Chatroom

The concept of Chatroom is a really good idea: five teenagers join an online chatroom and the film portrays their conversations as if they are happening in the real world, in a physical room. I can see, with quite a bit of rewriting, this working as a very engaging stage adaption. However, this film doesn't deliver on the goods. If I could make some decisions here I would have kept the entire film surrealistic, keeping every scene in the virtual world instead of flashing back and forth from the online fantasy into the real world where the kids are typing into their laptops or phones. That would have taken quite a bit of more talent to write, however, as we'd have to stay engaged with a conversation in a My Dinner With Andre sort of way. Also, two of the characters are extremely neglected and their subplots are never carried through to fruition. I also have a hard time believing, even in the virtual world of the internet, that the villain here could actually manipulate everyone so easily without anyone really objecting. It would have been in that objection, in the passion of that debate, that this movie could have found its true energy. But unfortunately it relies too heavily on every parent's paranoid nightmare of the internet leading to suicide or a sexual predator. There are some novel ideas here but unfortunately this film does not realize the potential of those ideas.

I didn't really know what to expect with this film. There wasn't much media hype or anything of such so I thought I'd give it a go anyway.

I was a bit unsure of how the storyline was going to set out. The general pace of the film was quite set out as I didn't feel as if there were any parts that tend to have dragged on.

The character development was good, however, some characters such as Emily could have had a bit more involvement during.

Some of the acting was a bit tinny at times, especially at the start but it seemed to ease off as the story became more involved.

The ending was a slight shock and did in fact have me on the edge of my seat which I was incredibly surprised at!

The creepiness of Aaron Johnson's character William was what did it for me. I think he played it pretty well.

Overall, if you're looking for a film which incorporates some modern day technology and a bit of a nut job, this one is for you!

Horrible teens somehow get sucked in to doing horrible things by a floppy haired sulky cliché of the spoilt upper crust.

Past the original idea of portraying internet chat rooms as a physical space this movie has nothing new to offer. Every character is so one dimensional it's a joke. You have sulky emo kid angry at the world. The conservative political girl, the shy geek and the posh totty who hates being posh. This plays out more like a poorly written teen novel than a movie. I thought the manipulation of the other teens by the angry Emo was far too simple. Within one conversation he has the conservative character smearing feces all over her parents car.

I found it hard to relate to any of the characters because they had no depth. None of them felt real to me. I just hated them all. The only reason I kept watching was in the hope I'd see them all get their comeuppance.

The film is very nice to look at with some quite clever visual ideas for some of the chat rooms. Also the stop motion sections were quite a nice break from the whiny teens.

In the end all this movie really ended up being was a very heavy handed message of 'be careful who you talk to on the internet'. I just wanted to be entertained and not spoken to like a child.

In a year that served us with the Social Network and Inception we have a piece in the way of Chatroom (2010) that as strange as it may seem manages to drop between the weightier concepts of its two more esteemed colleagues. Nolan's world is the looser comparison but whereas dream and dream space are used as an extension of the psyche, Director Hideo Nakata attempts a physical representation of the Internet chat room, caught somewhere between abstract fantasy and an extension of ones persona in a domain that allows endless creative freedom for it.

Whilst you will not find any reference to Facebook directly, there is clear comparison to the Social Networks look into the effect of the internet on younger generations and their communicative dependence on it. The insight however comes from a different angle as we see consequence- Ostracism, broken parental relationships and obsession. Thematically we are in a darker world of Paedophilia, Suicide, Self harm and so on, our Subjects are teen caricatures Aaron Johnson (Kick Ass) plays the lead as William a seemingly causeless rebel and leader of the group which includes posh girl Eva (Imogen Poots), loner Jim (Matthew Beard), geek Emily (Hannah Murray) and self doubting Mo (Daniel Kaluuya).

When it comes to the execution Chatroom suffers from an overdose of its own ideas, all of which never materialise into anything remotely as interesting as the abundant pretences. For example there are two occasions where the film breaks out stop motion animation sequences in a naive attempt to deliver some parts of the narrative. Naïve is also an apt way to describe the cast whose performance is little more than comprehensive school drama club standard, coupled with a script which paints it's characters as vaguely existential. Nakata must take some of the blame also, the film is horrifically paced and even the 90 minute run time feels like a slog, lack of discipline is his ultimate flaw here multiple ideas without substance are no match for substantial development of a single idea.

Before I set to record this film, that was shown on Film 4 last night, I presumed it'd be a trite U.S. comedy/horror, full of gross-out and stoned slackers.

How pleasantly surprised I was to find it to be a deep, unpredictable British psychological thriller that's high on design and imagination. Yes, the actors look like they've escaped off sets of U.K teen dramas such as Skins, but they are playing characters that that market already caters for.

It's quite neat how the protagonist, Aaron Johnson, (Will) is accessing the chat-room in question via his PC or smartphone but is also then seen within it. As we soon get to know, Will's psychological make-up and difficulties are complex and largely unexplained. Is the chat-room itself purely in his mind and is the labyrinth of other rooms that we see at the start also only in his imagination? If so, that's quite a neat way of adding extra texture and substance that's already there.

The challenging soundscapes and things like the animations add extra meat to the body of expression that director Hideo Nakata uses - and I personally liked them and thought they added to the film. Some of the discussions on serious emotional conditions and suicide may help those who are exposed to those feelings and experiences, or they may not - depending on how mentally well one is. But at least it raises them, which is quite brave.

I don't necessarily think that the "hammy" acting that many have criticised is out of place here - touching and nuanced performances would be out of place in this aggressively symbolic and stylised movie. And, when one types on Facebook, with modern, abbreviated cyber-speak and even more so with Twitter, then dialogue is even more stilted, with even less room for delicate expression.

The other characters add to the mixture of messed-up heads and some social comment on what is acceptable and what isn't gets some interesting airing. I think many viewers who've come back from the pub and expected a simple cat and mouse cyber-bullying flick may have well been unprepared for how deep and complex this thriller is and been put off by that. It's a brave and imaginative film; flawed, yes. A nice bonus for those of us who've visited the locations such as Camden Lock and London Zoo are indeed, the familiar locations.