Ajouter une intrigue dans votre langueA haunted, broken-down psychic is being tortured with violent visions of murder. His unsettling "gift" is to see the last moments of a victim's time on earth. Now, as his visions become more... Tout lireA haunted, broken-down psychic is being tortured with violent visions of murder. His unsettling "gift" is to see the last moments of a victim's time on earth. Now, as his visions become more intense, he knows that he is either going to die or get involved with a situation that mi... Tout lireA haunted, broken-down psychic is being tortured with violent visions of murder. His unsettling "gift" is to see the last moments of a victim's time on earth. Now, as his visions become more intense, he knows that he is either going to die or get involved with a situation that might give him a little more time. His last obsession becomes to stop the death of at least ... Tout lire
- Réalisation
- Scénario
- Casting principal
Avis à la une
The slow pace allowed me to relax and absorbed the characters, Mario grabbed me and took me on his journey of wanting more in his life, the loathing he had of his visions and the torture it gave him. The development and honesty of the character really gave you the ability to root for Mario causing you to become suspicious of all the other characters because you were bonded to Mario by his vulnerability in the very first scene of the movie.
The audience became enveloped with the twist and turns of the intrigue in this film Noir' allowing you to be unable to resist rooting for Mario to get just a little peace of mind. Even with the seedy sex scene in the movie theatre and steam room you are still overcome with his honesty as a human being and his want of a normal quiet life.
The Cast all gave excellent performances and were credits to their characters with outstanding performances by Charles Casillo, Dana Perry and Paul Coughlin. If you sat and relaxed into the story line of this film the performance by these three actors really do put you on the edge of your seat by the end of the film.
When you have no budget to work with, for the most part all that you have to make a movie a success is the dialogue and acting and that is where "Let Me Die Quietly" succeeds. I love film noir--and the screenplay here strives hard to modernize the style. That means voice overs, shadowy locations, some handsome men, a gorgeous, mysterious woman, melodrama, occasional over the top dialogue, and a murderous plot. This movie has all of these things although sometimes it seems a bit all over the place. Reigned in and sharpened and this movie could be a classic.
As it is, "Let Me Die Quietly," actually belongs to the actors. Charles Casillo as the drugged and drunken, "Mario," rasps, broods, suffers, lusts, regrets, and eventually sheds everything in a complex and fascinating performance as a tortured psychic who "sees" things. No, he doesn't see dead people but his psychic ability does force him to live through the last moments of a victims moments before death. It is Casillo's shoulders that the first half of the film rests on--and his encounters with a priest, a stranger, his doctor, a detective, and most of all, a beautiful new friend, "Gabrielle." Casillo reacts differently to each character and I particularly enjoyed his interactions with the "seen it all" detective "Devlin." Paul Coughlan as "Devlin" is wonderful. At first he comes across as the all cliché, world-weary, homophobic, "seen it all" cop. But Mario also spills out all of his own cliché defense mechanisms to deal with the detective. In their first meeting Mario releases his vulnerability, flirts, gets angry, and then wearily sarcastic. Devlin is impervious to Mario's bag of "faggot" tricks. And as they match each other layer for layer, line for line, you can see a mutual respect growing and they begin develop into two men, from different worlds, with an unlikely fondness for each other. This is acting chemistry at its best, and Coughlan and Casillo's scenes demonstrate great interaction between two actors.
It would have been easy for lovely Dana Perry to fall into playing "Gabrielle,"--the other psychic Mario meets by chance--as a sultry, sexy, vixen. Instead Perry displays a touching sensitivity in the role and you understand why Mario, basically a homosexual, falls for her. He is desperate for more than sexual excitement and longs for an emotional connection, which Gabrielle provides. Perry, with her multi-dimensional acting makes that attraction and connection believable.
Mario also reveals his problems to his psychiatrist, Dr. Avery. From the start, Ian Tomaschik as the doctor gives off an oily charm. He is tough with Mario, but it seems like he is trying to break through his dream-like, drugged haze--his macabre fantasies--and force him to deal with reality. He doesn't believe in Mario's visions and hopes to get him to begin living in the real world. All of these encounters are the set up for the second half of the movie where the machinations going on surrounding Mario's life are revealed. It is in the last forty-five minutes that the movie shifts from being an art house character study into a more conventional Hollywood-type thriller.
I enjoyed "Let Me Die Quietly" for the good writing, clever twists, and most of all the fine performances all around. Although I would say it is certainly not for conventional movie audiences who have grown to expect a slicker execution.
Meilleurs choix
Détails
Box-office
- Budget
- 25 000 $US (estimé)