moved to do something. That something was the Kindertransport or more accurately an extension of it. One Life is based on his true story and it doesn't shy on the details. We first meet an older Nicolas (Anthony Hopkins), doddering perhaps, slowing down a little but still motivated to help. Haunted by his past. You don't unsee the things he's seen. As he stares into a darkened window, we drift back to the 30s, where he's played by Johnny Flynn, trying to convince his mother (Helena Bonham Carter) that it's a good idea for him to travel to Czechoslovakia to help the refugees from the advancing Nazis. Flynn not only portrays Winton magnificently, he also feels perfectly in step with Hopkins. He's a bit of a chameleon. Nicolas though isn't on the surface. He's a well to do stockbroker. A desk man. Head in paperwork type. The harsh Prague winter is not what he was prepared for, but he learns quickly that without help, these displaced people have been forgotten by the system. The British government is not helping Czechoslovakians. When Nicolas is quizzed as to his motives, what skin he has in the game. His response is gripping. Heartfelt, unwavering, determined and spine tingling. The scenes of people saying goodbye at train stations, children with numbers on cardboard around their necks are intercut with the bureaucracy that Nicolas, friends and his mother navigate with steely determination as a score of thick string and piano laden melancholy fills the score. It's this drive/melancholy that defines Nicolas. The drive is his nature, the melancholy what he's left with when there's time think. It's this time that dictates older Nicolas's life. He realises there's sadly still a lesson to be learnt. This timeline isn't perhaps as fraught and terrifying, but it's what lead to that TV moment, this film and Anthony Hopkins reducing me to tears. The pace is kept up by jumping between Hopkins and Flynn in the eras of his life, where although some things have changed, the focus hasn't. It's not an easy watch, amazing as it is what they're doing, as Babi Winton (Bonham Carter) says "Nicky, you must know you can't save them all". What a world we live in. Where this happened and still the danger persists. Thank god for people like Nicolas Winton. A magnificent story brought about by the evil that people are capable of.

Set against the backdrop of the rising Nazi threat in 1938, "One Life" tells the true story of Nicholas Winton, a young British stockbroker who embarks on a daring mission. Driven by a sense of humanity, Winton orchestrates the Kindertransport, rescuing hundreds of Jewish children from Czechoslovakia and bringing them to safety in Britain. The film weaves through time, showcasing the immediate impact of Winton's actions on the rescued children as well as the decades of silence that followed as Winton kept his heroic deeds under wraps. (Bard AI)

One Life is an amazing story that I certainly had never heard about before. It's disappointing that it is told in such a conventional style. The story of Nicholas Winton follows a somewhat predictable trajectory, with occasional tropes we have seen in many wartime dramas. Despite this, Anthony Hopkins, who plays the older Nicholas Winton, and Helena Bonham Carter, who plays Babette Winton, both put in moving, nuanced performances that bring Winton's story alive.

As we know from other wartime stories, the power of individual action in the face of incredible adversity is staggering. The fear and desperation of the child refugees is effectively portrayed, along with heartwarming moments of hope and resilience. In a story like this, the moral ambiguities, the deep resources of courage, and the profound weight of responsibility gave me plenty to think about even after the credits rolled.

There were several things that detracted from the quality of the film. Pacing was a bit of a problem. Some parts of the story felt rushed, and other parts could have done with some tighter editing. The cinematography, while providing an evocative backdrop for the story, never really had the emotional weight needed for this sort of story. Some scenes bordered on being excessively sentimental, which, at times, diminished the authenticity of the movie. Some supporting characters could have done with some deeper development and backstories, and there needed to be a more balanced presentation of the story's two timelines so we could better understand the young and older versions of Winton.

While One Life isn't groundbreaking, it is well made and is a valuable reminder and tribute to an extraordinary man of courage. The strengths outweigh the flaws, making it worthwhile to watch for all ages (except very young children because of the mature themes). And Winton's story makes us question whether heroism is more about big deeds or small acts of bravery. One day, each of us may be called on to be heroic, and One Life provides us with an opportunity to think about how we might choose to act in those situations. Will we have the courage to help out in the small ways that can make a big difference?

This is truly an exceptional piece of work. Having seen the trailer it could've easily been made to look and feel quite tacky but I was genuinely surprised and extremely impressed by what has been accomplished. Every step of the production was presented exactly as you would want from a time period piece and I don't recall seeing any cgi at all and certainly none which could've potentially shattered the illusion. The commitment of the actors, both past and present versions were magnificent and made you completely believe their situations. The story is an exceptional one and I'm glad that it has been told in exactly the way it was & it absolutely destroyed me & I don't think there was a dry eye left from anyone in the cinema screening that I watched it in. Anything which gives me the immediate emotional reaction that this did means that it deserves a full 5 stars.

The story of Nicholas Winton, who saved hundreds of children from the Nazis just before the start of WW2 by organising trains from Czechoslovakia to the UK, is very much a story worth telling, especially as he was essentially a modest hero, one who didn't even think he deserved recognition, which makes his story all the more moving as it unfolds in flashback from late 70s Britain as Winton, superbly portrayed by Anthony Hopkins, remembers the events of the late 1930s.

Of course, there have been so many WW2 dramas over the years, so I felt the pre-war scenes do somewhat lack tension and a certain freshness, but good direction and succinct writing do calmly and absorbingly set the scene, explaining those earlier events well, but we also follow the way that 40 years later the heroic efforts of Winton and his colleagues were finally revealed and celebrated, ultimately making it a truly moving and revealing film. Perhaps, considering how things look today, it's also a reminder of how good really can triumph over evil and cynicism, and it's finally a superb tribute to a remarkable man.

Anthony Hopkins excels in the lead role, showing he's still magnetic well into his 80s and he's ably supported by Johnny Flynn playing him as a younger man and it's good to see Lena Olin again on the screen, playing his wife.

It's a solid drama that will appeal to the same target audience that made The Great Escaper,Operation Mincemeat,Dirty Little Letters etc popular; the older generation- and there's nothing wrong with, at least their going to the movies!

I knew about the Kindertransport but not fully; this film dutifully tells the story and it has the same level of tension that Munich: The Edge of War had ,countries being invaded as a set up to tell humane stories.

The classic TV recreation on' This Life' was well done and moving.