Get a Life, alright!

Had a good time hearing all the songs. The actors had good chemistry and the pacing was fast.

It nice to see the director put her heart into this. Her sense of humour shows in the film. Anyone who wants a quick romantic comedy will like this.

Such a feel good film, that also raised important issues about diversity within Australian television.

Made me laugh and smile and was led by a very strong cast with some beautiful heart felt performances.

Such an uplifting, feel good movie. I love the fun story and great cast. I love the Indian family and how Sarah supports her best friend Tessa. We need more films about female friendships like this one. The brotherly love is cool too. It tugs the heart strings but in a light hearted way.

Such an amazing indie film with a great message and a unique take on modern love. We need more films like this. The Indian dancing and songs are so catchy. West meets East! I look forward to the next film. It's a hidden treasure! I wish I saw this on the big screen.

Will this make it on the big screen again? If no please let us know.

Nick, an aspiring actor, delivers flowers by day and works at his father's restaurant by night. A chance meeting with Tessa, the star of Nick's favourite TV show leads him on a journey to follow one's dreams in life and love.

Joy Hopwood delivers a truly uplifting story that not only focuses on diversity, but also highlights the challenges facing the entertainment industry today. The genuine connection between the cast shines through and leaves you with that warm and fuzzy feeling inside. Great songs, catchy tunes and a lovely reminder to enjoy life and cherish the special moments that bring us together.

What happens when you have a rom-com with no real romance, no real comedy, and a script that feels like it was written in one afternoon? You get Get a Life, Alright!

This film tries to sell itself as a charming behind-the-scenes tale of fame and falling in love, but it lands with all the finesse of a high school drama assignment. The dialogue is cringeworthy, the plot painfully thin, and the characters - if you can even call them that - are so one-dimensional they might as well be cardboard cutouts. Every twist is predictable, every moment drenched in cliché.

It's baffling how something with such a strong claim to diversity and industry insight could feel so hollow. There's no tension, no spark, and absolutely no reason to care. The title says it all - this film needs to get a life, alright. Or at least a rewrite.